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Ptaki - Czula Jest Noc
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Ptaki - Nie Zabijaj
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Ptaki - Warsaw
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Ptaki - Ostatni Kurs
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Ptaki - Skit 1
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Ptaki - Stacja Zagluszania
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Ptaki - Za Daleki Sen
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Ptaki - Skit 2
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Ptaki - Szoneczny Pyl
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Ptaki - Deszczem
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Ptaki - Gdy Nadchodzi Ksiezycowa Pora
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Ptaki - Juz Tyle
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Ptaki - Jelitkowo
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Ptaki - Girlandy
Ptaki's sought after debut album "Przelot" , that originally got released on TRANSATLANTYK in 2015 ,is getting the reissue treatment on THE VERY POLISH CUT OUTS. After 9 years since its release the music on the album still sounds fresh and became one of the biggest classics in the polish electronic music underground. This time the album, will be for the first time pressed on 2LP, which means that all the tracks from the original CD version are included on the record.
The music of Ptaki has a depth and enduring quality that has clearly set them apart from contemporaries, and Przelot has given them a broader canvas to, pardon the pun, spread their wings. Familiar textures, acoustic guitars, rhodes and treated bass are assembled in a fresh and uplifting way as the duo seem unencumbered by any sense of homage or reverence to past masters. Cod Reggae (done well!), sleazy chuggers, and dreamy mid-tempo workouts sit easily alongside the Yacht Rock leanings and straight up blissed-out beach bar fare. All shot through with an undeniably Balearic sense of well being throughout.
A1 Czula Jest Noc
A2 Nie Zabijaj
A3 Warsaw
B1 Ostatni Kurs
B2 Skit 1
B3 Stacja Zagluszania
B4 Za Daleki Sen
B5 Skit 2
B6 Szoneczny Pyl
C1 Deszczem
C2 Gdy Nadchodzi Ksiezycowa Pora
D1 Juz Tyle
D2 Jelitkowo
D3 Girlandy
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The music of Ptaki has a depth and enduring quality that has clearly set them apart from contemporaries, and Przelot has given them a broader canvas to, pardon the pun, spread their wings. Familiar textures, acoustic guitars, rhodes and treated bass are assembled in a fresh and uplifting way as the duo seem unencumbered by any sense of homage or reverence to past masters. Cod Reggae (done well!), sleazy chuggers, and dreamy mid-tempo workouts sit easily alongside the Yacht Rock leanings and straight up blissed-out beach bar fare. All shot through with an undeniably Balearic sense of well being throughout.
A1 Czula Jest Noc
A2 Nie Zabijaj
A3 Warsaw
B1 Ostatni Kurs
B2 Skit 1
B3 Stacja Zagluszania
B4 Za Daleki Sen
B5 Skit 2
B6 Szoneczny Pyl
C1 Deszczem
C2 Gdy Nadchodzi Ksiezycowa Pora
D1 Juz Tyle
D2 Jelitkowo
D3 Girlandy
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More records from Ptaki
Label:young adults
Cat-No:ya007
Release-Date:19.09.2014
Configuration:12"
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Label:young adults
Cat-No:ya007
Release-Date:19.09.2014
Configuration:12"
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ptaki - Warsaw
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ptaki - foxy
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ptaki - kalina
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ptaki - skala
Ptaki's tunes soar wide-winged like their translation (bird) infers. With a breakout single under their belts on the Very Polish Cut-Outs 'Krystina' and a swirling vapour of mystique surrounding them, the duo present their first full 12" of original material which is both contemplative and transfixing. The Kalina EP on Young Adults Recordings clocks in around 25 minutes, but the ground it covers cannot be clearly conveyed through conventional cartography - a birdseye view of jagged cliffs, coastal haze, rolling bagpipe hillsides, and smoke signals. Opener 'Warsaw' borders on the sublime with a patience and gentle simplicity that can't be taught or bought. Placidly ethereal, this is cinematic Balearia in the tradition of Quiet Village that won't soon be forgotten. Chimes, toms, horns and strums swell and crash like gentle titans. 'Foxy' builds slow on Celtic tropes and emerges from the bell tower with a jump in its step. Vocal swoons keep the pace atop effective strings and a bouncy bassline. 'Kalina' builds on an effortless guitar and displays the duo's songwriting chops with a stable balance of emotion and punch. The closer 'Skala' explores deeper territories with a thumping low end and acid workout, but still manages to drift into dreamlike states with its meandering flute refrains and guided meditation samples.
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Label:The Very Polish Cut Outs
Cat-No:TVPC018
Release-Date:26.04.2024
Genre:House
Configuration:12" Excl
Barcode:4251804181327
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Genre:House
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Justyna S. - Oko Za oko (Benncart House Bootleg)
2
Zenit - Dzisiaj Jutro
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Rodas - Za Czym
4
Ka-ya-h - Na Jezykach (Niko Deep House Wersja)
5
Bem i bek - Powrotna Bossa Nova (TiTLEZ Edit)
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Boryn - Byles Ze Mna
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EXPO 2000 - Fantazja
After 14 years Zambon is closing down the beloved Sampler Series with Vol.10. 7 tracks. 7 new producers. All killers no fillers.
Tracklist:
A1. Justyna S. - Oko Za oko (Benncart House Bootleg)
A2. Zenit - Dzisiaj Jutro
A3. Rodas - Za Czym?
B1. Ka-ya-h - Na Jezykach (Niko Deep House Wersja)
B2. Bem i bek - Powrotna Bossa Nova (TiTLEZ Edit)
B3. Boryn - Byles Ze Mna
B4. EXPO 2000 - Fantazja
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Tracklist:
A1. Justyna S. - Oko Za oko (Benncart House Bootleg)
A2. Zenit - Dzisiaj Jutro
A3. Rodas - Za Czym?
B1. Ka-ya-h - Na Jezykach (Niko Deep House Wersja)
B2. Bem i bek - Powrotna Bossa Nova (TiTLEZ Edit)
B3. Boryn - Byles Ze Mna
B4. EXPO 2000 - Fantazja
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Label:The Very Polish Cut Outs
Cat-No:TVPCLP009
Release-Date:01.12.2023
Genre:Electronic
Configuration:LP Excl
Barcode:4251804144544
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Cat-No:TVPCLP009
Release-Date:01.12.2023
Genre:Electronic
Configuration:LP Excl
Barcode:4251804144544
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Pejzaz - List II
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Pejzaz - Duchy Lasu
3
Pejzaz - Imperium Znaków
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Pejzaz - Blues Trzeci
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Pejzaz - Bez Grawitacji
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Pejzaz - Ogród
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Pejzaz - Serce
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Pejzaz - Po Godzinach
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Pejzaz - Wizje
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Pejzaz - Dziennik Pisany Noca
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Pejzaz - Linia Piekna
Pejzaz (aka Bartosz Kruczyski) returns with two captivating new collage albums. Divided into two records LIST I (which was released end of September this year) & LIST II - which premieres end of movember - delves into the realm of 90s/Y2K Eastern European CD releases. Employing hundreds of samples, Pejzaz sculpts a mesmerizing and distinctive body of work.
LIST II guides the listener into the night, combining trip hop and dub influences, dusty samples, wailing blues guitars, and cold-wave synthesizers. Its haunting soundscapes provide an apt soundtrack for winter in Eastern Europe.
Notably, this marks Pejzaz first foray into a fully instrumental album. Although devoid of lyrics, the bittersweet blend of samples infuses the music with a profoundly Polish essence, further enhancing its distinctive allure.
Tracklist:
A1 List II
A2 Duchy Lasu
A3 Imperium Znaków
A4 Blues Trzeci
A5 Bez Grawitacji
A6 Ogród
B1 Serce
B2 Po Godzinach
B3 Wizje
B4 Dziennik Pisany Noc?
B5 Linia Pi?kna
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LIST II guides the listener into the night, combining trip hop and dub influences, dusty samples, wailing blues guitars, and cold-wave synthesizers. Its haunting soundscapes provide an apt soundtrack for winter in Eastern Europe.
Notably, this marks Pejzaz first foray into a fully instrumental album. Although devoid of lyrics, the bittersweet blend of samples infuses the music with a profoundly Polish essence, further enhancing its distinctive allure.
Tracklist:
A1 List II
A2 Duchy Lasu
A3 Imperium Znaków
A4 Blues Trzeci
A5 Bez Grawitacji
A6 Ogród
B1 Serce
B2 Po Godzinach
B3 Wizje
B4 Dziennik Pisany Noc?
