1
Kim Yaffa - Once Bitten (Original 1988 Mix)
2
Kim Yaffa - Once Bitten (Michael David Remix)
3
Kim Yaffa - Once Bitten (Nick the Record & Dan Tyler Edit)
4
Kim Yaffa - Lights of LA (Original 1988 Mix)
Pleasure of Love reissue imprint, New Islands, launches with a quiet storm, soulful balearic stunner. Kim Yaffa’s Once Bitten was recorded in LA and released on a 1989 private press 7 Inch, only to be buried in american record bins for decades after. A re-emergence of Yaffa’s music on the internet in the last couple years has reached fever pitch, with collectors thirsting for copies of the record. Now, New Islands has worked directly with the artist to deliver an official reissue, professionally transferred from the mixdown reels, carefully restored, and remastered. The title track is an effortless class-act pop tune, with 80s blue eyed soul/Sade inspired sounds, and unknowingly balearic production that make it timeless (reminiscent of Linda Di Franco, Edie Brickell or 80s Fleetwood Mac). The 12 Inch is rounded out by new mixes from Nick the Record (Record Mission) and Michael David (Classixx)
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Customers who bought this also bought this
non-exclusive
2LP R&S and Apollo Records present an official vinyl repress of this most classicand timeless album The vinyl uses the 2013 re-masters made from original DAT tapes cut by Matt Colton and presented in original artwork.
All time favourite Aphex Twin Album. Nice and accesible experimental techno. Originally released in 1992. What else could be said here, we finally are stocking copies on arguably the most important and influential electronic album of album time, Aphex Twin's Selected Ambient Works 85–92. You will always need this!!!
Tracks: A1 Xtal
A2 Tha
A3 Pulsewidth
B1 Ageispolis
B2 i
B3 Green Calx
B4 Heliosphan
C1 We Are The Music Makers
C2 Schottkey 7th Path
C3 Ptolemy
D1 Hedphelym
D2 Delphium
D3 Actium
More
2LP R&S and Apollo Records present an official vinyl repress of this most classicand timeless album The vinyl uses the 2013 re-masters made from original DAT tapes cut by Matt Colton and presented in original artwork.
All time favourite Aphex Twin Album. Nice and accesible experimental techno. Originally released in 1992. What else could be said here, we finally are stocking copies on arguably the most important and influential electronic album of album time, Aphex Twin's Selected Ambient Works 85–92. You will always need this!!!
Tracks: A1 Xtal
A2 Tha
A3 Pulsewidth
B1 Ageispolis
B2 i
B3 Green Calx
B4 Heliosphan
C1 We Are The Music Makers
C2 Schottkey 7th Path
C3 Ptolemy
D1 Hedphelym
D2 Delphium
D3 Actium
More
1
Tilla - Blue Shuttle
2
Tilla - Adolescence
3
Tilla - Bath Knows Love
4
Tilla - Castle Cary
5
Tilla - Alice In Wonderland
6
Tilla - Frankenstein
7
Tilla - Jooby's Interlude
8
Tilla - Litherland
9
Tilla - I Owe It All To You
10
Tilla - Dear Evan,
11
Tilla - Luna
12
Tilla - Booloo
13
Tilla - Enigma
Tillla is 19 year old prodigal piano player Mateo Davis, a graduate of Purcell (Tirzah, Mica Levi, Jacob Collier) & a polymath musician, producer & mixer.
Third Person is Tillla's debut EP, a 13 track sprawling opus the then-18-yr-old made alone in his bedroom on a modular synth and dodgy copy of Ableton. The musicianship, depth and technical creativity in this record really is something that should be noted. More
Third Person is Tillla's debut EP, a 13 track sprawling opus the then-18-yr-old made alone in his bedroom on a modular synth and dodgy copy of Ableton. The musicianship, depth and technical creativity in this record really is something that should be noted. More
1
Dominick Martin - Easy Living
2
Dominick Martin - Need
3
Dominick Martin - Table Top
4
Dominick Martin - Autumn
5
Dominick Martin - Time
6
Dominick Martin feat. DRS - My Friend Al
7
Dominick Martin - I Wish I Could
8
Dominick Martin - Love Is
Tracklisting
A1 Dominick Martin - Easy Living
A2 Dominick Martin - Need
A3 Dominick Martin - Table Top
A4 Dominick Martin - Autumn
B1 Dominick Martin - Time
B2 Dominick Martin feat. DRS - My Friend Alone
B3 Dominick Martin - I Wish I Could
B4 Dominick Martin - Love Is
Sales Note
- 2024 repress -
Originally released in 2013, and now re mastered and repressed on 180 Gram vinyl with the original gatefold sleeve containing the lyrics inside.
