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Norio Maeda Trio - Alpha Ray (Feat. Norio Maeda Trio)
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Terumasa Hino Quintet - Hakuchu No Shugeki - Theme (Feat. Terumasa Hino Quintet)
ALPHA RAY by The Norio Maeda Trio was originally released in the Swinging Sixties and this hot latin number was rediscovered by the Tokyo Hipsters at the height of the Acid Jazz Boom and became part of Shibuya Jazz Dance Folklore.
HAKUCHU NO SHUGEKI - THEME by Terumasa Hino Quintet is from a Japansploitation thriler made in 1970 with plenty of guns, gals, guys, sharpsuited action and gallons of studio blood! Mostly freeform blowing by the Legend that is Terumasa Hino for the soundtrack, one of the exceptions being this Blue Note Styled Soul Jazz number that sounds as if it came off the Van Gelder production line circa '66 to '71. Easily could be mistaken for Blue Mitchell, Donald Byrd or Freddie Hubbard's outputs post soul, pre-electric happenings. Another Jazz Room thing of beauty!
Now on 45 RPM release by Jazz Room Records, a 2 cut slab of wax that will have Jazzfloorista's waiting at the gate! More
HAKUCHU NO SHUGEKI - THEME by Terumasa Hino Quintet is from a Japansploitation thriler made in 1970 with plenty of guns, gals, guys, sharpsuited action and gallons of studio blood! Mostly freeform blowing by the Legend that is Terumasa Hino for the soundtrack, one of the exceptions being this Blue Note Styled Soul Jazz number that sounds as if it came off the Van Gelder production line circa '66 to '71. Easily could be mistaken for Blue Mitchell, Donald Byrd or Freddie Hubbard's outputs post soul, pre-electric happenings. Another Jazz Room thing of beauty!
Now on 45 RPM release by Jazz Room Records, a 2 cut slab of wax that will have Jazzfloorista's waiting at the gate! More
More records from Jazz Room Records
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Ronnie April's Positive Energy - Peg-Leg Ape
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Ronnie April's Positive Energy - Rasmonde
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Ronnie April's Positive Energy - Dancer's Theme
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Ronnie April's Positive Energy - Jazz You
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Ronnie April's Positive Energy - Snowflake
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Ronnie April's Positive Energy - Sure, Sure, Sure
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Ronnie April's Positive Energy - Diamonds For Ida
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Ronnie April's Positive Energy - A Ballad For Sir James (Chinook)
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Ronnie April's Positive Energy - Peg-Leg Ape (Chaser)
THE legendary release by Ronnie April's Positive Energy, pressed by Ronnie on his own Jude imprint and distributed only locally by him without success, leading to the disappearance of all but a few copies. An impossibly rare holy grail which has changed hands in the past for as much as £300! "Snowflake" has been a stable of the jazzdance scene for years and the track was even bootlegged at one point! Most importantly, the music is amazing - composer, arranger, producer, saxophonist, clarinetist and flautist, Ronnie April has performed with many greats such as Tito Puente, Frank Foster, Nat Adderley, Lionel Hampton, and Louis Armstrong, to name a few. It's a limited pressing at 500 copies only.
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Abacothozi - Thema Maboneng
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Abacothozi - Khwezela Mkhwezeli
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Abacothozi - Jika Sibongile
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Abacothozi - Cothozani Bafana
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Abacothozi - Igxababa Lembadada
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Abacothozi - Pho Usolani
Abacothozi were formed in 1973 by bassist Berthwel Maphumulo, formerly of the Elite Swingsters.
Together with Mac Mathunjwa on organ, his brother Innocent Mathunjwa on drums, and Joe Zikhali on guitar, they recorded at least two albums: "Thema Maboneng" released in 1975 and "Night in Pelican" released in 1976 (reissued on Matsuli Music Compilation "Night In Pelican"). These six sizzling tracks were originally recorded by West Nkosi for the Mavuthela label.
Released without fanfare and then forgotten, they remained totally unknown to DJs and clubgoers for over 40 years.
Rediscovered by Diggers Extraordinaire Kon & Amir for their much-lauded "Off Track Volume Two: Queens" (3xLP) on BBE Records and suddenly, a Volcanic Meltdown Frenzy for a Holiest of Grails emerged with sightings reported in hushed tones just in case you were beaten to the draw in some backstreet waxcave that someone foolishly whispered about on a social media site for all the world to see.
Now, Jazz Room Records is proud to release this epic fusion of sun-soaked exuberance, funk-infused rhythms and soul-jazz-driven beats for the first time in 50 years.
Sounding as if it were recorded yesterday, it is poised to light up dance floors again, from the Vibrant Streets of Soweto to the Funky Basement Dives of Barcelona, filling floors from the Outasite Getdown Grooves of Uncle Funks Palace to the Solid Soul Boulevards of Funky Broadway. More
Together with Mac Mathunjwa on organ, his brother Innocent Mathunjwa on drums, and Joe Zikhali on guitar, they recorded at least two albums: "Thema Maboneng" released in 1975 and "Night in Pelican" released in 1976 (reissued on Matsuli Music Compilation "Night In Pelican"). These six sizzling tracks were originally recorded by West Nkosi for the Mavuthela label.
Released without fanfare and then forgotten, they remained totally unknown to DJs and clubgoers for over 40 years.
Rediscovered by Diggers Extraordinaire Kon & Amir for their much-lauded "Off Track Volume Two: Queens" (3xLP) on BBE Records and suddenly, a Volcanic Meltdown Frenzy for a Holiest of Grails emerged with sightings reported in hushed tones just in case you were beaten to the draw in some backstreet waxcave that someone foolishly whispered about on a social media site for all the world to see.
Now, Jazz Room Records is proud to release this epic fusion of sun-soaked exuberance, funk-infused rhythms and soul-jazz-driven beats for the first time in 50 years.
Sounding as if it were recorded yesterday, it is poised to light up dance floors again, from the Vibrant Streets of Soweto to the Funky Basement Dives of Barcelona, filling floors from the Outasite Getdown Grooves of Uncle Funks Palace to the Solid Soul Boulevards of Funky Broadway. More
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Goma Laca - Cala Boca Menino (feat. Juçara Marçal & Russo Passapusso)
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Goma Laca - Ogum (feat. Juçara Marçal)
Two fabulous funky tracks originally released on the award winning album Goma-Laca – Afrobrasilidades in 78 rpm which updated Brazilian Music originally recorded on 78's in the 1920s to the 1950s. With musical direction and arrangements by Letieres Leite, the vocal pyrotechnics of Russo Passapusso and Juçara Marçal masterfully accompanied by double bassist Marcos Paiva, Hercules Gomes on piano, Sergio Machado on drums and percussion master Gabi Guedes. Under the direction of Letieres, the group created with the singers arrangements of jazzy tones over Afro-Bahian rhythms, and everything was recorded live at Estúdio Traquitana, in São Paulo.
