Keita Sano is a prolific Japanese producer who has released on revered labels such as Mister Saturday Night, Lets Play House, Morris Audio and 1080P. His fusion of dark, distorted, acidic textures and crunchy disco beats gives his produc tions a unique sound which works perfectly for Delusions Of Grandeur and the label is proud to welcome him for his debut DOG EP entitled Love Is Emotion. The title track comes on like a proverbial runaway train with heavy, pounding beats and bassline forging things ahead while the most twisted, tripped out FX rise and fall creating an absolute juggernaut of a track which takes no prisoners. A decept ively simple DJ tool which is loaded with drama for maximum impact on the more left of centre dance floors. Up next we have Violet which takes a low-slung deep house approach but with the grit and dirt that Keita always brings to the party. The first half of the track teases with tension-building chords and syncopated bassline which bounces around a massive four on the floor kick drum. Things fall away in the middle of the track to reveal a beautiful, heartwarming piano part, setting the scene before things get truly epic with orchestral strings bringing a touch of the film noir to proceedings. I’m A Man picks up the pace again for an intense acid work out which pushes the sonic boundaries to the limits with seriously warped FX creating mayhem around a simple, percussive disco groove. As secret weapon DJ tools go, this is right up there. Closing out this mind-bending release Keita remains in experimental mode on Love Is Emotion offsetting melodic arpeggios and sweet chords with off-kilter sonic madness ensuring things remain dark, dirty and deep. More

Keita Sano from Okayama is back on Row Records with a new 5 track EP. Reminiscent of his 'Bowl Of Water’ EP in 2015, which marked the label's first release, his latest work fits perfectly with Row’s catalog. Here, roughness meets rhythmic clarity to ignite the dancefloor.

Included is a bangin' remix by Dayzero who has just released two EPs on Zam Zam and Livity Sound. More

Keita Sano returns to Let’s Play House with another album, the physical iteration of which we’re presenting as two separately-packed 12-inch EPs. First is Kubo, a sharp and cutting collection of four house ditties that are equal parts eccentrically off-kilter and warmly welcoming, esoterically out there and remarkably familiar, in a way only Sano can pull off. More

With Totsu , we complete our two-part Keita Sano album. This one, like Kubo before, is a fiery maelstrom of house and disco dance floor destruction that has a dusting of that impossible-to-place Keita Sano absurdity. A magnetic sprint through MPC-fueled workouts, trance-y space-outs, and loopy hypnotizers. Together, Kubo and Totsu make up O¯totsu , an eight-track long-player that will be made available as a digital release as well as a special limited-edition vinyl double-pack More

Dansu ???? Discs is a newly manufactured imprint based out of Manchester, UK. With a grip of 7 strong releases already behind their belt, they bring their debut 12” release, 4 tasty house cuts by none other than Keita Sano.

More

For its eleventh release Italian label What Ever Not, founded by Dodi Palese and Dan Mela, crosses the world to catch up with Japanese producer Keita Sano for a release of singular, no specific style. The contributions debt to disco, house and techno, all of which boast an old school sprint making one move from the inside. The four-track pack melts afro funk contaminations with scented, crunchy and deeply varied patterns, sampled vocal elements and looping melodies More

KEITA SANO is part of Japan s new wave of music producers. The Okayama resident has been weaving his way through house, techno and electronica releases displaying an affinity to old school processes and vintage gear. With releases clocked up on Mister Saturday Night, 1080p, Lower Parts, Row, Strictly Groove Recordings, Enother Blessing, Holic Trax and Spring Theory he has shown his eclectic tastes and zany approach to music. For Sano making music is like keeping a diary, this year will see many more releases and his new live show. More

Keita Sano is back in the house. This time our man in Japan comes through with two sample-heavy stompers, fully primed for peak-time at the disco. Pow! Pow! More

We finished 2015 with a six-track jumbo EP from Borrowed Identity and thought we'd repeat the same trick for 2016, though this time with originals from Okayama-based producer Keita Sano. EYE begins with “Keep an Eye Out, Pt. 2,” a propulsive song that sounds like a lost contender for the Knight Rider theme. “Own Signal” keeps things dark, but with a spartan bleakness. The side finishes with “Smoker,” another manic cut that'll give you chills. The flip finds Keita exploring brighter sounds without losing that industrial, jagged edge. “TRMK” is essentially a beat track that'll ignite any dance floor and “Fix” is a herky-jerky ditty that'll get you stomping around the club like a possessed reveler. The 12”'s cherry on top is “Think Twice,” a funky ass-shaker that centers around a crackly sample of crowd noise, a chopped-up disco vocal, and bouncy bass. A fiery finale for this hedonistic party. More