Dominick Martin (Calibre) from 2013 "Along the west coast of Co Kerry in Ireland you will find the amazing Valentia Island. Attached by a bridge to the mainland, it is a place of beauty touched by years of history and the songs of the sea. I managed to obtain a house there for a few weeks, I took my computer and mic with me not knowing what to expect when I got there. In one of the rooms sat a piano, and as my fingers touched the keys I knew there was a story there waiting to be told. The sound of the piano in that place was something very magical as 100mph winds battered the house and interrupted my recordings. Other material has since emerged from those days spent on the island, but the main body of work that I recorded there makes up this album that I now present to you".
Pressing of 500 More
A1 Dominick Martin - Easy Living
A2 Dominick Martin - Need
A3 Dominick Martin - Table Top
A4 Dominick Martin - Autumn
B1 Dominick Martin - Time
B2 Dominick Martin feat. DRS - My Friend Alone
B3 Dominick Martin - I Wish I Could
B4 Dominick Martin - Love Is
Sales Note
- 2024 repress -
Originally released in 2013, and now re mastered and repressed on 180 Gram vinyl with the original gatefold sleeve containing the lyrics inside.
Dominick Martin (Calibre) from 2013 "Along the west coast of Co Kerry in Ireland you will find the amazing Valentia Island. Attached by a bridge to the mainland, it is a place of beauty touched by years of history and the songs of the sea. I managed to obtain a house there for a few weeks, I took my computer and mic with me not knowing what to expect when I got there. In one of the rooms sat a piano, and as my fingers touched the keys I knew there was a story there waiting to be told. The sound of the piano in that place was something very magical as 100mph winds battered the house and interrupted my recordings. Other material has since emerged from those days spent on the island, but the main body of work that I recorded there makes up this album that I now present to you".
Pressing of 500 More
1
Sharkey - Someone Like Me
2
Lynne Ann Kingan - If You Love Me - Hate Me
3
James Thornbury - So Tan
4
Jim Huxley - Only A Song
5
Charlie Webster - Snodland
6
The Bob Hughes Band - You Broke My Heart
7
Goldrust - Going Yesterday
8
Jim Kennedy - You Are The Reason
9
Jon Betmead - Marie Elene
10
Charles Murphy - The Foot That's Holding Me Down
11
Remnant - I Will Set You Free
12
Fred Potts - Following Rainbows
13
The Superwomen - Lowlands
14
Robison Kaplan Ltd. - Don't Say Goodbye
15
Gary Ramey - You Are His
16
John Agostino - Loss of Love
17
Ritchie Tierney - Please Stop Breaking Me Down
Genres: Rock / Folk / Psych
2LP
Tracklist:
1. Sharkey - Someone Like Me
2. Lynne Ann Kingan - If You Love Me - Hate Me
3. James Thornbury - So Tan
4. Jim Huxley - Only A Song
5. Charlie Webster - Snodland
6. The Bob Hughes Band - You Broke My Heart
7. Goldrust - Going Yesterday
8. Jim Kennedy - You Are The Reason
9. Jon Betmead - Marie Elene
10. Charles Murphy - The Foot That's Holding Me Down
11. Remnant - I Will Set You Free
12. Fred Potts - Following Rainbows
13. The Superwomen - Lowlands
14. Robison Kaplan Ltd. - Don't Say Goodbye
15. Gary Ramey - You Are His
16. John Agostino - Loss of Love
17. Ritchie Tierney - Please Stop Breaking Me Down
Short info:
A humanity-reminding suite of miracle moments, Someone Like Me unites a geographically unbound cast of real people in pursuit of a meaningful connection. Taping their lived experience in economic studios in quiet English counties, Pacific Northwest woodland retreats and the big city bustle of Sydney and Los Angeles, these kindred spirits rendered sheer beauty in the process. Custom pressed folk songs of love, loss and the lord saviour.
Illuminating minor works from seasoned players such as former Syndicate Of Sound chart-topper Sharkey and late-era Canned Heat lynchpin James Thornbury, the collection simultaneously honours the fleeting amateurism of hobby musicians. With their one shot at tangible vinyl, freshman Lynne Ann Kingan realised her loose bubblegum rocker on campus time, while U.S. Navy recruit Fred Potts cut his unconditionally serene ballad remotely stationed on a Spanish naval base. Spartan production continues to reign with Jon Betmead’s hair-raising gospel, howling into infinite space, and Goldrust’s stripped back garden hymn.