The version of Cala Menino Boca best known from the version by Joao Donato that's been doing the Dancefloor round since the early Acid Jazz days here gets a funky and rhodes led percussive update and of course the traditional tune "Ogum" gets a soulful jazz run through, folky funk like you've never heard before. This is yet another welcome addition to the Jazz Room canon, watch those dancefloors light up when this wax spins! More
The version of Cala Menino Boca best known from the version by Joao Donato that's been doing the Dancefloor round since the early Acid Jazz days here gets a funky and rhodes led percussive update and of course the traditional tune "Ogum" gets a soulful jazz run through, folky funk like you've never heard before. This is yet another welcome addition to the Jazz Room canon, watch those dancefloors light up when this wax spins! More
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Rober "Dubwise" Browne & Dean Fraser - Sun Goddess
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Rober "Dubwise" Browne & Dean Fraser - Mister Magic
Soul Jazz of the First Order from Robert Dubwise Browne with two epic takes on tunes that should be in every DJ's grab bag of goodies. Sun Goddess originally by Ramsey Lewis and written by Earth, Wind and Fire's Maurice White together with a Ruff and Tuff version of the Grover Washington Jazz Funk classic "Mister Magic" featuring Jamaican Sax Man Dean Fraser. Guitarist Browne's appearance credits include the likes of his father Dennis Brown, as well as Gregory Isaacs, Beres Hammond and Toots Hibbert.. Produced by Japanese Reggae Legend Hayassen for his label Vortex and signed up on first hearing by Jazz Room Supremo Paul Murphy. If you've got a dancefloor you need these tunes!
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Ariel - The Girl With Three Faces
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Ariel - Black Wing
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Ariel - Circles In The Air
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Ariel - Would You
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Ariel - From Dusk Towards Dawn
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Ariel - When I close My Eyes
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Ariel - Travelling
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Ariel - 747 To Rio
A Jazz Dance Favourite that Jazz Room Records Head Honcho Paul Murphy was hepped to by Brownswood and 6Music Jazz Supremo Gilles Peterson at the 20th Birthday Bash of London's most Underground of Clubs: Shiftless Shuffle. Murphy: "I'd quite forgotten all about it, but when I saw the reaction on the dancefloor it was "Mental Note Time, get on the case for a full investigation and let's see some Vinyl re-issue action!" The head of the original Danish Label, Pick Up Records, later reminded Paul that he was selling the originals in his original Jazz Record Shop "Fusion Records" when the original was released and that he, Peter Littauer, had actually delivered them personally on a trip to London. Synergy in action! The music is a mixture of 100mph Latin Jazz (Girl With Three Faces/747 To Rio/From Dusk Towards Dawn) and Funky Rhodes driven workouts (Travelling/Circles In The Air), plus the vocal pyrotechnics of Hawaiian singer Lei Aloha Moe who guested on two of the tracks.
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Blue Mode & El Chavo - Smells Like Teen Spirit
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Blue Mode & El Chavo - Hola Muneca
The A Side of course is just one of the biggest tunes from the grunge era and is given a Jazzy Funky Groovy version by Blue Mode of Nirvana's Biggest Hit. It turns out that they were influenced by everything from the Gap Band to Louie Louie and a fair smattering of 80's indie and this production by Chip Wickham mixes together a Swinging '60's Blue Note Vibe with the Acid Jazz sound and brings it bang up to date with the Nu-Jazz Experience. First time on 45 and is already a DJ favourite after being included in the Paul Murphy set "Jazz Room" on BBE Records. Side 2 is a Boogaloo Latin Jazz version (produced by Paul Murphy Live in the studio in Budapest when he was living there) of the Lonnie Smith track "Hola Muneca" beloved of the Acid Jazz era DJ's and previously released on a now impossible to find 7 inch single that goes for crazy prices.
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Takumi Moriya Black Nation - Shakey Jake
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Takumi Moriya Black Nation - Night Dream
Paul Murphy: Jazz Room Records. "The first time I heard this I said "I gotta sign it!" as not only was it featured in one of the maddest and most memorable scenes on one of my favorite TV Shows "Severance" from Apple TV, but it's also on one of my favourite albums anyway, "Nation Time" by Joe McPhee." Takumi Moriya's version Is as funky as it gets and is truly way up there and meeting the high as a kitemark standards of "Defiant Jazz" (What a Niche Genre to be in!) This is going to cause some serious Defiant Jazz Shake on a dancefloor near you! Break out the Maraccas!" A limited vinyl 45 release and it's release number 30 on Jazz Room Records so ultra special.
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Take Vibe - Golden Brown (feat. Take Vibe)
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Take Vibe - Walking On The Moon (feat. Take Vibe)
2020. Full On Lockdown: Musician Laurence Mason puts together this off the wall idea meshing together two of his biggest musical heroes, Dave Greenfield of the tough 1970's proto-punk band The Stranglers with the oh so cool 1960's jazz of Dave Brubeck. He puts up his demo on Youtube not really expecting much in the way of feedback. And gets ONE MILLION hits. And hundreds of requests for a release. Jazz Room Records Head Honcho Paul Murphy says "Do you wanna record that and release it?"."Affirmative!" The result is this grooving Soulful and Funky Jazz version of "Golden Brown". On the "B" side is a languid and super cool version of "Walking On The Moon", originally by 80's Supergroup The Police. The first release sold 3000 (!) 7-inch singles and got into the Official Vinyl Singles Top 30. (Yes, there's still such a thing!). The latest version of the best selling Jazz Room Release. Now in Blue Splatter Vinyl.