Tracklisting
A1 Gerry Read - Not quite there yet
A2 Gerry Read - Fantasy
B1 Gerry Read - We won't smoke any California
B2 Gerry Read - Shampoo

Sales Note
Gerry Read joins the Shall Not Fade family with 4 luscious, warm summer anthems! More

Fast-rising Dutch DJ/producer BELLA becomes the first new artist signing to Sally C’s Big Saldo’s Chunkers imprint, with the inspiring ‘Note to Self’ EP – her debut production.

Relationships are key for Sally C. Since the inception of Big Saldo’s Chunkers in 2020, she’s released three carefully chosen EPs, all from her own studio. When she met BELLA while playing a festival in Amsterdam during summer 2022, the click was instantaneous, with the pair going on to play an impromptu b2b that day. Vibing both musically and energetically, they kept in touch, with BELLA sending Sally her maiden productions ‘Note To Self’ and ‘Orchestra Spring’. Sally connected so deeply with the tracks that they’d form the backbone of her debut artist EP on Big Saldo’s Chunkers.

One listen to the final EP and it’s not hard to see why Sally wanted to emboss them as Chunkers. Three fresh originals taking in influence from ‘90s house, acid, electro and prog, all with a unique hard-to-pin-down energy that makes them hit with a special swing.

The title track – also the first production made for the EP - sees BELLA lay down a sonic blueprint – both for her own sound and the full body of work. “This set the vibe and guided me through the creative process. I was really trying to make something that felt my own, that was also unique and not something I’ve heard before,” she shares. ‘Note to Self’ is heavy on attitude and bounce, driven by banging old skool drums, a rapid-fire grime-style vocal and a duo of synth lines – one uplifting, the other mining a slick ‘80s sheen, and the results are memorable. An absolute tune that Sally’s delighted to add to the Chunker catalogue.

‘Orchestra Spring’ is the perky sequel, a wicked one-two punch of kaleidoscopic groovy house with lashings of attitude that loves to scribble outside the lines with lots of retro samples and trippy energy. ‘Odd Symphony’ completes the trio, a blazing late-night cut driven by a gurgling acid underbelly, gritty drums and warm chords, giving the EP a brilliant afterglow.

Olsvangèr – one of Sally’s favourite producers – steps up for remix duties of ‘Odd Symphony’, and delivers a dynamic re-rub that begins in upbeat house territory, before taking an interlude in perkier rave realms.

“I'm over the moon to be releasing this EP on Sally’s label. It’s really special to have someone who I look up to release my music. She has given me tremendous support and guidance over the last two years, always ready to chat or give me some advice. It was a big surprise and honour when she suggested releasing the tracks on her label. It feels like a perfect fit. It’s super sweet to share this journey with her.” – BELLA

"I’m so excited to welcome BELLA to the label for her debut EP. It was time to take this next step and open the Chunkers door to new artists. I couldn’t think of a better one than BELLA to debut her fresh Chunkers on the label. Three banging originals by an extremely talented artist which I’ve been playing ever since she sent me the tracks. Polished with an Olsvangèr remix, it’s a really strong four track EP." – SALLY C More

An Italian disco classic produced by one of Italy's top disco pop entrepreneurs – Constantino Paolini – featuring the voice of Vesuvian actress and TV personality Patrizia Pellegrino. “Musica Spaziale” is a fast paced synthy disco number adorned with signorina Pellegrino's silky smooth vocals, featuring lusty cosmic nuanced lyrics that arguably invite the listener to some form of astral bliss in the company of the blond starlet. A classic amongst collectors and specialists of the genre, made available to your record collections once again without having to sell any of your kidneys. In addition, also an extended edit, that patiently slows down the tempo but also extends this cosmic climax on the dancefloor in a manner respectful to the original masterpiece, allowing the dancers to savor every moment of this celestial voyage without all the rush of the 7" version . Flip it and things get propelled in direction to some other acidic orbits with DJ Asshole's tripped out downtempo 8' intervention. Restored, remastered and featuring original “coloring book” style artwork from its original release date. More

Next batch coming in on the 14th of july.

