** UNRELEASED DYKE & THE BLAZERS-COVER FUNK BOMB **

Taken from the forthcoming "Movements Vol.12" compilation album, "Funky Broadway" by The Villagers has never been released - until now. The B-side features the Garage-Rock cut "You're My Baby (Don't You Forget It)" from 1966, the same year as Dyke & The Blazers recorded the original version of "Funky Broadway". More

** ULTRA-RARE SOUL / DEEPFUNK 45 **

One of Washingtons finest 45s meets rarity and quality head on. Although rarity is not the main reason for us here at TRAMP to re-release something, obviously it adds some fun to the game knowing that original copies of both WILLIAM CUMMINGS 45 RPM singles sell for a four-figured amount - if they turn up at all. More

** FIRST TIME ON 45 **

We comped "Natural Life" on one of our "Peace Chant" compilations some time ago. We always felt the need to do a 45 of it so here it is. Some of you may think, well that's an average jazz-funk cut so why on earth are they doing a 45 of it? Well, drop the needle on Part 2 and you will understand. More

Phenomenal soul/funk 2-sider which has deserved a repress so badly. "BI-CENTENNIAL - 1976" has been comped on the fourth volume in the "CAN YOU FEEL IT" compilation series. The flip side, "LOVE ONE ANOTHER", was featured on "COUNTDOWN TO... SOUL 2". Now available on a good old 45 RPM single re-issue. More

** RARE GERMAN SOUL / AOR -- FIRST TIME ON 7INCH **
"STEPS ON A CLOUD" was featured on the fourth volume in the "CAN YOU FEEL IT" compilation series. "WHISPERING"has not been re-issued so far and is exclusively available on this sweet 45 RPM single. More

MUSIC FOR A SUNDOWNER – Melodic AOR / Yacht Rock from GermanyTramp fans will already be familiar with the band "People", as they were featured on the latest edition of the "Praise Poems" series (Volume 9, TRLP/CD-9109). "Misty Mood" was not only the song we included on Praise Poems 9 but also the title of their debut album from 1981. However, it wasn't their first release on Vinyl.In 1969, two years after the group was founded, a 7-inch single EP with four folk songs was released, by then under the name "The People". With Woodstock and the changes in folk and rock music in the early 1970s, bandleader Bernd Heyder dissolved the band. A few years later he founded "People", whose sound was now based on artists such as Crosby, Stills and Nash and Neil Young. After many frenetically celebrated live performances, the desire to record a full length album arose at the end of the 1970s. In 1981 the time had come and "Misty Mood" was released on a small, local label called "Ohrwurm Records". Just one year later the band released their second album titled "Easy Going". Their third and final album, which exclusively contains songs with German lyrics, was released on CBS Records in 1983. CBS wanted to sign Bernd Heyder as a solo artist, but he politely declined. When the hoped-for success failed to materialize, CBS prematurely terminated the band's contract. In 1984, "People" disbanded.With the stunning LP release "Natures Melody", Tramp Records honors Aschaffenburg's "People" after almost 45 years. The reason why no one has really taken an interest in them so far may be because the original Vinyl records are anything but rare. For the 'people' behind Tramp Records, this is absolutely insignificant, it's simply the music what counts. And the songs are so extraordinary that we are proud to set up a special monument to the band with this album. More

Superb funky-soul tune which was comped on the incredible "Natural Resources II" compilation album. The original 45 is tricky to find so most of the soul music aficionados out there should be pleased with this reissue. More

Two superrare & heavy funk cuts from Donnie Sanders. "Shing A Ling Baby" can be found on the incredible "Feeling Nice Vol.4" compilation album. "Naptown USA" is completely unknown and waits to be discovered. More

** German Disco - first time on 7" ** "Matter of Taste" released their debut album on the small german Flame label in 1979. "Step By Step" is a monstrous Disco track while the flip side ("Haselief") is completely different and certainly surprises the listener. More