B5 Linia Pi?kna
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Label:The Very Polish Cut Outs
Cat-No:TVPCLP008
Release-Date:29.09.2023
Genre:Electronic
Configuration:LP Excl
Barcode:4251804143929
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Label:The Very Polish Cut Outs
Cat-No:TVPCLP008
Release-Date:29.09.2023
Genre:Electronic
Configuration:LP Excl
Barcode:4251804143929
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PEJZAZ - List I
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PEJZAZ - Szepty
3
PEJZAZ - Mikrokosmos
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PEJZAZ - Czwarty Wymiar
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PEJZAZ - Fata Morgana
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PEJZAZ - Cargo
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PEJZAZ - Directions
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PEJZAZ - Reguly Gry
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PEJZAZ - Barwa I
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PEJZAZ - Barwa II
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PEJZAZ - Barwa III
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PEJZAZ - Barwa IV
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PEJZAZ - Barwa V
Pejzaz (aka Bartosz Kruczynski) returns with a captivating new collage album. Divided into two records LIST I (set out to be released end of september) & LIST II (scheduled for end of November), it delves into the realm of 90s/Y2K Eastern European CD releases. Employing hundreds of samples, Pejzaz sculpts a mesmerizing and distinctive body of work.
LIST I, bathed in sun-drenched chords, seamlessly blends pop-rock guitars, soulful drums, and dreamy, pastoral folk elements with minimal music and ambient textures, reminiscent of Baltic Beat (the Polish incarnation of Balearic Music).
Notably, this marks Pejza's first foray into a fully instrumental album. Although devoid of lyrics, the bittersweet blend of samples infuses the music with a profoundly Polish essence, further enhancing its distinctive allure.
Tracklist:
A1 List I
A2 Szepty
A3 Mikrokosmos
A4 Czwarty Wymiar
A5 Fata Morgana
A6 Cargo
A7 Directions
B1 Regu?y Gry
B2 Barwa I
B3 Barwa II
B4 Barwa III
B5 Barwa IV
B6 Barwa V
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LIST I, bathed in sun-drenched chords, seamlessly blends pop-rock guitars, soulful drums, and dreamy, pastoral folk elements with minimal music and ambient textures, reminiscent of Baltic Beat (the Polish incarnation of Balearic Music).
Notably, this marks Pejza's first foray into a fully instrumental album. Although devoid of lyrics, the bittersweet blend of samples infuses the music with a profoundly Polish essence, further enhancing its distinctive allure.
Tracklist:
A1 List I
A2 Szepty
A3 Mikrokosmos
A4 Czwarty Wymiar
A5 Fata Morgana
A6 Cargo
A7 Directions
B1 Regu?y Gry
B2 Barwa I
B3 Barwa II
B4 Barwa III
B5 Barwa IV
B6 Barwa V
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Label:The Very Polish Cut Outs
Cat-No:TVPCRE004
Release-Date:25.08.2023
Genre:House
Configuration:LP Excl
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Label:The Very Polish Cut Outs
Cat-No:TVPCRE004
Release-Date:25.08.2023
Genre:House
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1
MODFUNK - Souler
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MODFUNK - The Wav
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MODFUNK - Funksalad
4
MODFUNK - Love
5
MODFUNK - Juice
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MODFUNK - Wishes
7
MODFUNK - Possibiity For Significant Other
8
MODFUNK - Tex Mex
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MODFUNK - Through The Sound
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MODFUNK - Just…
Zambon from The Very Polish Cut-Outs have once again sought out forgotten and somewhat obscure artists whose music is in need of a revival. This time, they have chosen the duo MODFUNK, who were active in the Polish electronic music scene from 1999 to 2009. Piotr Jarecki and Martin Tigermann, two Varsovians who shared a love for the "french touch" genre that dominated dancefloors worldwide at the time, showcasing Daft Punk, Cassius, Stardust, and Bob Sinclar, were the brains behind the project.
The compilation comprises a subjective and cross-sectional selection of the ten best tracks from Modfunk's entire discography. While their music evolved over the years, they never abandoned their French-inspired sound, which is why the compilation includes tracks like "Souler" and "The Wav," which draw inspiration from Daft Punk. It also features "Love," a track sung in Polish that echoes Romanthony's work, as well as "Texmex" and "Wishes," two electropop tracks that could have been released on Ed Banger Records
Includes printed insert with the history of the group Modfunk
A1 Souler
A2 The Wav
A3 Funksalad
A4 Love
A5 Juice
B1 Wishes
B2 Possibiity For Significant Other
B3 Tex Mex
B4 Through The Sound
B5 Just…
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The compilation comprises a subjective and cross-sectional selection of the ten best tracks from Modfunk's entire discography. While their music evolved over the years, they never abandoned their French-inspired sound, which is why the compilation includes tracks like "Souler" and "The Wav," which draw inspiration from Daft Punk. It also features "Love," a track sung in Polish that echoes Romanthony's work, as well as "Texmex" and "Wishes," two electropop tracks that could have been released on Ed Banger Records
Includes printed insert with the history of the group Modfunk
A1 Souler
A2 The Wav
A3 Funksalad
A4 Love
A5 Juice
B1 Wishes
B2 Possibiity For Significant Other
B3 Tex Mex
B4 Through The Sound
B5 Just…
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Label:The Very Polish Cut Outs
Cat-No:TVPCLP007
Release-Date:25.08.2023
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ETNOBOTANIKA - Najstarsze Drzewo Swiata
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ETNOBOTANIKA - Wil
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ETNOBOTANIKA - Na Polanie
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ETNOBOTANIKA - Knieje
5
ETNOBOTANIKA - Czarownice
6
ETNOBOTANIKA - Bagna
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ETNOBOTANIKA - Swietliki
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ETNOBOTANIKA - Deszcz Deszcz
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ETNOBOTANIKA - Tajemnice
10
ETNOBOTANIKA - Beboki
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ETNOBOTANIKA - Sladami Wilka
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ETNOBOTANIKA - Nowa Sciezka
13
ETNOBOTANIKA - Spiew Znad Rzeki
14
ETNOBOTANIKA - Chocholy
15
ETNOBOTANIKA - Planeta Las
16
ETNOBOTANIKA - Wszystkie Swity
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ETNOBOTANIKA - Lesny Ambient
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ETNOBOTANIKA - Piochy
Approximately 3 years after the release of their debut album, ETNOBOTANIKA are back. Lesne Duchy is yet another joint release from the Silesian duo, coming out on the collaborative efforts of Superkasety Records and The Very Polish Cut Outs. These are still the sounds of a dusty old cassette, however this time the digging didn't take place in the allotment gardens, but rather somewhere in the woods, within a thick layer of moss. Hauntology and nostalgia still play important roles yet they are no longer in the foreground. Certain associations with primordial magic, wild backwoods and unspeakable mysteries come to the fore. The ambience encapsulated in these tropes is the key to understanding this album. One can, of course, mention that sonically the producers are once again flirting with dubtechno, ambient and sampled collages, but all these genre clichés are only tools resulting from the individual inspirations and experiences of Alergeek and Uwdar (i.e. the two halves of ETNOBOTANIKA), and are meant to build the right mood, not to put Le?ne Duchy into the tight framework of, say, club music or trip-hop. If this album is to be pinned down to anything, it is probably library music.
The 80 minutes of music spanning two vinyl records and a chunk of cassette tape make for quite a long record, ETNOBOTANIKA however make sure there is absolutely no dullness, precisely thanks to the variety of moods. At times it leads us playfully out into the woods, other times it haunts us a little, but eventually all ends well, and we don't even get the chance to realise that we've been wandering around the green backwoods for over an hour... and we want to go back there again and again.
Second album by ETNOBOTANIKA
2LP - 80 Minutes of Music
A1 Najstarsze Drzewo Swiata
A2 Wil
A3 Na Polanie
A4 Knieje
A5 Czarownice
B1 Bagna
B2 Swietliki
B3 Deszcz Deszcz
B4 Tajemnice
B5 Beboki
C1 Sladami Wilka
C2 Nowa Sciezka
C3 Spiew Znad Rzeki
C4 Chocholy
D1 Planeta Las
D2 Wszystkie Swity
D3 Lesny Ambient
D4 Piochy
More
The 80 minutes of music spanning two vinyl records and a chunk of cassette tape make for quite a long record, ETNOBOTANIKA however make sure there is absolutely no dullness, precisely thanks to the variety of moods. At times it leads us playfully out into the woods, other times it haunts us a little, but eventually all ends well, and we don't even get the chance to realise that we've been wandering around the green backwoods for over an hour... and we want to go back there again and again.