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Danny Ward & Reality - Rock Steady (Live)
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Danny Ward & Reality - Affirmation (Live)
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Danny Ward & Reality - Funky On My Back (Live)
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Danny Ward & Reality - Get It All (Live)
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Danny Ward & Reality - Masquarade (Live)
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Danny Ward & Reality - God Made Me Funky (Live)
Another Holy Grail album from Jazz Room Records with Danny Ward & Reality who were the Go To Funky Jazz Band for College and other Hardcore Funk Party gigs in the Mid to late '70's in the Seattle area of the Pacific North West. They didn't just drop covers of the latest Disco or Top 40 hits though but instead took their audiences on a musical trip through the Funkiest and Jazziest sounds of the day featuring cuts made famous by George Benson, Lydia Pense and Coldblood, The Headhunters , Mandrill and many more. This unique recording capturing them live at a midweek gig showcases their style which of which Danny Ward says: "In the summer of 1977 this album was recorded at a club called The Tyee Restaurant and Lounge in Bremerton, Washington State, USA. The night this album was recorded, there was hardly an audience, perfect conditions for making this recording. We played every kind of venue, a lot of Top 40 dance clubs,but our style was to do a lot of soloing, despite the pressure of club owners and agents not to do so much soloing and be so "jazzy". We didn't care, we knew the audience loved us and we were very popular. This was the best group of musicians that i've ever worked with under the name of Danny Ward and Reality."
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indigo jam unit - Rush
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indigo jam unit - 4 Caminos
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indigo jam unit - Danza Eterna
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indigo jam unit - La Tomatina
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indigo jam unit - Time
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indigo jam unit - Matador
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indigo jam unit - Raindance
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indigo jam unit - Descarga
indigo jam unit, a Japanese super heavy jazz dance fusion supergroup, are set to release their specially compiled album in the UK for the first time. They are renowned for their unique blend of hard-hitting piano and percussion-driven jazz. Gilles Peterson asked Colin Curtis to start his radio show on Worldwide FM called Jazz Dance Fusion at the beginning of the pandemic in May 2020 and this meant he could introduce underexposed music that he loved. indigo jam unit was a natural fit. Following a conversation with his long-time Jazz Ally Paul Murphy of Jazz Room Records, they both quickly decided that now was the time to unleash some of the best indigo jam unit tracks to the world on an exclusive vinyl-only release. With pounding bass lines, percussive piano breaks, and the distinct addition of two drummers and percussionists, indigo jam unit's sound is truly unique. They have carved a path for emerging bands in the jazz scene of today. The four musicians from Osaka, Japan - Isao Wasano (Drums Percussion), Katsuhiko Sasai (Bass Double Bass), Takehiro Shimizu (Drums), and Yoshichika Tarue (Piano) - take no prisoners with their uncompromising style! Power, passion, drive, and incredible playing - like a lethal force.
From 2006 to 2016, they had a prolific output of albums with single-minded titles: Demonstration, Realism, Collectivity, Pirates, Roots, Independent Rebel, Milestone, Lights, and more - over 17 projects. indigo jam unit embody the same energy as those jazz dance greats like Art Blakey, Dom Um Romao, Stone Alliance, and the like - just uncompromising raw passion! More
From 2006 to 2016, they had a prolific output of albums with single-minded titles: Demonstration, Realism, Collectivity, Pirates, Roots, Independent Rebel, Milestone, Lights, and more - over 17 projects. indigo jam unit embody the same energy as those jazz dance greats like Art Blakey, Dom Um Romao, Stone Alliance, and the like - just uncompromising raw passion! More
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Hideo Shiraki - Tico Tico
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Hideo Shiraki - Besame Mucho
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Hideo Shiraki - Deux Step
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Hideo Shiraki - Gypsy Blue
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Hideo Shiraki - Sayonara Blues
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Hideo Shiraki - Orfeo Negro
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Hideo Shiraki - Groovy Samba
Hideo Shiraki travelled to the US from Japan in 1962 and was bowled over by Horace Silver and the Bossa Nova Craze happening at the same time. When he returned to Japan he went straight into the studio and cut this Blue Note inspired Japanese Jazz Masterpiece. With a selection of tunes ranging from the 1940's stylings of "Tico Tico" through to the samba infused "Orfeo Negro" and arriving in Silversville with "Sayonara Blues" Hideo Shiraki has hit all the sweet spots! With sleeve notes translated into English for the first time and laid out in the Blue Note Style this release is going to be seen as a landmark re-issue. A special Vinyl Only release on Jazz Room Records.
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The second in Jazz Room's occasional Pure Latin releases this Underground Masterpiece first emerged in 1980 and is an outstanding example of the Classic Era Nu Yorican El Barrio Underground Sound! If you dig the Tata Vasquez LP on Jazz Room then this is for you. Featuring the Afro-Cubano Salsaero Jazz Heavyweights of the day including Chocolate Armenteros, Jose Mangual, Mauricio Smith and Orestes Vilato and a huge seven man Percussion Section it really blasts out the Afro-Latin message. A part history of the Afro-Cuban Music Journey from the Hinterlands of Cuba via Havana and eventually arriving in Jazz Age New York it is a welcome addition to the Jazz Room Catalogue (as well as being Jazz Room Head Honcho's favourite albums). Floor filler cuts for Latin Lovers with "Esa Brujeria" always turning up the heat.
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T. Honda - Ain't Tell You A Good Way But
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T. Honda - Check Out Your Mind
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T. Honda - Ain't Funky Now
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T. Honda - What's Going On
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T. Honda - Sham Time
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T. Honda - Greasy Spoon
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T. Honda - Dock Of The Bay
The impossibly cool 1973 album What's Going On from Late, Great Japanese Funk & Jazz Don Takehiro Honda which swings through jazz orchestral renditions of American R&B and Funk Classics like Marvin Gaye's "What's Going On," Otis Redding's "Sitting On The Dock of the Bay," and James Brown's "Ain't It Funky Now" turning them into the most Down Home, Grits 'N' Gravy Grooviest Versions and sounding like they were recorded at the studio of the band that taught the Memphis Rhythm Sections all they ever were gonna need to to know. sAs well as the aforementioned tracks the album also iconic funk/soul gems from the Impressions (Check-Out Your Mind) & Soul Jazz covers from Eddie Harris (Sham Time), The Crusaders (Greasy Spoon) and a Pacific Soul Jazz Classic in "Ain't Tell You A Good Way But" which was composed by Takehiro Honda. Original copies regularly change hands for eyewatering sums and the album is seen as a much loved classic of it's era.
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Japanese trio Nautilus, whose name and style was inspired by the great Bob James turn their attention to Gil Scott-Heron's Jazz tribute and turn it into a broken beat masterclass. Coming soon on London Jazz DJ Paul Murphy's must-check Jazz Room records on vinyl seven-inch. On the B side you will find UK underground Jazz Keyboard Surf Queen Jessica Lauren's much admired funkster "Serengeti". Already receiving plays on Gilles Peterson's BBC6 Music and Colin Curtis Latin Jazz Fusion show.