** Re-issue of an ultra-rare modern soul 45 ** "Without Your Love" is a wonderful, uplifting modern soul tune which was recently comped on "Praise Poems Vol. 9". The original 45 RPM single is ultra-rare and extremely hard to find, so this reissue is here to please a lot of music lovers. More

*** ULTRA-RARE PSYCH/SOUL 45 AS COMPED ON PRAISE POEMS 9 ***
The Tramp crew is extremely pleased to announce the re-release of AOH's masterpiece "The Answer Lies In Love" on 45 RPM single. Backed with the equally strong psych-funk tune "Third Eye", this reissue will be without doubt a future collector's item. More

REAL, DEEP FUNK WITH A PSYCHEDELIC NUDGE. Representing Seattle Funk. The Oscillators' debut 45 RPM single is deep, raw and energetic. Led by drummer oLLi kLoMp, the line up features members of the polyrhythmics, Rippin' Chicken, the Pulsations, Lucky Brown, the Trueloves, 45th Street Brass, The S.G.'s, and more... This 45 RPM single is limited to 300 copies and contains two non-album tracks. More

The Tramp crew is extremely proud to release Gus Brendel's mod-soul monster "Sax On The Rocks" for the first time on 45! On the flip you find a great tittyshaker titled "Arabian Nights" which was recorded two years earlier. Essential dance floor material - one for the hip djs! ***FIRST TIME ON 45!!!*** More

Representing Seattle Funk. The Oscillators' debut album is deep, raw and energetic. Led by drummer oLLi kLoMp, the line up features members of the polyrhythmics, Rippin' Chicken, the Pulsations, Lucky Brown, the Trueloves, 45th Street Brass, The S.G.'s, and more... REAL, DEEP FUNK WITH A PSYCHEDELIC NUDGE. More

** Raw, Deep and Spiritual Jazz 1966-2018 **
The Peace Chant compilation series is a Temple, a reliquary of sacred harmonious statements made by enlightened artists throughout time. With Tramp Records' latest offerings, "Peace Chant, Raw Deep and Spiritual Jazz volumes 5 & 6, deeper, darker, and even more remote chambers of this already exalted temple are brought to light. The team at Tramp, with their torch of love and with reverence for those builders who came before, have returned from their quest with musical treasures unfathomable. Indeed, some of these tracks sound as if they may have literally been plucked from the ancient hands of some towering golden idol. But this quest was no looting effort, no. The Gods, as well as the artists and their families were fairly compensated through Tramp Records' rigorous and historically conscious licensing efforts. Some of the treasures herein include, from Volume 5, a German gospel/modal jazz hybrid replete with flutes and vibes (and even a surprise gospel choir) reminding us not to 'speak when we should be silent' called "Ich Rede Wenn Ich Schweigen Sollte"; Indian jazz/rock fusion outfit Jazz Yatra Sextette's literal peace chant, "Shanti" led by Louis Banks (real name Dambar Bahadur Budaprithi), who worked with Embryo and John Maclaughlin; and Ron Wilson Trio's walking meditation and study on the beauty and rhythm of "Zimbabwe" in 3/4. More

The Peace Chant compilation series is a Temple, a reliquary of sacred harmonious statements made by enlightened artists throughout time. With Tramp Records' latest offerings, "Peace Chant, Raw Deep and Spiritual Jazz volumes 5 & 6, deeper, darker, and even more remote chambers of this already exalted temple are brought to light. The team at Tramp, with their torch of love and with reverence for those builders who came before, have returned from their quest with musical treasures unfathomable. Indeed, some of these tracks sound as if they may have literally been plucked from the ancient hands of some towering golden idol. But this quest was no looting effort, no. The Gods, as well as the artists and their families were fairly compensated through Tramp Records' rigorous and historically conscious licensing efforts. Volume 6 ululates with a rich flute and Fender Rhodes-rich microtonal fusion called "Cataracts" by Musica Orbis that even comes with some sparkling Afro-harping moments ala Dorothy Ashby; a 5/4 dreamscape conjured by the Fredric Rabold Crew called "Januschka" with enraptured wailing soprano; and a very interesting and likely heretofore unheard version of a tune that, in Dizzy's words, "... has withstood the vicissitudes of the contingent world and rocketed in an odyssey into the realm of the metaphysical...", A Night in Tunisia, with rich vocals and scatting. More