Second album by ETNOBOTANIKA
2LP - 80 Minutes of Music
A1 Najstarsze Drzewo Swiata
A2 Wil
A3 Na Polanie
A4 Knieje
A5 Czarownice
B1 Bagna
B2 Swietliki
B3 Deszcz Deszcz
B4 Tajemnice
B5 Beboki
C1 Sladami Wilka
C2 Nowa Sciezka
C3 Spiew Znad Rzeki
C4 Chocholy
D1 Planeta Las
D2 Wszystkie Swity
D3 Lesny Ambient
D4 Piochy
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Label:The Very Polish Cut Outs
Cat-No:EECO003
Release-Date:15.07.2022
Configuration:12"
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1
The Re-Magic Trick - Tevedes
2
Schmoltz - Tropicheskaya Pticha
3
Kompleks - Vaker
4
Dyyune & Boryn - Banany Banany
The Eastern European Cut Outs - the spin-off series of The Very Polish Cut Outs - continues to excavate those hidden gems from all parts East...
As always the selection is as varied as it is exceptional.
From a Hungarian Disco banger, to a Soviet New Wave workout via an absolute smash of a symphonic Serbian Gypsy Disco-Not-Disco jam to a mesmerising Czechoslovakian accidental Space-Disco delight...
It's another secret knowledge sureshot for the seekers. More
As always the selection is as varied as it is exceptional.
From a Hungarian Disco banger, to a Soviet New Wave workout via an absolute smash of a symphonic Serbian Gypsy Disco-Not-Disco jam to a mesmerising Czechoslovakian accidental Space-Disco delight...
It's another secret knowledge sureshot for the seekers. More
Label:The Very Polish Cut Outs
Cat-No:TVPCRE003
Release-Date:08.07.2022
Genre:Electro
Configuration:LP
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Label:The Very Polish Cut Outs
Cat-No:TVPCRE003
Release-Date:08.07.2022
Genre:Electro
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1
Pol Rax - Dia Ciebie
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Pol Rax - Rock Your Video
3
Pol Rax - Goraco Feat. Julee
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Pol Rax - 78 Km/H
5
Pol Rax - Zatrzymac Sie Feat. 4 Letters
6
Pol Rax - Szal Sezonowej Mody Feat. Nice2MU
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Pol Rax - Za Pozno
8
Pol Rax - Full Of Shame Feat. Nice2MU
Pol Rax's album (simply titled Pol Rax) with the artist's recordings from the years 2000-2010, including the ultra-hit 'Dla Ciebie', is an electro-banger that simply had to be put on vinyl!
The publishers, i.e. The Very Polish Cut Outs and Superkasety Records, have chosen, together with the artist, 8 tracks recorded in the first decade of the new millennium - some of them are released for the first time, others have so far lived to see only digital editions (by Seek Records), and only 'Dla Ciebie' was released earlier on CD (by the famous French label Kitsune).
For a long time single tracks of Pol Rax were available only on YouTube, and after releasing those few tracks mentioned before, the artist from Wroclaw put the synthesizers aside and retreated into the shadows.
It was then that - as Eltron aptly put it - "a legend was born".
'Dla Ciebie' and other tracks were gaining popularity on Youtube, famous polish footballer Artur Boruc even danced to the rhythm of Pol Rax's #borucdance and club dance floors were heating up with tracks like 'Rock Your Video' and 'Za Pozno'.
This album, played and sung entirely by Pol Rax and a few guests, is not only electro bangers for the disco. It's also ambitious (synth)pop that definitely deserves to be played often on the radio. There are some hits on the album, but there's also the sensual 'Goraco' with guest appearance by Julee, or the melancholic 'Zatrzymac sie'.
Pol Rax himself mentions among his inspirations (for the music, but also for the lyrics he writes) the new wave of the 80's, the raw pop of early Bajm or the synth sound of Dwa Plus One.
These sources can be perfectly heard in his music, but there is also something else - sometimes a bit of French touch in the spirit of Daft Punk, other times minimal wave or boogie funk.
It is diverse, but nevertheless very coherent, and the whole album is perfect to listen to from cover to cover... More
The publishers, i.e. The Very Polish Cut Outs and Superkasety Records, have chosen, together with the artist, 8 tracks recorded in the first decade of the new millennium - some of them are released for the first time, others have so far lived to see only digital editions (by Seek Records), and only 'Dla Ciebie' was released earlier on CD (by the famous French label Kitsune).
For a long time single tracks of Pol Rax were available only on YouTube, and after releasing those few tracks mentioned before, the artist from Wroclaw put the synthesizers aside and retreated into the shadows.
It was then that - as Eltron aptly put it - "a legend was born".
'Dla Ciebie' and other tracks were gaining popularity on Youtube, famous polish footballer Artur Boruc even danced to the rhythm of Pol Rax's #borucdance and club dance floors were heating up with tracks like 'Rock Your Video' and 'Za Pozno'.
This album, played and sung entirely by Pol Rax and a few guests, is not only electro bangers for the disco. It's also ambitious (synth)pop that definitely deserves to be played often on the radio. There are some hits on the album, but there's also the sensual 'Goraco' with guest appearance by Julee, or the melancholic 'Zatrzymac sie'.
Pol Rax himself mentions among his inspirations (for the music, but also for the lyrics he writes) the new wave of the 80's, the raw pop of early Bajm or the synth sound of Dwa Plus One.
These sources can be perfectly heard in his music, but there is also something else - sometimes a bit of French touch in the spirit of Daft Punk, other times minimal wave or boogie funk.
It is diverse, but nevertheless very coherent, and the whole album is perfect to listen to from cover to cover... More
12"
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Cat-No:TVPC013
Release-Date:17.02.2022
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1
Zenek Czubaty - Do You Like Henky Penky Love (Holiday 80 Edit)
2
Zenek Czubaty - Tylko Punk Rock (Holiday 80 Edit)
3
Andrzej Korzynski - Monika (Pejzaz Edit)
4
Arp Life - Welwet (Karol Aleksander Edit)
Andrzej Korzynski is, without a doubt, one of the most important, celebrated and influential Polish musicians of the XX century.
He wrote plenty of pop hits, created a very famous and extremely successful Franek Kimono project, collaborated with world renowned movie directors like Andrzej Wajda and Andrzej Zulawski, and played a key part in the legendary studio group Arp Life. Korzynski is also well known for his soundtrack for a cult classic for kids, "Mister Blot's Academy".
All in all, he's perceived as an extremely creative person, a real pioneer who helped introduce synthesizers to the world of domestic film and pop music. A true artist with many faces, a handful of projects, and a musician that cannot be pigeonholed. Without any doubt, he is really something.
So, with all that being said, no wonder that The Very Polish Cut-Outs' attention was drawn by the Master's work.
Without further ado, we have an honoor and pleasure to announce this release.
Four remixed tracks from the very rich artistic output of Andrzej Korzynski. All the tracks were carefully picked by the composer himself, out of a dozen proposals. It is worth adding that such a release was a personal dream of Zambon, the TVPCO's founder, especially given the fact that his very first edit was "Baby bump", a cut by the aforementioned Arp Life group.
"Niezle Numery" EP consists of four top notch edits and remixes brought to you by a well-known pack of producers closely related to the label with the famous rooster logo.
Holiday 80 guys take over the A side having expertly cut original material by Zenek Czubaty (the predecessor of the legendary Franek Kimono studio output), finishing off with two thumping peak-time heaters with infectious vocals.
On the flip you can find a more relaxed and reflexive take with a downtempo twist. Pejzaz adds his trademark sound to "Monika", a piece deeply immersed in slo-mo vibe, while Karol Aleksander's "Welwet" is a nu-disco tinged groover with a personal touch. This EP is strictly dedicated to the lovers of hidden dance floor gems and die-hard collectors of rare stuff.
The outstanding cover was designed by long-time collaborator, Bartosz Szymkiewicz.
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He wrote plenty of pop hits, created a very famous and extremely successful Franek Kimono project, collaborated with world renowned movie directors like Andrzej Wajda and Andrzej Zulawski, and played a key part in the legendary studio group Arp Life. Korzynski is also well known for his soundtrack for a cult classic for kids, "Mister Blot's Academy".
All in all, he's perceived as an extremely creative person, a real pioneer who helped introduce synthesizers to the world of domestic film and pop music. A true artist with many faces, a handful of projects, and a musician that cannot be pigeonholed. Without any doubt, he is really something.
So, with all that being said, no wonder that The Very Polish Cut-Outs' attention was drawn by the Master's work.
Without further ado, we have an honoor and pleasure to announce this release.
Four remixed tracks from the very rich artistic output of Andrzej Korzynski. All the tracks were carefully picked by the composer himself, out of a dozen proposals. It is worth adding that such a release was a personal dream of Zambon, the TVPCO's founder, especially given the fact that his very first edit was "Baby bump", a cut by the aforementioned Arp Life group.