Throughout the hour-long reflection, faith has an intermittent yet revelatory presence, most overtly with the divine choral soul of Seventh-day Adventist quartet Remnant. More subtly, Gary Ramey and Jim Kennedy both turned to song in their spiritual quests, offering their all to a universal power. An irrefutable compilation cornerstone, the National Office For Black Catholics showcased Charles Murphy’s lionhearted account of the Black experience at a 1971 concert. Five years earlier, high school seniors The Superwomen would use their hauntingly angelic harmonies to address racial inequity with a breathless take on ‘Lowlands’.
Reaching the furthest corners, Someone Like Me secures the inaugural licence of three homespun masterpieces. Discovered by fluke in the digital haystacks of Youtube and Soundcloud, Jim Huxley’s bedroom pop earworm melds peacefully into Charlie Webster’s synthesized reverie. Meanwhile, Hollywood’s John Agostino introduces us to the bizarre world of tax scam records, with the artist only now learning that his tender psych-folk demos were leaked via a 1977 bootleg.
Compiled and lovingly restored by armchair digger Mikey Young (Eddy Current Suppression Ring/The Green Child), Someone Like Me pays due service to seventeen rarefied journals of truth and devotion. Adorned with visual artist Chris Fallon’s figure and flora dream extractions, the uniting songbook is further detailed by expansive track-by-track liner notes and a forward from San Franciscan poet Rod Roland.
More
2LP
Tracklist:
1. Sharkey - Someone Like Me
2. Lynne Ann Kingan - If You Love Me - Hate Me
3. James Thornbury - So Tan
4. Jim Huxley - Only A Song
5. Charlie Webster - Snodland
6. The Bob Hughes Band - You Broke My Heart
7. Goldrust - Going Yesterday
8. Jim Kennedy - You Are The Reason
9. Jon Betmead - Marie Elene
10. Charles Murphy - The Foot That's Holding Me Down
11. Remnant - I Will Set You Free
12. Fred Potts - Following Rainbows
13. The Superwomen - Lowlands
14. Robison Kaplan Ltd. - Don't Say Goodbye
15. Gary Ramey - You Are His
16. John Agostino - Loss of Love
17. Ritchie Tierney - Please Stop Breaking Me Down
Short info:
A humanity-reminding suite of miracle moments, Someone Like Me unites a geographically unbound cast of real people in pursuit of a meaningful connection. Taping their lived experience in economic studios in quiet English counties, Pacific Northwest woodland retreats and the big city bustle of Sydney and Los Angeles, these kindred spirits rendered sheer beauty in the process. Custom pressed folk songs of love, loss and the lord saviour.
Illuminating minor works from seasoned players such as former Syndicate Of Sound chart-topper Sharkey and late-era Canned Heat lynchpin James Thornbury, the collection simultaneously honours the fleeting amateurism of hobby musicians. With their one shot at tangible vinyl, freshman Lynne Ann Kingan realised her loose bubblegum rocker on campus time, while U.S. Navy recruit Fred Potts cut his unconditionally serene ballad remotely stationed on a Spanish naval base. Spartan production continues to reign with Jon Betmead’s hair-raising gospel, howling into infinite space, and Goldrust’s stripped back garden hymn.
Throughout the hour-long reflection, faith has an intermittent yet revelatory presence, most overtly with the divine choral soul of Seventh-day Adventist quartet Remnant. More subtly, Gary Ramey and Jim Kennedy both turned to song in their spiritual quests, offering their all to a universal power. An irrefutable compilation cornerstone, the National Office For Black Catholics showcased Charles Murphy’s lionhearted account of the Black experience at a 1971 concert. Five years earlier, high school seniors The Superwomen would use their hauntingly angelic harmonies to address racial inequity with a breathless take on ‘Lowlands’.
Reaching the furthest corners, Someone Like Me secures the inaugural licence of three homespun masterpieces. Discovered by fluke in the digital haystacks of Youtube and Soundcloud, Jim Huxley’s bedroom pop earworm melds peacefully into Charlie Webster’s synthesized reverie. Meanwhile, Hollywood’s John Agostino introduces us to the bizarre world of tax scam records, with the artist only now learning that his tender psych-folk demos were leaked via a 1977 bootleg.
Compiled and lovingly restored by armchair digger Mikey Young (Eddy Current Suppression Ring/The Green Child), Someone Like Me pays due service to seventeen rarefied journals of truth and devotion. Adorned with visual artist Chris Fallon’s figure and flora dream extractions, the uniting songbook is further detailed by expansive track-by-track liner notes and a forward from San Franciscan poet Rod Roland.