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Eric Ghost - Orangeland
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Eric Ghost - Pakakrakatoa
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Eric Ghost - Oliver Snagnasty
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Eric Ghost - Moab (After The Rain)
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Eric Ghost - Secret Sauce
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Eric Ghost - Bizarre Bazaar
Eric Ghost is well named as he is indeed a mystery man. A contemporary (and best friend) of 1960's Funky Jazzman Jeremy Steig his self published Private Press albums are much coveted and difficult to obtain and command high prices. This Psychedelic Jazz masterpiece was recorded in 1975 and features Dave Valentin bassist Lincoln Goines in his studio debut as well as Jim McGilveray who went on to record with Paul Horn and The Cult. If you're a fan of The Blues Project "Flute Thing", Paul Horn's more esoteric offerings or indeed the aforementioned Jeremy Steig then this album is for you. The music is intense and demands your attention, it's both Funky and Spiritual from the first note of "Orangeland" to the last notes of the Eastern influenced "Bizarre Bazaar". Eric was involved with the Counter Culture from his time in Morocco in the early 1960's (while serving in the US Army, kind of like a Hip Elvis) until shortly after this album was recorded when under his real name, Richard Barth Sanders he was convicted of LSD Manufacture (he invented the blotting paper method of LSD distribution so could be entitled to say he was the world's first Acid Jazzer) and sentenced to 7 years in a Federal Prison. The album is re-issued with the original cover artwork with the correct track order for the first time.
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Carlos Franzetti - Beatriz
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Carlos Franzetti - Lady Soho
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Carlos Franzetti - Romancero
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Carlos Franzetti - Cocoa Funk
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Carlos Franzetti - Sweet And Low
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Carlos Franzetti - Graffiti
A superb Jazz Flavoured Latin Funk Soul album recorded in 1977 by Grammy Award Winning Carlos Franzetti when he was a struggling musician trying to get his first breaks in a tough New York Jazz scene. With a Top Notch grouping including Percussionist Ray Mantilla, Victor Venegas on Bass and Dick Meza from the Tito Puente Orchestra Carlos played all the Keyboards, wrote the numbers and was also responsible for all the arrangements. Released by Guiness Records (No relation to the Drink) and swiftly forgotten Stateside it was picked up by the DJ's in London's early Jazz Dance scene where "Cocoa Funk" became a must have cut, eventually appearing on Soul Jazz Records seminal re-issue series "London Jazz Classics". It also became a hit in Germany after being re-issued on a double vinyl by leading label Sonorama Records. Now available again in its original single album format and sounding as fresh as if recorded yesterday from the opening bars of the jazz inflected cut "Beatriz" via the Worldwide sounds of "Sweet And Low" to the Funky Latin Jazz of the title track "Graffiti". Still changing hands for eye watering sums on collectors sites and now available again for a reasonable sum courtesy of Jazz Room Records.
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Johnny Walker - Dippin'
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Johnny Walker - Advent
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Johnny Walker - Music and Art
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Johnny Walker - Find A Way
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Johnny Walker - Dirkie
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Johnny Walker - Black Label
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Johnny Walker - Arrival
Recorded when Johnny Walker was touring Worldwide with Veteran Jazz Star Lionel Hampton in 1982 and originally released on his own Private Press label: Walk On Productions. This neglected underground classic LP has been off the radar since then except for the appearance of "Dipping" on the Kev Beadle ?– Private Collection (Independent Jazz Sounds From The Seventies And Eighties) compilation on BBE Records. Almost unknown and unjustly negected, it's a funk drenched jazz journey with some crunchy fat beats laid down by the excellent rhythm section complementing Johnny Walkers cool horn stylings. Reminiscent of the albums of that early Jazz Dance era by Tom Browne and Rahmlee but with less of a commercial edge and wholly instrumental this is Funky Jazz that has not dated and sounds like it was fresh out of the studio in 2022. Funk all the way on "Dipping" and "Dirkie" while "Arrival" is one for the Jazz Dancers.
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Jazzberry Patch - Jazzberry Patch
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Jazzberry Patch - Over Easy
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Jazzberry Patch - Planed Off
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Jazzberry Patch - Sugar Bear
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Jazzberry Patch - Sand & Your Blues
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Jazzberry Patch - These Are My Friends
Originally released as an obscure private-press LP by the Florida trio of Ben Champion, Ken Burkhart and Danny Burger. Special guest on this super rare funky jazz outing is Mike Longo who says a few words on behalf of the group on the back cover, and sure enough he contributes scorching Rhodes in the style of his early 70s Greasy Groove sides for Groove Merchant and Mainstream. Also on board are Kelton Champion on guitar, Gary Champion on Bass, Mickey McGann on keys and David Winters on Congas and Percussion: (Just what we love to see on these kind of grooves. Added Phat Funkiness!) The 20 minute title number weaves, bobs, and scorches with a sound that has been described as a "Headhunters Headspace" the groove never dropping for an instant with a Fender Rhodes meets Hammond B3 Prestige Style Scene with an added flavouring of some chunky Moog Synthesizer. This has gotten a lot of chatter on the underground Jazz Vibes lately, copies changing hands for $300 and more. The track "These Are My Friends " regularly sells for upwards of $500 and is one of the most hard to find singles on the Rare Soul circuit. The band are from South Florida, a well known melting pot of culture and music.This area has produced an impressive number of Super Star Jazz Musicians. Among them Cannonball Adderly, Blue Mitchell, Jaco Pastorius, and Mike Longo and a multitude of others. Jazzberry Patch can now be added to that roster with this fantastic re-issue from Jazz Room Records.
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Sunshine Sound - Birthday Medley (Edit By Francois K)
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Sunshine Sound - X Medley (Edit By Francois K)
SUPER LIMITED !!.