"Niezle Numery" EP consists of four top notch edits and remixes brought to you by a well-known pack of producers closely related to the label with the famous rooster logo.
Holiday 80 guys take over the A side having expertly cut original material by Zenek Czubaty (the predecessor of the legendary Franek Kimono studio output), finishing off with two thumping peak-time heaters with infectious vocals.
On the flip you can find a more relaxed and reflexive take with a downtempo twist. Pejzaz adds his trademark sound to "Monika", a piece deeply immersed in slo-mo vibe, while Karol Aleksander's "Welwet" is a nu-disco tinged groover with a personal touch. This EP is strictly dedicated to the lovers of hidden dance floor gems and die-hard collectors of rare stuff.
The outstanding cover was designed by long-time collaborator, Bartosz Szymkiewicz.
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Tired of another EP filled with US disco or afro boogie edits? Then we got you covered – after 3 years The Very Polish Cut Outs are back with another instalment of their samplers. This new offering is filled with 4 delicious polish tracks edited for making the dancefloor sweat.
The A-side has starts with a new edit from Holiday 80, the Warsaw duo steals the show with a proper stomper „Twa Jasna Widze Twarz” („I can see your light face”), a heavy party weapon with infectious vocal hooks based on a totally unknown track by a very famous Polish folk band. The next track is deep disco at its best - „Dzinsowe maniery” („Jeans manners”) edited by Karol Aleksander who joins forces with Bisti, a new talent on the TVPC roster. Their reinterpretation of a pretty unknown song by superstar Polish diva is a straight floor-filler infused with soul vocals.
On the flip side, you will find two edits by the Belarusian maestro Schmoltz, who once again proves, that he’s the master when it comes to digging obscure tracks from behind the Iron Curtain. The first piece is „Piosenka mlodych wioslarzy” („The song of the young rowmen”) an energetic time-bomb as well as a crazy combo of organ stabs and groovy horns. The other cut is a hypnotizing edit of “To bedzie koniec” (“This will be the end”), a Polish new-wave unheard classic with a psychedelic twist. The cover sleeve was designed by the long-time label collaborator Bartek Szymkiewicz. More
The A-side has starts with a new edit from Holiday 80, the Warsaw duo steals the show with a proper stomper „Twa Jasna Widze Twarz” („I can see your light face”), a heavy party weapon with infectious vocal hooks based on a totally unknown track by a very famous Polish folk band. The next track is deep disco at its best - „Dzinsowe maniery” („Jeans manners”) edited by Karol Aleksander who joins forces with Bisti, a new talent on the TVPC roster. Their reinterpretation of a pretty unknown song by superstar Polish diva is a straight floor-filler infused with soul vocals.
On the flip side, you will find two edits by the Belarusian maestro Schmoltz, who once again proves, that he’s the master when it comes to digging obscure tracks from behind the Iron Curtain. The first piece is „Piosenka mlodych wioslarzy” („The song of the young rowmen”) an energetic time-bomb as well as a crazy combo of organ stabs and groovy horns. The other cut is a hypnotizing edit of “To bedzie koniec” (“This will be the end”), a Polish new-wave unheard classic with a psychedelic twist. The cover sleeve was designed by the long-time label collaborator Bartek Szymkiewicz. More
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1
Trentemøller - A Different Light
Territories: WORLD EXCL DE, AT, Scandinavia
CD Digipac
GENRE/S:
Alternative, Independent, Shoegaze, Dreampop
TRACKLIST CD:
01. A Different Light
02. Nightfall
03. Dreamweavers
04. I Give My Tears
05. Behind My Eyes
06. Hollow
07. Empty Beaches
08. In A Storm
09. Winter's Ghost
10. Closure
SHORT INFO:
In May, fans were treated to the first new music from Trentemøller since 2022. A new single, "A Different Light," showcased a stunning blend of prismatic space rock and folk. For anyone wondering if it foreshadowed the release of a full-length, Dreamweaver will drop in September, on Friday the 13th.
Featuring 10 tracks that traverse Trentemøller's many musical strengths, Dreamweaver also represents an obvious artistic leap, treading new ground while retaining the overall plot. Tracks featuring vocals come courtesy of of Iceland's Disa, who has been in Trentemøller's fold since the Memoria tour.
Dreamweaver's nylon string-led opening track, and first single from the album, "A Different Light," contains many of Trentemøller's trademarks: exploring dichotomies, musical shadowplay, Nordic frigidity, and warm waves. It opens the door for the steady, hypnotic "Nightfall," with its tetherless vocal, wistful guitars, and early morning desert chill. The third track in the opening trifecta, "Dreamweavers" finds its footing with a percussive soft trot, which starts after what feels like a shortwave radio scan in search of the right chords, eventually dialing in a weightless voice. Ostensibly keeping a ruminative pace with the previous two tracks, the song and, by extension, album soon opens up as the rest of the elements drop into place with a grand, luxurious burst.
Dreamweaver is about to enter its next phase. With the hatch blown off of the portal, the noisy "I Give My Tears," driven by its glissed and fuzzy bass line, pours into the void. It's followed by its sibling, the most chaotic track on Dreamweaver, "Behind My Eyes." Arriving as a piece of noise rock pandemonium, "Behind My Eyes," can't be contained in its plush vault. A whip-crack snare and convulsing guitars smash against each other in the song's verse chamber. The tension builds, as the particles collide, pushing past the point of critical mass, kicking off the chain reaction which is the chorus. At times it harkens back to the proto-gaze tracks that gave birth to dream pop, at others it newly defines what that is. There's no time to contemplate it, though, as the song disintegrates in a microphonic feedback instant.
A respite follows with the somnambulistic pair of "Hollow" and "Empty Beaches." Then, a moment of intensity returns as the soaring textures and tribal drum bursts of "In A Storm" take control, before being taken out with the ambient slo-core of "Winter's Ghost" and "Closure." This diptych wraps up an album which certainly feels on-script for Trentemøller, but is also much more psychedelic than previous offerings.
Dreamweaver will be released on Trentemøller's own In My Room label. It is an exceedingly immersive experience, bound to release any dormant hallucinations you may be harboring.
More
CD Digipac
GENRE/S:
Alternative, Independent, Shoegaze, Dreampop
TRACKLIST CD:
01. A Different Light
02. Nightfall
03. Dreamweavers
04. I Give My Tears
05. Behind My Eyes
06. Hollow
07. Empty Beaches
08. In A Storm
09. Winter's Ghost
10. Closure
SHORT INFO:
In May, fans were treated to the first new music from Trentemøller since 2022. A new single, "A Different Light," showcased a stunning blend of prismatic space rock and folk. For anyone wondering if it foreshadowed the release of a full-length, Dreamweaver will drop in September, on Friday the 13th.
Featuring 10 tracks that traverse Trentemøller's many musical strengths, Dreamweaver also represents an obvious artistic leap, treading new ground while retaining the overall plot. Tracks featuring vocals come courtesy of of Iceland's Disa, who has been in Trentemøller's fold since the Memoria tour.
Dreamweaver's nylon string-led opening track, and first single from the album, "A Different Light," contains many of Trentemøller's trademarks: exploring dichotomies, musical shadowplay, Nordic frigidity, and warm waves. It opens the door for the steady, hypnotic "Nightfall," with its tetherless vocal, wistful guitars, and early morning desert chill. The third track in the opening trifecta, "Dreamweavers" finds its footing with a percussive soft trot, which starts after what feels like a shortwave radio scan in search of the right chords, eventually dialing in a weightless voice. Ostensibly keeping a ruminative pace with the previous two tracks, the song and, by extension, album soon opens up as the rest of the elements drop into place with a grand, luxurious burst.
Dreamweaver is about to enter its next phase. With the hatch blown off of the portal, the noisy "I Give My Tears," driven by its glissed and fuzzy bass line, pours into the void. It's followed by its sibling, the most chaotic track on Dreamweaver, "Behind My Eyes." Arriving as a piece of noise rock pandemonium, "Behind My Eyes," can't be contained in its plush vault. A whip-crack snare and convulsing guitars smash against each other in the song's verse chamber. The tension builds, as the particles collide, pushing past the point of critical mass, kicking off the chain reaction which is the chorus. At times it harkens back to the proto-gaze tracks that gave birth to dream pop, at others it newly defines what that is. There's no time to contemplate it, though, as the song disintegrates in a microphonic feedback instant.