The Aztecs return. UR receives the message. The Aztecs and the Hermanos make the transition from the guitar player. Natives didn’t take the robbery of Mother Earth’s land or her culture lightly. A new warrior culture, the Electronics did not back down when a war broke out with the programmers over this production. Those who know were avenged for the transgression. Strong beautiful music with a stronger beautiful spirit. A first in the history of music: big can lose. Hear it and feel the power of the cats that still prowl the streets of Detroit. More

When you’re thinking about the early days of disco music, you automatically think of the record that dominated the dance floors and dance charts: “Dancer” by Gino Soccio.

With this record the Canadian producer and synthesizer wizard became an indispensable part of the golden disco years.

Four more albums followed, and 6 hit singles entered the charts worldwide.

In 1984 the producer disappeared without a trace.

Gino Soccio, one of the pioneers of disco music, we thank you for your music.

Random Vinyl presents the official Gino Soccio Tribute. A new version of one of his best-known songs “Remember”. We celebrate his life and career. With nothing but respect to the original, Marc Hartman produced this 2024 version. Vocals have been done by Italo Disco legend Fred Ventura. The mysterious lady with the French spoken words now finally also has been unraveled and added by Ivy Sharrard. And if that wasn't enough, Flemming Dalum made a banging Remix that you always will Remember! More

Tracklist
A1. Robert Hood - Alpha Key
A2. Robert Hood - Future Remedy

B1. Robert Hood - Pathetic
B2. Robert Hood - Outsider

Following on from the special release of Robert Hood and Femi Kuti's live jazz set "Variations", Robert Hood delivers his latest Techno EP for M-Plant. This is the first new solo music from him since 2022's "Hectic / Amazon Dust" double-header.

Although Robert Hood should need little introduction, with his and his daughter, Lyric's Floorplan moniker riding high with a new album forthcoming on Classic, his Techno legacy should not be forgotten. Throughout the '90s, he helped pave the way for Techno to flourish - giving birth to minimal techno with his seminal album "Minimal Nation". Since then, he has been consistently forwarding electronic music culture with ground-breaking productions, sensational performances and his M-Plant label. His style is characterised by minimalist and experimental tones with an assertive groove.

His "Alpha Key EP" features four driving cuts of characteristically Hood music that prove when it comes to Techno, he's still a high-ranking master. The EP is out on vinyl and digitally 12 April.

More

The apparently 'Long lost' remixes of PANASONIC (Mika Vainio, Ilpo Väisänen,, Sami Salo) from two hugely influential UK industrial outfits, Zoviet France and Muslimgauze. It's still crazy these took so long to come out. Total heat. Highly Recommended!

"Unearthed remixes finally seeing a release after 23 years (now 27 years btw, as this 12" first appeared in 2020) . More

Original '92 breakbeat gems from the ever forward-thinking Chris Simmonds. More

Octave One stride into 2024 with a fresh four-track EP that once again showcases their unique take on techno with three new versions of classic tracks alongside an all-new cut.

Detroit's legendary Burden Brothers had a big 2023 that saw them release their superb Never On Sunday album, which was a nod to their 90s downtempo project of the same name. The bumper collection traversed deep techno, house, and tech in their usual inimitable style while the pair themselves continued to push techno forward with their incomparable live show at the world's most notable clubs and festivals. They now show that their creative reserves continue to run deep with four more essential tracks.

The first one is a new Mothership Remix of 'Price We Pay' with long-time vocal collaborator Karina Mia. The original appeared on Never on Sunday and this version comes on strong with vast rubbery kicks powering a deep and seductive groove. Muted synths roam down low while twinkling melodies fall from above next to the controlled, soulful vocal. The superb 'Mirror Image' is a new track that rides a heavy broken beat. Downtempo chords are melancholic but stirring and have a dramatic sense of finality to them.

'A Better Tomorrow' also gets a new Mothership Mix following its original release on the Burn It Down album back in 2015. Here it is a surging cut with funky guitar riffs and bleeping synth sequences that bring to life the thundering low end. It's a hi-tech and soulful fusion of the organic and the synthetic that will blow the roof off.

Last of all is a Mothership Instruments version of 'Price We Pay' that powers along on thudding drums with edgy synth stabs riding up and down the scales. Deft keys shine and twinkle and signature Octave One arps break out at the midpoint to take things to a higher level.

These are four more classic techno sounds steeped in great synth craft from The Burden Brothers. More