More
1
Move D - Aspiration 2010
2
Move D - Something 'Bout The D
3
Move D - Marshmellow Boots
This is the first 12“ of the new Move D - “Recurrent Recollections“ series. “Something ’Bout The D“ is featuring three previously released tracks, that only ever appeared on Various Artists compilations on different record labels - from Fred P’s Earth Tones Vol. 1, via Russ Gabriel’s Ferox label to Lowtec’s Out to Lunch imprint. Now for the first time on Source Records, this 12“ kicks off with Aspiration 2010, a subtle and slow building Deep Acid House track evolving across the entire side A. On the B-side the title track “Something ’Bout The D“ takes the vibe back to 90s oldschool Detroit inspired house music - spiced with some 909 euphoria, some uplifting chords and a technoid, abstract but soothing melody. Closing out the 12“ on B2 is the much beloved and hard to find Move D contribution to Out To Lunch’s “Airbag Craftworks Vol. 2“ compilation “Marshmellow Boots“. A hypnotic and bouncing hookline is transformed over surrounding synth stabs and dubs. A subdued fluffy little groover in a typical Move D trademark fashion.
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40gram classic black vinyl LP in a heavyweight gatefold jacket, with quarterfold A2 poster insert, IARC obi strip, and dome-patterned inner sleeve
Ibelisse Guardia Ferragutti and Frank Rosaly share musical, communal, and ancestral roots within the Latinx diaspora of Bolivia, Brazil, and Puerto Rico. Ferragutti - raised in Cochabamba, Bolivia - comes from South American musical royalty on both sides of her family... with maternal uncles from the psychedelic staple of Bolivian music Los Kjarkas, and a Brazilian accordionist who played with Gilberto Gil, among others, as a paternal uncle. Rosaly was born and raised in Arizona, but spent the better part of his prolific career working on the Chicago jazz and improvised music scene where, in many ways, he himself defined the sound of the free jazz scene, for a particular era. The two artists connected in Amsterdam in 2015, where they now live together, and work in many capacities across music, theatre, performance art, dance, and community organizing.
Ferragutti & Rosaly have come together on MESTIZX - their debut full-length record as co-composers, arrangers, and musician - to deeply investigate to their lineage and ancestries without the confines of tradition or genre. They are fascinated by the never-ending beauty of Latin rhythmic patterns, microtonal mountain flutes, and oblong swing from the pre and post-colonial Latin American region. With references to free jazz, electronica, Chicago post-rock, bomba, plena, cumbia, ambient, Andean, minimal, noise, punk and folk, the record illustrates several sides of a decolonization process in a deliberately loose, eclectic, and celebratory story. The music harkens to the richness of ritualistic gatherings, which they recognize as an intrinsic form of resilience and resistance, as well as a deeply necessary practice that most humans seek — in churches, dance clubs, music venues and festivals. An atmosphere of their native ecologies appear throughout the record. Allegoric symbolism and dance traditions from the Caribbean and Andes materialize. Sometimes as a distant memory, often scrupulously. These aspects have shaped the music to represent Latin cultures and it is deeply woven in the fabric of an eccentric, speculative song-story, rhyming with echoes of protest music marked by post-dictator realities and various socio-political instabilities.
Joining them on MESTIZX is a community of international musicians and beloved friends in a collective assembly of celebratory protest music: Matt Lux, Avreeayl Ra, Ben LaMar Gay, Daniel Villarreal, Bill MacKay, Rob Frye, Mikel Patrick Avery, Chris Doyle, Guilherme Granado, Viktor Le Givens & Fredy Velásquez.
RIYL: Juana Molina, Max Roach & Abbey Lincoln, Café Tacvba, As Mercenarias, Liquid Liquid, The Ex, Tortoise, Tom Zé, Elza Soares, La Mecanica Popular More
Ibelisse Guardia Ferragutti and Frank Rosaly share musical, communal, and ancestral roots within the Latinx diaspora of Bolivia, Brazil, and Puerto Rico. Ferragutti - raised in Cochabamba, Bolivia - comes from South American musical royalty on both sides of her family... with maternal uncles from the psychedelic staple of Bolivian music Los Kjarkas, and a Brazilian accordionist who played with Gilberto Gil, among others, as a paternal uncle. Rosaly was born and raised in Arizona, but spent the better part of his prolific career working on the Chicago jazz and improvised music scene where, in many ways, he himself defined the sound of the free jazz scene, for a particular era. The two artists connected in Amsterdam in 2015, where they now live together, and work in many capacities across music, theatre, performance art, dance, and community organizing.