A respite follows with the somnambulistic pair of "Hollow" and "Empty Beaches." Then, a moment of intensity returns as the soaring textures and tribal drum bursts of "In A Storm" take control, before being taken out with the ambient slo-core of "Winter's Ghost" and "Closure." This diptych wraps up an album which certainly feels on-script for Trentemøller, but is also much more psychedelic than previous offerings.
Dreamweaver will be released on Trentemøller's own In My Room label. It is an exceedingly immersive experience, bound to release any dormant hallucinations you may be harboring.
More
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Release-Date:13.09.2024
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1
Trentemøller - A Different Light
Territories: WORLD EXCL DE, AT, Scandinavia
LP transparent crystal clear vinyl, leaflet, sticker, download code
GENRE/S:
Alternative, Independent, Shoegaze, Dreampop
TRACKLIST:
A1. A Different Light
A2. Nightfall
A3. Dreamweavers
A4. I Give My Tears
A5. Hollow
B1. Behind My Eyes
B2. Empty Beaches
B3. In A Storm
B4. Winter's Ghost
B5. Closure
SHORT INFO:
In May, fans were treated to the first new music from Trentemøller since 2022. A new single, "A Different Light," showcased a stunning blend of prismatic space rock and folk. For anyone wondering if it foreshadowed the release of a full-length, Dreamweaver will drop in September, on Friday the 13th.
Featuring 10 tracks that traverse Trentemøller's many musical strengths, Dreamweaver also represents an obvious artistic leap, treading new ground while retaining the overall plot. Tracks featuring vocals come courtesy of of Iceland's Disa, who has been in Trentemøller's fold since the Memoria tour.
Dreamweaver's nylon string-led opening track, and first single from the album, "A Different Light," contains many of Trentemøller's trademarks: exploring dichotomies, musical shadowplay, Nordic frigidity, and warm waves. It opens the door for the steady, hypnotic "Nightfall," with its tetherless vocal, wistful guitars, and early morning desert chill. The third track in the opening trifecta, "Dreamweavers" finds its footing with a percussive soft trot, which starts after what feels like a shortwave radio scan in search of the right chords, eventually dialing in a weightless voice. Ostensibly keeping a ruminative pace with the previous two tracks, the song and, by extension, album soon opens up as the rest of the elements drop into place with a grand, luxurious burst.
Dreamweaver is about to enter its next phase. With the hatch blown off of the portal, the noisy "I Give My Tears," driven by its glissed and fuzzy bass line, pours into the void. It's followed by its sibling, the most chaotic track on Dreamweaver, "Behind My Eyes." Arriving as a piece of noise rock pandemonium, "Behind My Eyes," can't be contained in its plush vault. A whip-crack snare and convulsing guitars smash against each other in the song's verse chamber. The tension builds, as the particles collide, pushing past the point of critical mass, kicking off the chain reaction which is the chorus. At times it harkens back to the proto-gaze tracks that gave birth to dream pop, at others it newly defines what that is. There's no time to contemplate it, though, as the song disintegrates in a microphonic feedback instant.
A respite follows with the somnambulistic pair of "Hollow" and "Empty Beaches." Then, a moment of intensity returns as the soaring textures and tribal drum bursts of "In A Storm" take control, before being taken out with the ambient slo-core of "Winter's Ghost" and "Closure." This diptych wraps up an album which certainly feels on-script for Trentemøller, but is also much more psychedelic than previous offerings.
Dreamweaver will be released on Trentemøller's own In My Room label. It is an exceedingly immersive experience, bound to release any dormant hallucinations you may be harboring.
More
LP transparent crystal clear vinyl, leaflet, sticker, download code
GENRE/S:
Alternative, Independent, Shoegaze, Dreampop
TRACKLIST:
A1. A Different Light
A2. Nightfall
A3. Dreamweavers
A4. I Give My Tears
A5. Hollow
B1. Behind My Eyes
B2. Empty Beaches
B3. In A Storm
B4. Winter's Ghost
B5. Closure
SHORT INFO:
In May, fans were treated to the first new music from Trentemøller since 2022. A new single, "A Different Light," showcased a stunning blend of prismatic space rock and folk. For anyone wondering if it foreshadowed the release of a full-length, Dreamweaver will drop in September, on Friday the 13th.
Featuring 10 tracks that traverse Trentemøller's many musical strengths, Dreamweaver also represents an obvious artistic leap, treading new ground while retaining the overall plot. Tracks featuring vocals come courtesy of of Iceland's Disa, who has been in Trentemøller's fold since the Memoria tour.
Dreamweaver's nylon string-led opening track, and first single from the album, "A Different Light," contains many of Trentemøller's trademarks: exploring dichotomies, musical shadowplay, Nordic frigidity, and warm waves. It opens the door for the steady, hypnotic "Nightfall," with its tetherless vocal, wistful guitars, and early morning desert chill. The third track in the opening trifecta, "Dreamweavers" finds its footing with a percussive soft trot, which starts after what feels like a shortwave radio scan in search of the right chords, eventually dialing in a weightless voice. Ostensibly keeping a ruminative pace with the previous two tracks, the song and, by extension, album soon opens up as the rest of the elements drop into place with a grand, luxurious burst.
Dreamweaver is about to enter its next phase. With the hatch blown off of the portal, the noisy "I Give My Tears," driven by its glissed and fuzzy bass line, pours into the void. It's followed by its sibling, the most chaotic track on Dreamweaver, "Behind My Eyes." Arriving as a piece of noise rock pandemonium, "Behind My Eyes," can't be contained in its plush vault. A whip-crack snare and convulsing guitars smash against each other in the song's verse chamber. The tension builds, as the particles collide, pushing past the point of critical mass, kicking off the chain reaction which is the chorus. At times it harkens back to the proto-gaze tracks that gave birth to dream pop, at others it newly defines what that is. There's no time to contemplate it, though, as the song disintegrates in a microphonic feedback instant.
A respite follows with the somnambulistic pair of "Hollow" and "Empty Beaches." Then, a moment of intensity returns as the soaring textures and tribal drum bursts of "In A Storm" take control, before being taken out with the ambient slo-core of "Winter's Ghost" and "Closure." This diptych wraps up an album which certainly feels on-script for Trentemøller, but is also much more psychedelic than previous offerings.
Dreamweaver will be released on Trentemøller's own In My Room label. It is an exceedingly immersive experience, bound to release any dormant hallucinations you may be harboring.
More
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Label:London Records
Cat-No:LMS5521620
Release-Date:25.02.2022
Genre:Indie Rock/Alternative
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Rights : World excluding FR & UK
CD: 1 x CD Jewelcase, 1 x Transparent Tray, 12 page 4/4 Booklet gloss finish, 1 x Inlay front and back. No sticker
TRACKLIST
CD
1. Why?
2. It Ain’t Necessarily So
3. Screaming
4. No More War
5. Love & Money
6. Smalltown Boy
7. Heatwave So
8. Junk
9. Need A Man Blues
10. I Feel Love/Johnny Remember Me
BONUS TRACK
11. Why? (12” VERSION)
12. Smalltown Boy (12” VERSION)
13. It Ain’t Necessarily So (12” VERSION)
14. I Feel Love/Johnny Remember Me (12” VERSION)
SHORT INFORMATION/ SHORT BIOG
Bronski Beat ‘s 1984 cult debut album “The Age of Consent” - remastered edititons celebrating the band’s 35th anniversary – is back on Vinyl & CD
- 1 x CD : The original album+ 4 Bonus Tracks (12’’ versions of the singles)
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CD: 1 x CD Jewelcase, 1 x Transparent Tray, 12 page 4/4 Booklet gloss finish, 1 x Inlay front and back. No sticker
TRACKLIST
CD
1. Why?
2. It Ain’t Necessarily So
3. Screaming
4. No More War
5. Love & Money
6. Smalltown Boy
7. Heatwave So
8. Junk
9. Need A Man Blues
10. I Feel Love/Johnny Remember Me
BONUS TRACK
11. Why? (12” VERSION)
12. Smalltown Boy (12” VERSION)
13. It Ain’t Necessarily So (12” VERSION)
14. I Feel Love/Johnny Remember Me (12” VERSION)
SHORT INFORMATION/ SHORT BIOG
Bronski Beat ‘s 1984 cult debut album “The Age of Consent” - remastered edititons celebrating the band’s 35th anniversary – is back on Vinyl & CD
- 1 x CD : The original album+ 4 Bonus Tracks (12’’ versions of the singles)
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Label:We Release Jazz
Cat-No:WRJ001-REG
Release-Date:19.10.2018
Genre:Electronic
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1
Ryo Fukui - It Could Happen To You
2
Ryo Fukui - I Want To Talk About You
3
Ryo Fukui - Early Summer
4
Ryo Fukui - Willow Weep For Me
5
Ryo Fukui - Autumn Leaves
6
Ryo Fukui - Scenery
The Standard Edition - Territory - NO Sales to Japan
Ryo Fukui's 1976 highly sought-after jazz masterpiece SCENERY-
LP Edition: Mastered at half speed, 140g vinyl, Sticker
We Release Jazz (WRWTFWW Records' new sister-label) is proud to present its first release, the official reissue of Ryo Fukui's highly sought-after masterpiece Scenery (1976), sourced from the original masters and available on limited edition 180g vinyl mastered at half speed for audiophile sound and on digipack CD.