Francois K : "Birthday Medley" and "X Medley: : back to back on black 10", high quality stereo funk, Loft and Garage Classics! More
Francois K : "Birthday Medley" and "X Medley: : back to back on black 10", high quality stereo funk, Loft and Garage Classics! More
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E. Live - A1. Soft Approach
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E. Live - A2. Wet Summer
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E. Live - A3. Make Me Move
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E. Live - A4. North Star
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E. Live - B1. Bossa Banger
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E. Live - B2. Hidden Oasis
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E. Live - B3. Night Raid
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E. Live - B4. Desert Caravan
E. LIVE returns to STAR CREATURE with yet another Boogie Blast Off, this time of the Jazz-Funk variety, marking his third full-length release with the esteemed Chicago label. The much-anticipated album is set to make seismic waves in 2024. With a nu-school approach leaning towards the jazzier realms of disco, E. LIVE masterfully maintains an unwavering dance floor allure. The album is a brilliant fusion of accessible and sophisticated sounds, creating an enchanting sonic landscape that seamlessly bridges disco and jazz elements. Genius Level production for a solo studio act. Highly recommended for fans of musical luminaries such as ROY AYERS, PATRICE RUSHEN, KHRUANGBIN, FKJ, and TORO Y MOI, etc...8 tracks & full picture sleeve.
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Juan Atkins & Moritz von Oswald present - Transport 07:28
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Juan Atkins & Moritz von Oswald present - Odyssey 07:28
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Juan Atkins & Moritz von Oswald present - Lightyears 06:08
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Juan Atkins & Moritz von Oswald present - 2600 06:44
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Juan Atkins & Moritz von Oswald present - Merkur 04:09
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Juan Atkins & Moritz von Oswald present - Riod 09:14
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Juan Atkins & Moritz von Oswald present - Zeolites 10:30
FORMAT 2LP 180g vinyl, printed sleeve, dl card
TRACKLIST
1. / A1 Transport 07:28
2. / A2 Odyssey 07:28
3. / B1 Lightyears 06:08
4. / B2 2600 06:44
5. / C1 Merkur 04:09
6. / C2 Riod 09:14
7. / D1 Zeolites 10:30
Juan Atkins and Moritz von Oswald – the two indispensable protagonists of the Electric Garden – plug back into the wilderness.
‘Transport’ – the full length effort brings together a set of studio-refined sequences aimed at colonizing some of the dark energy that
pulsates through those areas that are thoroughly electrified, even if not ‘on the grid’.
The Detroit-Berlin axis triangulated to a third point which, like the atomic particle that lives in two places at once, flickers between a
form of techno-charged ambience and a futuristic club-jazz which cannot be broken down into constitutive parts.
Borderland remains caught in a state of enraptured stillness, invisibly moving between every imagined future for electronic sound
making.
The result: a font from which springs serene and exhilarating musical ideas that vibrate with refined energy for sixty seconds in every
minute.
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TRACKLIST
1. / A1 Transport 07:28
2. / A2 Odyssey 07:28
3. / B1 Lightyears 06:08
4. / B2 2600 06:44
5. / C1 Merkur 04:09
6. / C2 Riod 09:14
7. / D1 Zeolites 10:30
Juan Atkins and Moritz von Oswald – the two indispensable protagonists of the Electric Garden – plug back into the wilderness.
‘Transport’ – the full length effort brings together a set of studio-refined sequences aimed at colonizing some of the dark energy that
pulsates through those areas that are thoroughly electrified, even if not ‘on the grid’.
The Detroit-Berlin axis triangulated to a third point which, like the atomic particle that lives in two places at once, flickers between a
form of techno-charged ambience and a futuristic club-jazz which cannot be broken down into constitutive parts.
Borderland remains caught in a state of enraptured stillness, invisibly moving between every imagined future for electronic sound
making.
The result: a font from which springs serene and exhilarating musical ideas that vibrate with refined energy for sixty seconds in every
minute.
More
We are happy to announce this Greg Foat & Gigi Masin tile for this year's RecordStoreDay release!
Please note that stock is limited and needs to be allocated so you might not get your full requested quantity
Fresh off the heels of their critically acclaimed collaboration album, Dolphin, UK jazz metro Greg Foat and Venetian electronic luminary Gigi Masin join forces once again for The Fish Factory Sessions, an exclusive release for Record Store Day 2024.
1LP pressed on translucent sky blue vinyl housed in an untreated card sleeve with spot varnish.
Listen: listen.k7.com/53a48642-00a5-40c8-ae62-7ecf308cf8b2
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Please note that stock is limited and needs to be allocated so you might not get your full requested quantity
Fresh off the heels of their critically acclaimed collaboration album, Dolphin, UK jazz metro Greg Foat and Venetian electronic luminary Gigi Masin join forces once again for The Fish Factory Sessions, an exclusive release for Record Store Day 2024.
1LP pressed on translucent sky blue vinyl housed in an untreated card sleeve with spot varnish.
Listen: listen.k7.com/53a48642-00a5-40c8-ae62-7ecf308cf8b2
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We are happy to announce this Sun Ra tile for this year's RecordStoreDay release!
Please note that stock is limited and needs to be allocated so you might not get your full requested quantity
Introducing a musical treasure from the enigmatic Sun Ra's expansive discography, Strut Records proudly presents "Inside The Light World: Sun Ra Meets The OVC”. This extraordinary album unveils previously unreleased recordings from the year 1986 for the very first time, showcasing a unique chapter in the Sun Ra catalogue, officially released for Record Store Day 2024.
Listen: https://on.soundcloud.com/kVj3m
Tracklisting:
A1 CALLING PLANET EARTH 11:01
A2 THEME OF THE STARGAZERS 8:35
A3 LOVE IN OUTER SPACE (DX7 INTERLUDE) 2:34
B1 LOVE IN OUTER SPACE 6:32
B2 STARDUST FROM TOMORROW 5:19
B3 EL IS A SOUND OF JOY 7:44
B4 SUNSET ON THE NILE (DX7 INTERLUDE) 3:20
C1 SUNSET ON THE NILE 7:39
C2 EAST OF THE SUN 4:39
C3 SATURN RINGS 6:03
C4 CALLING PLANET EARTH (PIANO INTERLUDE) 2:18
D1 DISCIPLINE 27-II 22:33 More
Please note that stock is limited and needs to be allocated so you might not get your full requested quantity
Introducing a musical treasure from the enigmatic Sun Ra's expansive discography, Strut Records proudly presents "Inside The Light World: Sun Ra Meets The OVC”. This extraordinary album unveils previously unreleased recordings from the year 1986 for the very first time, showcasing a unique chapter in the Sun Ra catalogue, officially released for Record Store Day 2024.