After 8 years and 8 volumes, the Tramp Records crew invites you to join them on yet another enlightening journey into soulful Jazz, Folk and AOR from the 1970s and 80s. This 9th volume contains sixteen (almost) forgotton Soul, Jazz and AOR/yacht rock nuggets from between the mid 1970s and early 1980s. One of the many highlights is the opening track by Ronnie Miler, balearic soul at its very best. But that's just the beginning. Praise Poems Vol.9 covers a wide selection of genres, from AOR (Leaves of Autumn, Mirage and Germany's own People) to pop-soul-rock (Stroke, Tom Miles and Jan Lewis Group), from Terry Callier-type folk-soul (Danish-Swedish singer & guitarist Mikael Neumann, Babe and the previously unreleased "Love Is Not For Real"), to jazz (Dianne Elliott and Phil Palumbo), completing the set with a couple of melancholic soul and psych beauties, most notably AOH's mind-blowing "The Answer Lies In Love". More

(Pressed on Black vinyl, LP with OBI, Originally released in 1976) 2023 pressing Japanese Import of the Japanese Jazz-Funk classic. Deeply involved in the works of Terumasa Hino, Akira Ishikawa and Jiro Inagaki the 1976 Jazz-funk classic 'Flying-High,' showed his innovativeness, which was always one step ahead of the times, in the overall financial results.

TRACKLIST
A1. High-Flying
A2. Screwdriver
A3. Scramble

B1. Between O&M
B2. Smash
B3. Straight Flash
B4. Out of Focus



INFO



Hiromasa Suzuki is a composer/arranger/key player who has been active in the Japanese music world, including jazz as well as movies, television and commercials. In the late ‘60s and mid-’70s, he was deeply involved in the works of Terumasa Hino, Akira Ishikawa and Jiro Inagaki in the most radical times. The album “High-Flying,” recorded in 1976, showed his innovativeness, which was always one step ahead of the times, in the overall financial results.



Composed By, Arranged By, Keyboards, Synthesizer, Piano, Electric Piano – Hiromasa Suzuki