Unquestionably one of the most important Japanese jazz albums ever recorded, Scenery reveals Ryo Fukui as a miraculously brilliant self-taught pianist fusing modal, bop, and cool jazz influences for a very personal, dexterous and game-changing take on classic standards made famous by Bing Crosby and John Coltrane among others. From "It Could Happen To You" and its serene and calm intro which magically flows into a jubilant and upbeat piece, to the out-of-this-world piano solo of "Early Summer", or the incredible teamwork of "Autumn Leaves" where Fukui leads Satoshi Denpo (bass) and Yoshinori Fukui (drums) into groove heaven, every single note on the album oozes precision, confidence and flair and every single section slides seamlessly into one another, creating a supreme and elegant blend of jazz. Often compared to McCoy Tyner or Bill Evans, Ryo Fukui was a genius in his own right, a true master of his craft whose perfectionism gave birth to some of the greatest music ever recorded. Scenery is his magnum opus and an absolute must-have.
The Hokkaido wizard-pianist followed Scenery with the soulful gem Mellow Dream (also available on We Release Jazz) in 1977. He then focused on improving his live skills, often performing at Sapporo's Slowboat Jazz Club (which he co-founded with his wife Yasuko Fukui) and releasing 2 live albums. Ryo Fukui sadly passed away in March 2016, leaving behind a legacy of works that is sure to captivate jazz lovers for generations to come.
Tracklisting Vinyl LP
A1 It Could Happen To You
A2 I Want To Talk About You
A3 Early Summer
B1 Willow Weep For Me
B2 Autumn Leaves
B3 Scenery
More
Ryo Fukui's 1976 highly sought-after jazz masterpiece SCENERY-
LP Edition: Mastered at half speed, 140g vinyl, Sticker
We Release Jazz (WRWTFWW Records' new sister-label) is proud to present its first release, the official reissue of Ryo Fukui's highly sought-after masterpiece Scenery (1976), sourced from the original masters and available on limited edition 180g vinyl mastered at half speed for audiophile sound and on digipack CD.
Unquestionably one of the most important Japanese jazz albums ever recorded, Scenery reveals Ryo Fukui as a miraculously brilliant self-taught pianist fusing modal, bop, and cool jazz influences for a very personal, dexterous and game-changing take on classic standards made famous by Bing Crosby and John Coltrane among others. From "It Could Happen To You" and its serene and calm intro which magically flows into a jubilant and upbeat piece, to the out-of-this-world piano solo of "Early Summer", or the incredible teamwork of "Autumn Leaves" where Fukui leads Satoshi Denpo (bass) and Yoshinori Fukui (drums) into groove heaven, every single note on the album oozes precision, confidence and flair and every single section slides seamlessly into one another, creating a supreme and elegant blend of jazz. Often compared to McCoy Tyner or Bill Evans, Ryo Fukui was a genius in his own right, a true master of his craft whose perfectionism gave birth to some of the greatest music ever recorded. Scenery is his magnum opus and an absolute must-have.
The Hokkaido wizard-pianist followed Scenery with the soulful gem Mellow Dream (also available on We Release Jazz) in 1977. He then focused on improving his live skills, often performing at Sapporo's Slowboat Jazz Club (which he co-founded with his wife Yasuko Fukui) and releasing 2 live albums. Ryo Fukui sadly passed away in March 2016, leaving behind a legacy of works that is sure to captivate jazz lovers for generations to come.
Tracklisting Vinyl LP
A1 It Could Happen To You
A2 I Want To Talk About You
A3 Early Summer
B1 Willow Weep For Me
B2 Autumn Leaves
B3 Scenery
More
Label:Because Music
Cat-No:bec5161605
Release-Date:06.09.2013
Genre:Electro
Configuration:2LP Excl
Barcode:5060281616050
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Label:Because Music
Cat-No:bec5161605
Release-Date:06.09.2013
Genre:Electro
Configuration:2LP Excl
Barcode:5060281616050
NO VINYLE OF ANY MANU CHAO ALBUM HAS BEEN AVAILABLE ON SALE FOR AGES. ALL STUDIO & LIVE ALBUMS ARE BACK ON DOUBLE VINYL GATEFOLD FEAT. THE CD
TRACKLIST
A1. CLANDESTINO - A2. DESAPARECIDO - A3. BONGO BONG - A4. JE NE T’AIME PLUS - B1. MENTIRA... - B2. LAGRIMAS DE ORO - B3. MAMA CALL - C1. LUNA Y SOL - C2. POR EL SUELO - C3. WELCOME TO TIJUANA - C4. DIA LUNA... DIA PENA - D1. MALEGRIA - D2. LA VIE A 2 - D3. MINHA GALERA - D4. LA DESPEDIDA - D5. EL VIENTO More
TRACKLIST
A1. CLANDESTINO - A2. DESAPARECIDO - A3. BONGO BONG - A4. JE NE T’AIME PLUS - B1. MENTIRA... - B2. LAGRIMAS DE ORO - B3. MAMA CALL - C1. LUNA Y SOL - C2. POR EL SUELO - C3. WELCOME TO TIJUANA - C4. DIA LUNA... DIA PENA - D1. MALEGRIA - D2. LA VIE A 2 - D3. MINHA GALERA - D4. LA DESPEDIDA - D5. EL VIENTO More
Label:HEART SWELLS
Cat-No:HS004CD
Release-Date:19.07.2024
Configuration:CD Excl
Barcode:5061041820496
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Format:CD / Territory: WW-US,UK,FR
Tracklist: 1. The Coin-Op Guillotine / 2. Holy Smoke (2005) / 3. A Psychic Wound / 4. I. Spit; or, a Bite Mark In The Shape Of The Sunflower State / 5. Long Throes / 6. Feast Of Tongues / 7. The Order Of The Seasons / 8. II. Music For Aerial Toll House / 9. To Hell In a Handjob / 10. Clown Blood/Orpheus’ Bobbing Head / 11. kms / 12. III. Surfing a Contrail / 13. Moonstruck / 14. 0898 HEARTACHE / 15. Adult Acne Stigmata
- UK headline tour confirmed for September & the band will play 2000 Trees festival preceding the release.
- LC! Sold out their biggest ever headline show at London’s Troxy earlier this year
The UK’s first and only emo band Los Campesinos! return with their highly-anticipated seventh album, All Hell. It is perhaps their most ambitious and assured album yet, whilst simultaneously recalling everything we’ve come to love about LC! over their faultless discography. Recorded between October 2023 and February 2024, it is the first album to be wholly self-produced by band member Tom Bromley (having co-produced previous albums Sick Scenes and NO BLUES). The album is also self-released on the band’s own Heart Swells record label.
In the band’s words All Hell is an album about…
Drinking for fun and drinking for misery // adult acne // adult friendship // football // death and dying // love and sex // late-stage capitalism // Orpheus // day dreaming // night terrors // the heart as an organ and as a burden // suburban boredom // Tears of the Kingdom // the punks on the playlist // increments of time // climate apocalypse // the moon the moon the moon ///
Los Campesinos! have become one of the most important and influential cult acts in the UK since they formed in the mid-2000s. Starting out in the Cardiff indie scene and soundtracking Budweiser adverts, the seven-piece’s musical evolution since then has been slow, steady and remarkable. From the frenzied chaos of debut album Hold On Now, Youngster… (2008) through 2010 breakthrough Romance is Boring and the self-mythologising of latter day highlights NO BLUES (2013) and Sick Scenes (2017), their discography is an interconnected web of niche references, big swings and unflinching honesty.
Making self-professed sleeper hits for weeping dipshits, they’re as influenced by The Beautiful South as they are US emo, with emotional intensity and connection always at the core. Their lyrics are a treasure trove of football references, tales of romantic woe and painfully frank exorcisms, which have been tattooed across hundreds of fans’ bodies and served as comfort and insight during that break-up you had (there’s a reason the band’s tagline is “your ex-girlfriend’s favourite band”).
Now with the release of All Hell, Los Camp! approach their third decade as a band more brilliant, more potent and more vital than ever.