Listen: https://on.soundcloud.com/kVj3m
Tracklisting:
A1 CALLING PLANET EARTH 11:01
A2 THEME OF THE STARGAZERS 8:35
A3 LOVE IN OUTER SPACE (DX7 INTERLUDE) 2:34
B1 LOVE IN OUTER SPACE 6:32
B2 STARDUST FROM TOMORROW 5:19
B3 EL IS A SOUND OF JOY 7:44
B4 SUNSET ON THE NILE (DX7 INTERLUDE) 3:20
C1 SUNSET ON THE NILE 7:39
C2 EAST OF THE SUN 4:39
C3 SATURN RINGS 6:03
C4 CALLING PLANET EARTH (PIANO INTERLUDE) 2:18
D1 DISCIPLINE 27-II 22:33 More
1
Kaidi Tatham - It never Stops (06:40)
2
Kaidi Tatham - One For The Brain (06:36)
2024 Repress
Genre: House, Jazz, Breaks, Electronic, Beatdown,
Tracklist 12":
A1. It never Stops 06:40
B1. One For The Brain 06:36
Release Info:
Imagine a held-up-in-traffic Wayne Shorter arriving late to a Weather Report studio session and Joe Zawinul, Victor Bailey, and Omar Hakim filling in the time by jamming on a grooving house cut. Had that happened, it might have sounded a little bit like “It Never Stops,” one of two ultra-fresh tracks on Kaidi Tatham's Yore debut. Jazz and house are obviously distinct genres, yet as this irresistible cut makes clear swing is common to both. The other track, the cerebrally titled “One for the Brain,” locates itself closer to house music proper but is no less appealing for doing so.
Given the jazzy vibe of “It Never Stops,” it's fitting that Benji B once deemed Tatham the "Herbie Hancock of the United Kingdom.” Regarded as one of the originators of the Broken Beat sound, the UK-based multi-instrumentalist has worked with many an artist, from Bugz In The Attic and The Herbaliser to DJ Jazzy Jeff, and his session work credits list Slum Village, Amy Winehouse, Soul II Soul, and others. His own discography includes EPs and releases for labels such as 2000 Black, First World Records, Theo Parrish's Sound Signature, Eglo Records, and now, of course, Yore.
“It Never Stops” rolls in on a wave of silky synthesizer textures and percolating precision with a tight, funky groove that instantly pulls you into its velvety world. Triangles, electric bass, and clavinet add collective radiance to the material as the tune struts its way into your psyche. As if to make the jazz connection even more explicit, Tatham works an acoustic piano solo into the cut's second half before shifting focus back to the groove for the coda. “One for the Brain,” by comparison, digs into its chugging house pulse with fervour whilst also sweetening the arrangement with painterly synth flourishes. This one charges with breathless determination and like “It Never Stops” nods in jazz's direction with the inclusion of a freewheeling piano solo. Every minute and second on this strictly limited 12“ release seem's meaningful.
More
Genre: House, Jazz, Breaks, Electronic, Beatdown,
Tracklist 12":
A1. It never Stops 06:40
B1. One For The Brain 06:36
Release Info:
Imagine a held-up-in-traffic Wayne Shorter arriving late to a Weather Report studio session and Joe Zawinul, Victor Bailey, and Omar Hakim filling in the time by jamming on a grooving house cut. Had that happened, it might have sounded a little bit like “It Never Stops,” one of two ultra-fresh tracks on Kaidi Tatham's Yore debut. Jazz and house are obviously distinct genres, yet as this irresistible cut makes clear swing is common to both. The other track, the cerebrally titled “One for the Brain,” locates itself closer to house music proper but is no less appealing for doing so.
Given the jazzy vibe of “It Never Stops,” it's fitting that Benji B once deemed Tatham the "Herbie Hancock of the United Kingdom.” Regarded as one of the originators of the Broken Beat sound, the UK-based multi-instrumentalist has worked with many an artist, from Bugz In The Attic and The Herbaliser to DJ Jazzy Jeff, and his session work credits list Slum Village, Amy Winehouse, Soul II Soul, and others. His own discography includes EPs and releases for labels such as 2000 Black, First World Records, Theo Parrish's Sound Signature, Eglo Records, and now, of course, Yore.
“It Never Stops” rolls in on a wave of silky synthesizer textures and percolating precision with a tight, funky groove that instantly pulls you into its velvety world. Triangles, electric bass, and clavinet add collective radiance to the material as the tune struts its way into your psyche. As if to make the jazz connection even more explicit, Tatham works an acoustic piano solo into the cut's second half before shifting focus back to the groove for the coda. “One for the Brain,” by comparison, digs into its chugging house pulse with fervour whilst also sweetening the arrangement with painterly synth flourishes. This one charges with breathless determination and like “It Never Stops” nods in jazz's direction with the inclusion of a freewheeling piano solo. Every minute and second on this strictly limited 12“ release seem's meaningful.
More
1
Surgeon - Intro 00:58
2
Surgeon - First 04:46
3
Surgeon - Krautrock 04:33
4
Surgeon - Movement 04:33
5
Surgeon - 9 Hours Into The Future 04:32
6
Surgeon - Depart 04:11
7
Surgeon - Rotunda 04:29
8
Surgeon - Waiting 02:39
9
Surgeon - Scorn 04:55
10
Surgeon - Return 04:35
Territories: World minus UK & US
2023 repress
2x12" 180g vinyl, full printed sleeve, dl card
TRACKLIST
1/A1. Intro 00:58
2/A2. First 04:46
3/A3. Krautrock 04:33
4/B1. Movement 04:33
5/B2. 9 Hours Into The Future 04:32
6/C1. Depart 04:11
7/C2. Rotunda 04:29
8/C3. Waiting 02:39
9/D1. Scorn 04:55
10/D2. Return 04:35
Release Info:
Tresor Records is fortunate enough to be sitting on a catalogue of past releases that no other label in electronic
music would turn down. Three of the finest in this collection were contributed by Surgeon;
“Basictonalvocabulary”, “Balance” and “Force + Form”, which all came out between 1997 and 1999.
Surgeon’s inimitable combination of Detroit techno and post-industrial sounds emanating from his British
homeland found its fullest expression in these masterful trio of releases.