Drums – Shuichi Murakami

Electric Bass – Akira Okazawa, Kenji Takamizu

Electric Guitar – Fujimaru Yoshino, Kiyoshi Sugimoto, Masayoshi Takanaka

Keyboards, Synthesizer – Jun Fukamachi

Percussion – Larry Sunaga

Producer, Flute, Tenor Saxophone, Soprano Saxophone – Jiro Inagaki

Vocals – Kayoko Ishu More

The funky, atmospheric, evocative and sometimes downright weird output of companies such as DeWolfe, Cavendish, Burton and the ubiquitous KPM have always been a guiding inspiration for ATA Records, as evidenced in the spooky soundtrack vision of The Sorcerers, the big band brass of The Yorkshire Film & Television Orchestra and even in the soul-jazz of The Lewis Express & Outer Worlds Jazz Ensemble. It only seemed natural for the team at ATA Records to scratch their own Library itch and so "The Library Archive Vol. 1" was born in 2019. Recorded over a series of sessions in the Aladdin's Cave of vintage recording equipment that is ATA studios, it featured many of the ATA stable of performers. Released in 2021, "The Library Archive Vol. 2" still had the golden age of European Library music squarely in it's sights, but this time the focus was drawn more to the off-kilter soul organ sound of Italian quartet I Marc 4. These two volumes garnered praise from Library aficionado Shawn Lee ("Holy F*$K this sounds great! ATA really smash the classic British Library sound. 10 out of 10") and the Don of British Library Music himself, Alan Hawkshaw. And so to "The Library Archive Vol. 3": taking heavy inspiration from Jungle Obsession 9 by Roger Roger, and The Feed-back, as well as Blaxploitation era composers such as Willie Hutch and Melvin Van Peebles, and the masterful and ingenious Roy Budd, "The Library Archive Vol. 3" draws deeply from the well of library greatness. Each track has been lovingly crafted with a keen ear for authenticity and the same eye for detail shown on 'The Library Archive' Vol. 1 & 2, recorded on the same instruments and equipment and with the same techniques as the music that inspired it, with a focus throughout on stripped-back rhythm sections topped by flute, vibes and vintage synths. With three volumes now out and another currently in R&D, The Library Archive will stand as a testament to the love the ATA producers and artists have for the original composers and performers. More

Full Bloom is an experimental sound collective traveling through polyrhythmic timezones and psychedelic soundscapes deeply rooted in the aesthetics of Jazz, Hip Hop, Afrobeat and Dub. Whatever happens, we try to convey a feeling that sits deep in your stomach and makes your body move! More

We are really proud to introduce a new release on Mawimbi Records: "Mawimbi, Vol. 2”. Its title is a nod to “Mawimbi, Vol. 1”, which was the inaugural release of our record label back in 2015. A new compilation, at last, after a decade of music activism and a handful of EPs and albums which have helped unearth some of today’s talents from the new global music scene (Onipa, Loya, Afriquoi, Raz & Afla). It stays true to the driving principles of our artistic direction: support upcoming artists, e ncourage the breaking down of musical frontiers, help make happen new encounters between electronic music and so-called “afro” music. While these encounters can now be witnessed anywhere in pop music’s current zeitgeist, from Beyoncé to South African’s vibrant amapiano scene, we think there’s still plenty to explore.

“Mawimbi, Vol. 2” truly feels like the culmination of a long path for our record label. Because it includes artists who have been actively contributing to the Mawimbi adventure over the years, and also because it’s another convincing testimony of the fruitfulness of this musical intuition we have so heartily been defending for the last decade. Indeed, the 8 tracks of “Mawimbi, Vol. 2” resist all the usual labels. They sound like they stem more from human encounters and artistic dialogues launched in the moment than attempts to be associated with any music scene in particular. Each of the 8 pieces of this compilation presents in a unique way the search for this cross-pollinating sound.

The compilation opens with a really engaging rework of James Stewart’s classic track “Cotonou” by Lyon-based tropical music enthusiasts Voilaaa, who took Peter Solo’s voodoo soul lines on a trip across the Black Atlantic beginning with a horn-heavy cuban cha-cha-cha before falling into a savory triple time dance. As tireless sonic adventurers, Amsterdam-based duo Umoja have brought back a handful of hits from their numerous trips to Kenya meeting with local benga musicians. “Avana Va” is one of their compelling tunes, featuring Kenyan musician and producer Sidney Simila. This urge to collaborate with musicians from across the African continent is also to be found in Village Cuts’ ever expanding discography. On “Sentima”, they showcase their trademark London funky sound, introducing us to the talents of Congolese guitarist and singer Kissangwa.

Afriquoi’s 2020 hit “Ndeko Solo” is presented in a brand new shape, sprinkled with some French Touch flavours. “Djansa”, by Toulouse-based producers Mr. Boom, rides a distinct South African-inspired groove, while inviting us to a nighttime dance by the Balearic sea. On “Silent Runner”, French producer and musician Ozferti moulds his own musical galaxy where East African scales meet cutting edge global club beats. With “Nabi Kumi”, Anglo-Ghanaian duo Raz & Afla delivers their deepest piece, once again inducing a state of trance with a triple-time beat and an hypnotic kora loop. Closing the compilation, “It's Holy” is a unique collaboration between Tom Excell (Onipa, Nubiyan Twist, David Walters) and Dizraeli, one of the most interesting voices in British rap, which by making connections between broken beat, jazz and african music, illustrates the precious mixture of musical aesthetics that make up the current UK musical landscape.