More
Tracklist: 1. The Coin-Op Guillotine / 2. Holy Smoke (2005) / 3. A Psychic Wound / 4. I. Spit; or, a Bite Mark In The Shape Of The Sunflower State / 5. Long Throes / 6. Feast Of Tongues / 7. The Order Of The Seasons / 8. II. Music For Aerial Toll House / 9. To Hell In a Handjob / 10. Clown Blood/Orpheus’ Bobbing Head / 11. kms / 12. III. Surfing a Contrail / 13. Moonstruck / 14. 0898 HEARTACHE / 15. Adult Acne Stigmata
- UK headline tour confirmed for September & the band will play 2000 Trees festival preceding the release.
- LC! Sold out their biggest ever headline show at London’s Troxy earlier this year
The UK’s first and only emo band Los Campesinos! return with their highly-anticipated seventh album, All Hell. It is perhaps their most ambitious and assured album yet, whilst simultaneously recalling everything we’ve come to love about LC! over their faultless discography. Recorded between October 2023 and February 2024, it is the first album to be wholly self-produced by band member Tom Bromley (having co-produced previous albums Sick Scenes and NO BLUES). The album is also self-released on the band’s own Heart Swells record label.
In the band’s words All Hell is an album about…
Drinking for fun and drinking for misery // adult acne // adult friendship // football // death and dying // love and sex // late-stage capitalism // Orpheus // day dreaming // night terrors // the heart as an organ and as a burden // suburban boredom // Tears of the Kingdom // the punks on the playlist // increments of time // climate apocalypse // the moon the moon the moon ///
Los Campesinos! have become one of the most important and influential cult acts in the UK since they formed in the mid-2000s. Starting out in the Cardiff indie scene and soundtracking Budweiser adverts, the seven-piece’s musical evolution since then has been slow, steady and remarkable. From the frenzied chaos of debut album Hold On Now, Youngster… (2008) through 2010 breakthrough Romance is Boring and the self-mythologising of latter day highlights NO BLUES (2013) and Sick Scenes (2017), their discography is an interconnected web of niche references, big swings and unflinching honesty.
Making self-professed sleeper hits for weeping dipshits, they’re as influenced by The Beautiful South as they are US emo, with emotional intensity and connection always at the core. Their lyrics are a treasure trove of football references, tales of romantic woe and painfully frank exorcisms, which have been tattooed across hundreds of fans’ bodies and served as comfort and insight during that break-up you had (there’s a reason the band’s tagline is “your ex-girlfriend’s favourite band”).
Now with the release of All Hell, Los Camp! approach their third decade as a band more brilliant, more potent and more vital than ever.
More
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Cat-No:bec5772110
Release-Date:18.04.2011
Genre:Electro
Configuration:2LP Excl
Barcode:5060107721104
RE-RELEASE! No one can say they didn’t see these two brats coming! Justice, who’s name the world (well at least that part of the world that loves to dance) chants with emotion and whose first album is awaited with bated breath ever since the French duo revolutionised dancefloors with two radically different hits. It comes as no surprise that «†», the first album by Justice, is a fantastic treat for the ears and for the feet. A kind of musical opera marked with religious and baroque symbols, where the melodies are ripped to shreds by the beats, where electro teaches rock a lesson and where pop gets a botox injection.
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1
MANUEL GÖTTSCHING - DREAM .................. 30:14
2
MANUEL GÖTTSCHING - DESIRE .................. 22:56
3
MANUEL GÖTTSCHING - DESPAIR .................. 8:29
CD, RE Edition 2019,Sticker
Carefully Re Edited Legendary 1977 Studio Recording for RIAS Berlin -Includes Bonus Track: "Despair"
"Largely unnoticed by the mainstream public, some West-Berlin musicians developed a world of sound
that would later become labeled Electronic Music."
Olaf Leitner (RIAS Berlin)
Tracklist:
1. DREAM .................. 30:14
2. DESIRE .................. 22:56
3. DESPAIR .................. 8:29
DREAM & DESIRE
Notes to a friend…
The 1970s. The Vietnam War is slowly coming to an end; the RAF thrives and prospers;
the first Achtundsechziger ('68 protestors) are actually
planning to march through the institutions; rock and roll is getting heavier;
and hardly noticed by the mainstream public, some West-Berlin musicians
develop a world of sound, which later eventually became labelled as
“Electronic Music”.
Indeed, there was nothing electronically generated initially,
let alone even digital. In the beginning they simply named these
sound-mixtures "electro-acoustic". These compositions of slowly evolving
soundscapes relating to the Minimal Music concept created a meditative
mood. This was new. This was the Berliner Schule (Berlin school).
Being responsible for popular music at a radio station in the 1970s
was an absolute dream job. At least that’s what it was like at RIAS Berlin
(Radio In the American Sector). There was no quota, no pressure,
no hit-terror, and we just invited the artists, bands and musicians we liked
to the studio. The artists from next door. That’s how I got to know Manuel.
He was living right on the Ku-Damm (Kurfürstendamm), right in the city
centre, but in the rear building, shielded from the noise.
Manu didn’t have a sequencer. Everything that sounded like a sequencer
was his highly focused guitar work. The slowly changing tone sequences
for example. This was a physical accomplishment in itself.
His minimalistic play is still part of his signature style.
The musicians from Berlin, who worked in the same genre, were either
friends, periodically played in Manuel’s ASH RA TEMPEL, or built up their
own careers.
The scene was small, but equipped with illustrious celebrities
- Klaus Schulze, Tangerine Dream, Harald Grosskopf, Agitation Free.
And my RIAS colleague Walter Bachauer. He had called the Metamusik
Festival into life and brought the international avant-garde to Berlin.
The festival opened up new aesthetic continents to us when we were grateful to listen to chants of Tibetanian
monks or the Steve Reich Ensemble play “Drumming”.
Manuel was able to start his international career pretty quickly, focusing on England, France and Japan.
For the German middle-of-the-road-consciousness, these countries were as exotic as the winds on Jupiter,
especially Japan, where Göttsching still enjoys superstar status. Today it is not only these countries, which
consider him a cult figure. He has also made his mark as a film composer and has added his music to numerous
events and art happenings.
In November 1975 I had initiated a concert at the RIAS Studio 10, entitled “Futurum 3”, with ASH RA TEMPEL
performing. Apart from the guitars there was also an EMS Synthi A on stage. And an old Farfisa Compact Organ
that Manuel played and of which I was especially proud:
I was able to buy this instrument in 1964 after a summer job at a steel drill factory. This Farfisa was on stage
when I performed with my band the Team Beats Berlin, as support act for the Rolling Stones at their legendary
concert in September 1965 at the Berliner Waldbühne.
Somehow this instrument had survived the riot, and ten years later Manuel bought this organ from me. He had
played this Farfisa in many concerts and recordings in the following years, and it can be heard also prominently
here on “Dream and Desire”.
Originally, the two tracks “Dream” and “Desire” had been conceived for my one-hour radio feature at RIAS Berlin
in summer 1977. Then, although being broadcast only once in Berlin and Belgium, they soon became cult
amongst listeners, who taped, multiplied and distributed the tracks throughout Manuel's fan base.
But it was only in 1991, after 14 years, when Manuel decided to make it an “official” release on CD.
Something like that is unusual at times when only the new things count - until it is dismissed by the new and gets
dumped.
The revival of Dream & Desire is not nostalgia but an indication that the present will only be appreciated after
acknowledging the past. Applies also to art.
The bonus track “Despair” was not part of the original radio-feature, but was composed and recorded around the
same time in 1977, and the track fits perfectly in style and sound.
Manuel's music has been with me for now almost 50 years.
I own a superb LP and CD collection of him.
Dream & Desire is beautiful - what more can I say ...
Olaf Leitner, March 2019
More
Carefully Re Edited Legendary 1977 Studio Recording for RIAS Berlin -Includes Bonus Track: "Despair"
"Largely unnoticed by the mainstream public, some West-Berlin musicians developed a world of sound
that would later become labeled Electronic Music."
Olaf Leitner (RIAS Berlin)
Tracklist:
1. DREAM .................. 30:14
2. DESIRE .................. 22:56
3. DESPAIR .................. 8:29
DREAM & DESIRE
Notes to a friend…
The 1970s. The Vietnam War is slowly coming to an end; the RAF thrives and prospers;
the first Achtundsechziger ('68 protestors) are actually
planning to march through the institutions; rock and roll is getting heavier;
and hardly noticed by the mainstream public, some West-Berlin musicians
develop a world of sound, which later eventually became labelled as
“Electronic Music”.