Following the release of Surgeon's first album in 5 years "Crash Recoil" earlier in 2023, Tresor Records have decided
that its high time to give these seminal albums another airing. More
2023 repress
2x12" 180g vinyl, full printed sleeve, dl card
TRACKLIST
1/A1. Intro 00:58
2/A2. First 04:46
3/A3. Krautrock 04:33
4/B1. Movement 04:33
5/B2. 9 Hours Into The Future 04:32
6/C1. Depart 04:11
7/C2. Rotunda 04:29
8/C3. Waiting 02:39
9/D1. Scorn 04:55
10/D2. Return 04:35
Release Info:
Tresor Records is fortunate enough to be sitting on a catalogue of past releases that no other label in electronic
music would turn down. Three of the finest in this collection were contributed by Surgeon;
“Basictonalvocabulary”, “Balance” and “Force + Form”, which all came out between 1997 and 1999.
Surgeon’s inimitable combination of Detroit techno and post-industrial sounds emanating from his British
homeland found its fullest expression in these masterful trio of releases.
Following the release of Surgeon's first album in 5 years "Crash Recoil" earlier in 2023, Tresor Records have decided
that its high time to give these seminal albums another airing. More
Warp present the the first three full length offerings from Autechre; Incunabula, Amber & Tri Repetae. Having been unavailable on vinyl since 2001, these recordings reveal the geometry of the duo's early transcripts from post-acid house electronica through sparse, hypnotic ambience and into the b-boy flavour that characterised their mid-nineties excavations of jungle, industrial and hip-hop.
Amber, the second full-length from Autechre and considered by many to be their ambient opus (though we imagine they wouldn't call it that!) having been out of print on vinyl since 2001. Amber contains eleven tracks of sparse Ae minimalist machine modules that blur the boundaries between isolationist electronica and richly vivid techno soundscapes. Considered by many fans to be the most crucial recording from the group, it contains some of their most immersive soundscapes to date. Steering away from the post-hardcore dynamics that shone through on Incunabula, Amber moves further away from anything resembling 'techno' and moved into more territories of abstract ambience. These eleven crystal-like cubes of sound came together to produce some of the most mind-bendingly hypnotic sounds to be committed to wax during the 90's. Placing Ae up in the ranks of legendary composers such as Steve Reich and Manuel Gottsching as well as their Artificial Intelligence contemporaries with whom they were crafting the building blocks of the future.There is something uniquely immersive about Amber, it's almost as if as you are playing it the sounds are fading away before they even begin, when played from the start you can lose a lot of time within the endless gradients that adorn its cover, before the sounds just seemingly, disappear.
Spec: 2LP in paper inners in gatefold sleeve with postcard size download card More
Amber, the second full-length from Autechre and considered by many to be their ambient opus (though we imagine they wouldn't call it that!) having been out of print on vinyl since 2001. Amber contains eleven tracks of sparse Ae minimalist machine modules that blur the boundaries between isolationist electronica and richly vivid techno soundscapes. Considered by many fans to be the most crucial recording from the group, it contains some of their most immersive soundscapes to date. Steering away from the post-hardcore dynamics that shone through on Incunabula, Amber moves further away from anything resembling 'techno' and moved into more territories of abstract ambience. These eleven crystal-like cubes of sound came together to produce some of the most mind-bendingly hypnotic sounds to be committed to wax during the 90's. Placing Ae up in the ranks of legendary composers such as Steve Reich and Manuel Gottsching as well as their Artificial Intelligence contemporaries with whom they were crafting the building blocks of the future.There is something uniquely immersive about Amber, it's almost as if as you are playing it the sounds are fading away before they even begin, when played from the start you can lose a lot of time within the endless gradients that adorn its cover, before the sounds just seemingly, disappear.
Spec: 2LP in paper inners in gatefold sleeve with postcard size download card More
1
Another Taste - Don't Touch It
2
Maxx Traxx - Don't Touch It
Purple Vinyl!
Following on the Star Creature 12", these tracks are now available in 7" format
Maxx Traxx's 'Don't Touch It!' has become a certified grail in recent years with its synth-heavy jazz-funk/boogie crossover sound. Rotterdam's Another Taste has been pounding the scene with a slew of similarly-styled, contemporarily-grailed releases under various aliases across the Space Grapes label. The Another Taste cover version is featured on the A-side while the flipside features the original. More
Following on the Star Creature 12", these tracks are now available in 7" format
Maxx Traxx's 'Don't Touch It!' has become a certified grail in recent years with its synth-heavy jazz-funk/boogie crossover sound. Rotterdam's Another Taste has been pounding the scene with a slew of similarly-styled, contemporarily-grailed releases under various aliases across the Space Grapes label. The Another Taste cover version is featured on the A-side while the flipside features the original. More
1
RekaB - Soulful Season 05:58
2
RekaB - My Future and My Past 06:14
3
RekaB - Raw Note 05:43
4
RekaB - Bad Nights Better Nights – 06:43
Deep Techno / Techno / Detroit Techno / Deep House
12", Strictly limited to 250 Copies worldwide (no repress). Grab yours while they last.
Tracklist:
A1. RekaB - Soulful Season 05:58
A2. RekaB – My Future and My Past 06:14
B1. RekaB – Raw Note 05:43
B2. RekaB – Bad Nights Better Nights – 06:43
Yore is on something like a roll at the moment. Think of Kaidi Tatham's "It never Stops EP", or the much acclaimed version of Frankie Knuckles Tears by Chicago's Elbert Philips & Andre Espeut or the recent series of classic Detroit Techno Ep's by our very own P0lyrhythm. A lot is to be expected with having had these under our belts. But as you'd expect, we draw out quick, faster than Lucky Luke's shadow - this time with a deep as its gets Techno EP by ReKaB.
It's easy to forget that, at its core, Techno hopes for a better future. This new four-track EP of connoisseur-grade repetitive beats from ReKaB (AKA James Baker) reminds us of this with a reverent nod to the past and a look forward to a human-centred tomorrow.
Tradition is a big part of the ReKaB sound. Classic timbres run through all the tracks, but what James does so well is how he deploys and contrasts the elements. Piano chords layer late-night soul over syncopated bass. Comforting strings and ethereal pads upgrade your consciousness while your body remains rooted by Techno City square waves. Call and response between acid lines and synth patterns feel like the machines interact, whilst the ever-present 909 thump adds the all-important dance floor framework.
Throughout the whole EP, ReKaB shows deep knowledge and respect for the art form, proving he is no less than a master of the craft.
Strictly limited to 250 Copies worldwide (no repress). Grab yours while they last.
More
12", Strictly limited to 250 Copies worldwide (no repress). Grab yours while they last.