Ferragutti & Rosaly have come together on MESTIZX - their debut full-length record as co-composers, arrangers, and musician - to deeply investigate to their lineage and ancestries without the confines of tradition or genre. They are fascinated by the never-ending beauty of Latin rhythmic patterns, microtonal mountain flutes, and oblong swing from the pre and post-colonial Latin American region. With references to free jazz, electronica, Chicago post-rock, bomba, plena, cumbia, ambient, Andean, minimal, noise, punk and folk, the record illustrates several sides of a decolonization process in a deliberately loose, eclectic, and celebratory story. The music harkens to the richness of ritualistic gatherings, which they recognize as an intrinsic form of resilience and resistance, as well as a deeply necessary practice that most humans seek — in churches, dance clubs, music venues and festivals. An atmosphere of their native ecologies appear throughout the record. Allegoric symbolism and dance traditions from the Caribbean and Andes materialize. Sometimes as a distant memory, often scrupulously. These aspects have shaped the music to represent Latin cultures and it is deeply woven in the fabric of an eccentric, speculative song-story, rhyming with echoes of protest music marked by post-dictator realities and various socio-political instabilities.
Joining them on MESTIZX is a community of international musicians and beloved friends in a collective assembly of celebratory protest music: Matt Lux, Avreeayl Ra, Ben LaMar Gay, Daniel Villarreal, Bill MacKay, Rob Frye, Mikel Patrick Avery, Chris Doyle, Guilherme Granado, Viktor Le Givens & Fredy Velásquez.
RIYL: Juana Molina, Max Roach & Abbey Lincoln, Café Tacvba, As Mercenarias, Liquid Liquid, The Ex, Tortoise, Tom Zé, Elza Soares, La Mecanica Popular More
1
BELLA - Note To Self
2
BELLA - Orchestra Spring
3
BELLA - Odd Symphony
4
BELLA - Odd Symphony (Olsvangèr Remix)
Fast-rising Dutch DJ/producer BELLA becomes the first new artist signing to Sally C’s Big Saldo’s Chunkers imprint, with the inspiring ‘Note to Self’ EP – her debut production.
Relationships are key for Sally C. Since the inception of Big Saldo’s Chunkers in 2020, she’s released three carefully chosen EPs, all from her own studio. When she met BELLA while playing a festival in Amsterdam during summer 2022, the click was instantaneous, with the pair going on to play an impromptu b2b that day. Vibing both musically and energetically, they kept in touch, with BELLA sending Sally her maiden productions ‘Note To Self’ and ‘Orchestra Spring’. Sally connected so deeply with the tracks that they’d form the backbone of her debut artist EP on Big Saldo’s Chunkers.
One listen to the final EP and it’s not hard to see why Sally wanted to emboss them as Chunkers. Three fresh originals taking in influence from ‘90s house, acid, electro and prog, all with a unique hard-to-pin-down energy that makes them hit with a special swing.
The title track – also the first production made for the EP - sees BELLA lay down a sonic blueprint – both for her own sound and the full body of work. “This set the vibe and guided me through the creative process. I was really trying to make something that felt my own, that was also unique and not something I’ve heard before,” she shares. ‘Note to Self’ is heavy on attitude and bounce, driven by banging old skool drums, a rapid-fire grime-style vocal and a duo of synth lines – one uplifting, the other mining a slick ‘80s sheen, and the results are memorable. An absolute tune that Sally’s delighted to add to the Chunker catalogue.
‘Orchestra Spring’ is the perky sequel, a wicked one-two punch of kaleidoscopic groovy house with lashings of attitude that loves to scribble outside the lines with lots of retro samples and trippy energy. ‘Odd Symphony’ completes the trio, a blazing late-night cut driven by a gurgling acid underbelly, gritty drums and warm chords, giving the EP a brilliant afterglow.
Olsvangèr – one of Sally’s favourite producers – steps up for remix duties of ‘Odd Symphony’, and delivers a dynamic re-rub that begins in upbeat house territory, before taking an interlude in perkier rave realms.