A1 - James Stewart - Cotonou (Voilaaa Remix)
A2 - Umoja- Avana Va (Feat. Sidney Simela)
A3 - Afriquoi - Ndeko Solo (Sunshine Refix)
A4 - Ozferti - Silent Runner
B1 - Mr. Boom - Djansa (Feat. Chanana)
B2 - Raz & Afla- Nabi Kumi
B3 - Village Cuts - Sentima (Feat. Kissangwa)
B4 - Tom Excell - It's holy (Feat. Dizraeli) More

After reuniting Cosmic Renaissance and releasing the album “Universal Language” (SCLP/CD513) in 2022, Gianluca Petrella returns to the future jazz scene 2023 as a protagonist with a new five-track LP, “Universal Message”, again on Schema Records label, keeping the wind section of the original record unchanged. Among the most versatile musicians around today, Gianluca here evolves his style into new forms of futurism afro-jazz with three revisitations in electronic-jazz dance key of “Universal Language” and “Connection”, as well as two previously unreleased tunes, the title-track and “Mutation”, for a final result that is greater than the sum of its parts. And there is no better description of this music than a complete and total immersion in its sonic waves!

A1 - Universal Language - Revisited
A2 - Connection - Revisited
A3 - Mutation
B1 - Universal Language - Instrumental Revisited
B2 - Universal Message More

(180gr vinyl, printed innersleeve)

TRACKLISTING

A. Robert Hood & Femi Kuti - Variations (Side A - 18min 54sec)
B. Robert Hood & Femi Kuti - Variations (Side B - 15min 43sec)



INFO

Robert Hood's techno and Femi Kuti's Afrobeat intertwine in a new form where jazz-grooves reign supreme. For the fourth season of La Compagnie des Indes & Sourdoreille "Variations" live series of creations for France TV, the duo were united around the singer and producer James Brown, performing a tribute to the legendary Godfather of Soul who passed away in 2006. This "Variations" album is the live recording of this unique collaboration and performance, capturing a very special moment in time.

The evening witnessed a meeting of two icons in their own genres: one with synths and drum machines, the other on saxophone: Robert Hood and Femi Kuti embody excellence in their respective fields and the pair combined to make something truly unique, soulful, funky and spontaneous. Recorded in one 30+ minute take, "Variations" is embellished by Femi's exquisitely free-flowing yet restrained saxophone, whilst Hood anchors the groove with layers of pads and kicks with the long-time mastery of a true DJ.

Alongside Jeff Mills and Mad Mike, Hood is one of the original members of Detroit techno group Underground Resistance. His style is characterised by minimalist and experimental tones with an assertive groove. Throughout the '90s, he helped pave the way for techno to flourish - giving birth to minimal techno with his seminal album "Minimal Nation". Since then, he has been consistently forwarding electronic music culture with ground-breaking productions, sensational performances and his M-Plant label.

Alongside him, Femi Kuti takes on every musical style with his saxophone, which he plays with a virtuoso touch: pop, soul, electronic music and Afrobeat, of which he is one of the leading exponents. The son of Afrobeat singer and political activist Fela Kuti, he has inherited his father's zeal for both music and activism, where he continues to highlight the plight of most Nigerians living conditions in the oil rich state.

With "Variations" the duo capture an explosive combination on a special night in Paris 4 years ago, November 2019, filmed at the ADP Group headquarters (Paris Aéroport - Charles de Gaulle (CDG) - Roissy).

"It is so amazing when a vision comes to fruition. I enjoyed collaborating with the legendary Femi Kuti for this special project." [Robert Hood] More