Tracklist:
A1. RekaB - Soulful Season 05:58
A2. RekaB – My Future and My Past 06:14
B1. RekaB – Raw Note 05:43
B2. RekaB – Bad Nights Better Nights – 06:43
Yore is on something like a roll at the moment. Think of Kaidi Tatham's "It never Stops EP", or the much acclaimed version of Frankie Knuckles Tears by Chicago's Elbert Philips & Andre Espeut or the recent series of classic Detroit Techno Ep's by our very own P0lyrhythm. A lot is to be expected with having had these under our belts. But as you'd expect, we draw out quick, faster than Lucky Luke's shadow - this time with a deep as its gets Techno EP by ReKaB.
It's easy to forget that, at its core, Techno hopes for a better future. This new four-track EP of connoisseur-grade repetitive beats from ReKaB (AKA James Baker) reminds us of this with a reverent nod to the past and a look forward to a human-centred tomorrow.
Tradition is a big part of the ReKaB sound. Classic timbres run through all the tracks, but what James does so well is how he deploys and contrasts the elements. Piano chords layer late-night soul over syncopated bass. Comforting strings and ethereal pads upgrade your consciousness while your body remains rooted by Techno City square waves. Call and response between acid lines and synth patterns feel like the machines interact, whilst the ever-present 909 thump adds the all-important dance floor framework.
Throughout the whole EP, ReKaB shows deep knowledge and respect for the art form, proving he is no less than a master of the craft.
Strictly limited to 250 Copies worldwide (no repress). Grab yours while they last.
More
1
Mystic V - Miracles (Kai Alcé NDATL Vocal Mix)
2
Mystic V - Miracles (Kai Alcé NDATL Dubstrumental Mix)
3
Mystic V - Miracles (Main Mix)
4
Mystic V - All One's Hopes
"In Search of the Good" features 4 tracks - 2 originals from our own Mystic V and 2 remixes from legend Kai Alcé, with vocals from Peter Jericho, known for his work with Vick Lavender and solo projects.
A-side starts with Kai's vocal mix - solid and efficient track with the signature NDATL groove! A2 features the flute instrumental dub, adding a melodic and airy element blending seamlessly with Peter Jericho's cut out vocals.
On the flip, check out the original version of "Miracles" - a percussive classic house track with lush chords and strings, warm bassline and of course Peter Jericho's vocals for that extra spirituality and emotion. B2 features "All One's Hope", a captivating dance floor-ready track built around a powerful bassline and deep synths.
(A1) Miracles (Kai Alcé NDATL Vocal Mix)
(A2) Miracles (Kai Alcé NDATL Dubstrumental Mix)
(B1) Miracles (Main Mix)
(B2) All One's Hopes
More
A-side starts with Kai's vocal mix - solid and efficient track with the signature NDATL groove! A2 features the flute instrumental dub, adding a melodic and airy element blending seamlessly with Peter Jericho's cut out vocals.
On the flip, check out the original version of "Miracles" - a percussive classic house track with lush chords and strings, warm bassline and of course Peter Jericho's vocals for that extra spirituality and emotion. B2 features "All One's Hope", a captivating dance floor-ready track built around a powerful bassline and deep synths.
(A1) Miracles (Kai Alcé NDATL Vocal Mix)
(A2) Miracles (Kai Alcé NDATL Dubstrumental Mix)
(B1) Miracles (Main Mix)
(B2) All One's Hopes
More
1
Artispure Feat. The Remedy - Chicago Underground (Andrew Emil Dreamix)
2
Change Request - Sunday's Best (Andrew Emil Dreamix)
3
Elbert Phillips, Andre Espeut - Sunlight (Andrew Emil Dreamix)
Genre: Chicago House, House, Deep House, Jazzy House
Tracklist 12":
A1. Artispure Feat. The Remedy - Chicago Underground (Andrew Emil Dreamix)
B1. Change Request - Sunday's Best (Andrew Emil Dreamix)
B2. Elbert Phillips, Andre Espeut - Sunlight (Andrew Emil Dreamix)
Release Info:
Chicago house producer Andrew Emil (aka Change Request) joins Andy Vaz's Yore label. House music that comes directly from the source – That is Chicago, IL.
The “Nite Dreams” release features remixes (called here Dreamixes) by Emil of one of his own Change Request productions and two by other artists.
The three lustrous Dreamixes on Emil's Nite Dreams are, put simply, irresistible. Chicago-based music collective Artispure (feat. The Remedy) opens the release with the enticingly swinging “Chicago Underground,” its dynamic house groove sprinkled with claps, chunky synth chords, slick hi-hat accents, and soulful vocal interjections. Made over by Emil, the tune's straight-up fabulous. The snappy Change Request production “Sunday's Best” glides breezily on a tropical wave of claps, a skipping house groove, and gentle melodic figures that give the music a nostalgic, even plaintive quality. The closing cut, Emil's soulful treatment of “Sunlight” by native Chicagoan Elbert Phillips and singer Andre Espeut, shows no drop-off. With a snare-popping groove driving the tune and Espeut laying a beautiful vocal across the percolating backdrop, “Sunlight” rivals the other two tracks for quality and appeal. Vaz keeps bringing them strong.
More
Tracklist 12":
A1. Artispure Feat. The Remedy - Chicago Underground (Andrew Emil Dreamix)
B1. Change Request - Sunday's Best (Andrew Emil Dreamix)
B2. Elbert Phillips, Andre Espeut - Sunlight (Andrew Emil Dreamix)
Release Info:
Chicago house producer Andrew Emil (aka Change Request) joins Andy Vaz's Yore label. House music that comes directly from the source – That is Chicago, IL.
The “Nite Dreams” release features remixes (called here Dreamixes) by Emil of one of his own Change Request productions and two by other artists.
The three lustrous Dreamixes on Emil's Nite Dreams are, put simply, irresistible. Chicago-based music collective Artispure (feat. The Remedy) opens the release with the enticingly swinging “Chicago Underground,” its dynamic house groove sprinkled with claps, chunky synth chords, slick hi-hat accents, and soulful vocal interjections. Made over by Emil, the tune's straight-up fabulous. The snappy Change Request production “Sunday's Best” glides breezily on a tropical wave of claps, a skipping house groove, and gentle melodic figures that give the music a nostalgic, even plaintive quality. The closing cut, Emil's soulful treatment of “Sunlight” by native Chicagoan Elbert Phillips and singer Andre Espeut, shows no drop-off. With a snare-popping groove driving the tune and Espeut laying a beautiful vocal across the percolating backdrop, “Sunlight” rivals the other two tracks for quality and appeal. Vaz keeps bringing them strong.
More