“I'm over the moon to be releasing this EP on Sally’s label. It’s really special to have someone who I look up to release my music. She has given me tremendous support and guidance over the last two years, always ready to chat or give me some advice. It was a big surprise and honour when she suggested releasing the tracks on her label. It feels like a perfect fit. It’s super sweet to share this journey with her.” – BELLA
"I’m so excited to welcome BELLA to the label for her debut EP. It was time to take this next step and open the Chunkers door to new artists. I couldn’t think of a better one than BELLA to debut her fresh Chunkers on the label. Three banging originals by an extremely talented artist which I’ve been playing ever since she sent me the tracks. Polished with an Olsvangèr remix, it’s a really strong four track EP." – SALLY C More
Relationships are key for Sally C. Since the inception of Big Saldo’s Chunkers in 2020, she’s released three carefully chosen EPs, all from her own studio. When she met BELLA while playing a festival in Amsterdam during summer 2022, the click was instantaneous, with the pair going on to play an impromptu b2b that day. Vibing both musically and energetically, they kept in touch, with BELLA sending Sally her maiden productions ‘Note To Self’ and ‘Orchestra Spring’. Sally connected so deeply with the tracks that they’d form the backbone of her debut artist EP on Big Saldo’s Chunkers.
One listen to the final EP and it’s not hard to see why Sally wanted to emboss them as Chunkers. Three fresh originals taking in influence from ‘90s house, acid, electro and prog, all with a unique hard-to-pin-down energy that makes them hit with a special swing.
The title track – also the first production made for the EP - sees BELLA lay down a sonic blueprint – both for her own sound and the full body of work. “This set the vibe and guided me through the creative process. I was really trying to make something that felt my own, that was also unique and not something I’ve heard before,” she shares. ‘Note to Self’ is heavy on attitude and bounce, driven by banging old skool drums, a rapid-fire grime-style vocal and a duo of synth lines – one uplifting, the other mining a slick ‘80s sheen, and the results are memorable. An absolute tune that Sally’s delighted to add to the Chunker catalogue.
‘Orchestra Spring’ is the perky sequel, a wicked one-two punch of kaleidoscopic groovy house with lashings of attitude that loves to scribble outside the lines with lots of retro samples and trippy energy. ‘Odd Symphony’ completes the trio, a blazing late-night cut driven by a gurgling acid underbelly, gritty drums and warm chords, giving the EP a brilliant afterglow.
Olsvangèr – one of Sally’s favourite producers – steps up for remix duties of ‘Odd Symphony’, and delivers a dynamic re-rub that begins in upbeat house territory, before taking an interlude in perkier rave realms.
“I'm over the moon to be releasing this EP on Sally’s label. It’s really special to have someone who I look up to release my music. She has given me tremendous support and guidance over the last two years, always ready to chat or give me some advice. It was a big surprise and honour when she suggested releasing the tracks on her label. It feels like a perfect fit. It’s super sweet to share this journey with her.” – BELLA
"I’m so excited to welcome BELLA to the label for her debut EP. It was time to take this next step and open the Chunkers door to new artists. I couldn’t think of a better one than BELLA to debut her fresh Chunkers on the label. Three banging originals by an extremely talented artist which I’ve been playing ever since she sent me the tracks. Polished with an Olsvangèr remix, it’s a really strong four track EP." – SALLY C More
1
chez damier - Can U Feel It - Club Vocal
2
chez damier - Can U Feel It - Club Instrumental
3
chez damier - Can U Feel It - New York Dub
4
chez damier - Can U Feel It - 2 1:2 Step
From the vaults! 1992 KMS records pressure straight from Detroit, still capable of causing much damage on dance-floors in 2016! This 4 track monster pulls together a pretty heavy cast of Detroit Techno and deep House royalty in the shape of Chez Damier, MK and Derrick May all contributing various mixes and versions across the EP. If deep, driving, soul drenched House is your bag you will be in heaven with "Can you feel it", a truly classic slice of sophisticated dance music indeed. All of the mixes are killers, but it's the "MK Dub" mix, also known as the "New York Dub" that really steals the show, here MK and May combine to craft a classy, slamming, emotive string driven jam that pushes all the right buttons. As usual, essential retrospective action here from one of the most legendary dance labels out of Detroit. All tracks remastered and fully licensed with the sole permission of Mr. Kevin Saunderson. 100% legit and not ready to quit!
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1
Sven Väth - L'Esperanza (Original Album Version)
2
Sven Väth - L'Esperanza (Hardspace Mix)
Tracklist: (1) Sven Väth – L'Esperanza (Original Album Version) (DE-Q20-24-00009)
(2) Sven Väth – L'Esperanza (Hardspace Mix) (DE-Q20-24-00010)
L'Esperanza (Hope) is undoubtedly one of Sven Väth's greatest hits. After more than 30 years, we are very proud to revive this timeless masterpiece for you on Cocoon Recordings. The artwork of the A-side is from the original 12" cover, which was released on Eye Q Records back then. Anyone who knows Sven recognizes that he has always felt free and evolved in terms of appearance and style. That's why we instantly loved the idea of Sven re-staging himself in the same pose but in a new guise. This picture disc documents a 30-year-long transformation, both sonically and visually. It is a beautiful journey through time and a true collector’s item.
A1: L'Esperanza (Original Album Version) 1993 Produced in 1993, this track has certainly not lost any of its charm over the years. Lovely string sounds envelop you in a cloud of comfort, while the filtered downbeat emphasizes this feeling of lightness. The catchy tune of the playful synthesizer melody invites you to close your eyes and start dreaming. Let yourself fall into a deep state of meditation and trance. The airy electric bassline comes with a charismatic power and opens a door to the subconscious, calling on you to dive deep. The atmosphere of this composition sits somewhere between drifting through the sea and hovering through space.
B1: L'Esperanza (Hardspace Mix) 2023 A revised version of the "Hope Will Move Mountains Mix" by "Visions Of Shiva" occurs on the B-Side in the form of Len Faki’s hardspace mix. Len is renowned for his elegant edits and refined modifications as part of his side project, this time delivering a stripped-down 135 BPM version that fits perfectly into the current zeitgeist. A club version of "L'Esperanza" that radiates a high level of euphoric energy, constantly pushing the rhythm patterns forward. All hands go up in the air at the latest when the piano part starts in the middle section. Let’s go back to the good old days of the original 90s trance sound since the cheerful arpeggio synth melody takes us along.
What is certain, you can't tell that either version has been around for 30 years.
More
(2) Sven Väth – L'Esperanza (Hardspace Mix) (DE-Q20-24-00010)
L'Esperanza (Hope) is undoubtedly one of Sven Väth's greatest hits. After more than 30 years, we are very proud to revive this timeless masterpiece for you on Cocoon Recordings. The artwork of the A-side is from the original 12" cover, which was released on Eye Q Records back then. Anyone who knows Sven recognizes that he has always felt free and evolved in terms of appearance and style. That's why we instantly loved the idea of Sven re-staging himself in the same pose but in a new guise. This picture disc documents a 30-year-long transformation, both sonically and visually. It is a beautiful journey through time and a true collector’s item.
A1: L'Esperanza (Original Album Version) 1993 Produced in 1993, this track has certainly not lost any of its charm over the years. Lovely string sounds envelop you in a cloud of comfort, while the filtered downbeat emphasizes this feeling of lightness. The catchy tune of the playful synthesizer melody invites you to close your eyes and start dreaming. Let yourself fall into a deep state of meditation and trance. The airy electric bassline comes with a charismatic power and opens a door to the subconscious, calling on you to dive deep. The atmosphere of this composition sits somewhere between drifting through the sea and hovering through space.
B1: L'Esperanza (Hardspace Mix) 2023 A revised version of the "Hope Will Move Mountains Mix" by "Visions Of Shiva" occurs on the B-Side in the form of Len Faki’s hardspace mix. Len is renowned for his elegant edits and refined modifications as part of his side project, this time delivering a stripped-down 135 BPM version that fits perfectly into the current zeitgeist. A club version of "L'Esperanza" that radiates a high level of euphoric energy, constantly pushing the rhythm patterns forward. All hands go up in the air at the latest when the piano part starts in the middle section. Let’s go back to the good old days of the original 90s trance sound since the cheerful arpeggio synth melody takes us along.
What is certain, you can't tell that either version has been around for 30 years.
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1
chez damier - Can U Feel It - Club Vocal
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chez damier - Can U Feel It - Club Instrumenta
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chez damier - Can U Feel It - New York Dub
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chez damier - Can U Feel It - 2 1:2 Step
CLEAR VINYL REPRESS X 300 UNITS
From the vaults! 1992 KMS records pressure straight from Detroit, still capable of causing much damage on dance-floors in 2016! This 4 track monster pulls together a pretty heavy cast of Detroit Techno and deep House royalty in the shape of Chez Damier, MK and Derrick May all contributing various mixes and versions across the EP. If deep, driving, soul drenched House is your bag you will be in heaven with "Can you feel it", a truly classic slice of sophisticated dance music indeed. All of the mixes are killers, but it's the "MK Dub" mix, also known as the "New York Dub" that really steals the show, here MK and May combine to craft a classy, slamming, emotive string driven jam that pushes all the right buttons. As usual, essential retrospective action here from one of the most legendary dance labels out of Detroit. All tracks remastered and fully licensed with the sole permission of Mr. Kevin Saunderson. 100% legit and not ready to quit! More
From the vaults! 1992 KMS records pressure straight from Detroit, still capable of causing much damage on dance-floors in 2016! This 4 track monster pulls together a pretty heavy cast of Detroit Techno and deep House royalty in the shape of Chez Damier, MK and Derrick May all contributing various mixes and versions across the EP. If deep, driving, soul drenched House is your bag you will be in heaven with "Can you feel it", a truly classic slice of sophisticated dance music indeed. All of the mixes are killers, but it's the "MK Dub" mix, also known as the "New York Dub" that really steals the show, here MK and May combine to craft a classy, slamming, emotive string driven jam that pushes all the right buttons. As usual, essential retrospective action here from one of the most legendary dance labels out of Detroit. All tracks remastered and fully licensed with the sole permission of Mr. Kevin Saunderson. 100% legit and not ready to quit! More
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Emjay - ‘Come ‘N Get It’ (Soulphiction’s Tweakin Edit)
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Tech Trax Inc. - ‘Tech Trax Inc.’ (Acid Jerks Dub Edit)
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Dee Gorgeous - ‘Better Than Sex’ (Dirty Channels Edit)
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N.Y. House’n Authority - ‘Ravenswood House’ (Honey Dijon & Luke Solomon Edit)
Nu Groove spotlights the artists that made the legendary NYC label a firm favourite of crate diggers of the time with a series of its vital tracks revisited by leading selectors of today. The label, born in 1988 by Frank and Karen Mendez as an outlet for the experimental works of the Burrell Brothers, quickly became a home for up-and-coming genre pioneers. ‘Nu Groove Edits, Vol. 6’ begins with the late Soulphiction, one of Germany’s most prolific house producers, and their Tweakin Edit of Emjay’s ‘Come ‘N Get It’, originally produced by Rheji Burrell. Next up is another Burrell production, the eponymous single by Tech Trax Inc. receives a Dub Edit from enigmatic genre-bending duo Acid Jerks. Italian house and disco experts Dirty Channels return, unveiling their edit of ‘Better Than Sex’ by Dee Gorgeous, before the Grammy award-winning production duo of Honey Dijon & Luke Solomon close the package out with their edit of ‘Ravenswood House’ by Rheji Burrell’s N.Y. House’n Authority.
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Josh Wink-Higher State Of Consciousness - Higher State Of Consciousness (Adana Twins Remix One)
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Josh Wink-Higher State Of Consciousness - Higher State Of Consciousness (Adana Twins Remix Two)
2024 Repress in black vinyl. Vinyl only! WG Standard Sleeve
Tracklist:
A) Higher State Of Consciousness (Adana Twins Remix One)
B) Higher State Of Consciousness (Adana Twins Remix Two)
Release Info:
Josh Wink’s ‘Higher State of Consciousness’ gets a respectful touch-up 25 years on courtesy of
the Adana Twins.
The German duo come strong with a pair of remixes, fit for two very different dancefloor scenarios. The
first a smart, stripped back breakbeat version that switches from a sparse percussive soundscape to the
famous acid warbles, before introducing undulating retro trance synths to the composition for a headmelting finish. Remix Two is a driving, four-to-the-floor, rave-focused affair that builds up the 303s with
exhilarating intensity, only letting up in the final moments of the track.
The fresh interpretation follows on from Adana Twins’ super re-work of Patrice Baumel’s ‘Roar’ that
dropped on Watergate last November and reinforces the duo’s golden touch on the remix front More
Tracklist:
A) Higher State Of Consciousness (Adana Twins Remix One)
B) Higher State Of Consciousness (Adana Twins Remix Two)
Release Info:
Josh Wink’s ‘Higher State of Consciousness’ gets a respectful touch-up 25 years on courtesy of
the Adana Twins.
The German duo come strong with a pair of remixes, fit for two very different dancefloor scenarios. The
first a smart, stripped back breakbeat version that switches from a sparse percussive soundscape to the
famous acid warbles, before introducing undulating retro trance synths to the composition for a headmelting finish. Remix Two is a driving, four-to-the-floor, rave-focused affair that builds up the 303s with
exhilarating intensity, only letting up in the final moments of the track.
The fresh interpretation follows on from Adana Twins’ super re-work of Patrice Baumel’s ‘Roar’ that
dropped on Watergate last November and reinforces the duo’s golden touch on the remix front More