Indeed, there was nothing electronically generated initially,
let alone even digital. In the beginning they simply named these
sound-mixtures "electro-acoustic". These compositions of slowly evolving
soundscapes relating to the Minimal Music concept created a meditative
mood. This was new. This was the Berliner Schule (Berlin school).
Being responsible for popular music at a radio station in the 1970s
was an absolute dream job. At least that’s what it was like at RIAS Berlin
(Radio In the American Sector). There was no quota, no pressure,
no hit-terror, and we just invited the artists, bands and musicians we liked
to the studio. The artists from next door. That’s how I got to know Manuel.
He was living right on the Ku-Damm (Kurfürstendamm), right in the city
centre, but in the rear building, shielded from the noise.
Manu didn’t have a sequencer. Everything that sounded like a sequencer
was his highly focused guitar work. The slowly changing tone sequences
for example. This was a physical accomplishment in itself.
His minimalistic play is still part of his signature style.
The musicians from Berlin, who worked in the same genre, were either
friends, periodically played in Manuel’s ASH RA TEMPEL, or built up their
own careers.
The scene was small, but equipped with illustrious celebrities
- Klaus Schulze, Tangerine Dream, Harald Grosskopf, Agitation Free.
And my RIAS colleague Walter Bachauer. He had called the Metamusik
Festival into life and brought the international avant-garde to Berlin.
The festival opened up new aesthetic continents to us when we were grateful to listen to chants of Tibetanian
monks or the Steve Reich Ensemble play “Drumming”.
Manuel was able to start his international career pretty quickly, focusing on England, France and Japan.
For the German middle-of-the-road-consciousness, these countries were as exotic as the winds on Jupiter,
especially Japan, where Göttsching still enjoys superstar status. Today it is not only these countries, which
consider him a cult figure. He has also made his mark as a film composer and has added his music to numerous
events and art happenings.
In November 1975 I had initiated a concert at the RIAS Studio 10, entitled “Futurum 3”, with ASH RA TEMPEL
performing. Apart from the guitars there was also an EMS Synthi A on stage. And an old Farfisa Compact Organ
that Manuel played and of which I was especially proud:
I was able to buy this instrument in 1964 after a summer job at a steel drill factory. This Farfisa was on stage
when I performed with my band the Team Beats Berlin, as support act for the Rolling Stones at their legendary
concert in September 1965 at the Berliner Waldbühne.
Somehow this instrument had survived the riot, and ten years later Manuel bought this organ from me. He had
played this Farfisa in many concerts and recordings in the following years, and it can be heard also prominently
here on “Dream and Desire”.
Originally, the two tracks “Dream” and “Desire” had been conceived for my one-hour radio feature at RIAS Berlin
in summer 1977. Then, although being broadcast only once in Berlin and Belgium, they soon became cult
amongst listeners, who taped, multiplied and distributed the tracks throughout Manuel's fan base.
But it was only in 1991, after 14 years, when Manuel decided to make it an “official” release on CD.
Something like that is unusual at times when only the new things count - until it is dismissed by the new and gets
dumped.
The revival of Dream & Desire is not nostalgia but an indication that the present will only be appreciated after
acknowledging the past. Applies also to art.
The bonus track “Despair” was not part of the original radio-feature, but was composed and recorded around the
same time in 1977, and the track fits perfectly in style and sound.
Manuel's music has been with me for now almost 50 years.
I own a superb LP and CD collection of him.
Dream & Desire is beautiful - what more can I say ...
Olaf Leitner, March 2019
More
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Cat-No:IVLP09
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Barcode:810458017419
1
Ame - The Line ft. Matthew Herbert
2
Ame - Queen Of Toys
3
Ame - Gerne ft. Gudrun Gut
4
Ame - Deadlocked ft. Roedelius
5
Ame - Blind Eye ft. Planningtorock
6
Ame - Positivland
7
Ame - Helliconia
8
Ame - Futuro Antico
9
Ame - No War
10
Ame - Give Me Your Ghost ft. Jens Kuross
11
Ame - Oldorado
Exclusive Wholesale Product . 2LP Gatefold Vinyl + Extensive Spot Varnish + Sticker
- Second album from Âme, first album since 2004;
- Featured guests: Matthew Herbert, Gudrun Gut, Planningtorock, Jens Kuross (ex Drummer RyX), Roedelius
Tracklist
A1 The Line ft. Matthew Herbert
A2 Queen Of Toys
A3 Gerne ft. Gudrun Gut
B1 Deadlocked ft. Roedelius
B2 Blind Eye ft. Planningtorock
B3 Positivland
C1 Helliconia
C2 Futuro Antico
D1 No War
D2 Give Me Your Ghost ft. Jens Kuross
D3 Oldorado
Short Info:
In the world of electronic dance music, Âme stand apart. Since 2003, the duo of Frank Wiedemann and Kristian Beyer have cut a singular path through techno, house, minimal, ambient and more with their anthemic singles and mixes. But 2018 reveals their finest achievement yet, their debut full-length album Dream House. It both sounds unmistakably like Âme and unlike anything you've ever heard from the duo, an evocative home listening journey enacted after 15 years spent crafting dancefloor weapons. More
- Second album from Âme, first album since 2004;
- Featured guests: Matthew Herbert, Gudrun Gut, Planningtorock, Jens Kuross (ex Drummer RyX), Roedelius
Tracklist
A1 The Line ft. Matthew Herbert
A2 Queen Of Toys
A3 Gerne ft. Gudrun Gut
B1 Deadlocked ft. Roedelius
B2 Blind Eye ft. Planningtorock
B3 Positivland
C1 Helliconia
C2 Futuro Antico
D1 No War
D2 Give Me Your Ghost ft. Jens Kuross
D3 Oldorado
Short Info:
In the world of electronic dance music, Âme stand apart. Since 2003, the duo of Frank Wiedemann and Kristian Beyer have cut a singular path through techno, house, minimal, ambient and more with their anthemic singles and mixes. But 2018 reveals their finest achievement yet, their debut full-length album Dream House. It both sounds unmistakably like Âme and unlike anything you've ever heard from the duo, an evocative home listening journey enacted after 15 years spent crafting dancefloor weapons. More
Label:HEART SWELLS
Cat-No:HS004LP
Release-Date:19.07.2024
Configuration:2LP Excl
Barcode:5061041820489
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Format:2 LP / Territory: WW-US,UK,FR
Tracklist: 1. The Coin-Op Guillotine / 2. Holy Smoke (2005) / 3. A Psychic Wound / 4. I. Spit; or, a Bite Mark In The Shape Of The Sunflower State / 5. Long Throes / 6. Feast Of Tongues / 7. The Order Of The Seasons / 8. II. Music For Aerial Toll House / 9. To Hell In a Handjob / 10. Clown Blood/Orpheus’ Bobbing Head / 11. kms / 12. III. Surfing a Contrail / 13. Moonstruck / 14. 0898 HEARTACHE / 15. Adult Acne Stigmata
- Double LP pressed at 45pm for best audio quality
- UK headline tour confirmed for September & the band will play 2000 Trees festival preceding the release.
- LC! Sold out their biggest ever headline show at London’s Troxy earlier this year
The UK’s first and only emo band Los Campesinos! return with their highly-anticipated seventh album, All Hell. It is perhaps their most ambitious and assured album yet, whilst simultaneously recalling everything we’ve come to love about LC! over their faultless discography. Recorded between October 2023 and February 2024, it is the first album to be wholly self-produced by band member Tom Bromley (having co-produced previous albums Sick Scenes and NO BLUES). The album is also self-released on the band’s own Heart Swells record label.
In the band’s words All Hell is an album about…
Drinking for fun and drinking for misery // adult acne // adult friendship // football // death and dying // love and sex // late-stage capitalism // Orpheus // day dreaming // night terrors // the heart as an organ and as a burden // suburban boredom // Tears of the Kingdom // the punks on the playlist // increments of time // climate apocalypse // the moon the moon the moon ///
Los Campesinos! have become one of the most important and influential cult acts in the UK since they formed in the mid-2000s. Starting out in the Cardiff indie scene and soundtracking Budweiser adverts, the seven-piece’s musical evolution since then has been slow, steady and remarkable. From the frenzied chaos of debut album Hold On Now, Youngster… (2008) through 2010 breakthrough Romance is Boring and the self-mythologising of latter day highlights NO BLUES (2013) and Sick Scenes (2017), their discography is an interconnected web of niche references, big swings and unflinching honesty.
Making self-professed sleeper hits for weeping dipshits, they’re as influenced by The Beautiful South as they are US emo, with emotional intensity and connection always at the core. Their lyrics are a treasure trove of football references, tales of romantic woe and painfully frank exorcisms, which have been tattooed across hundreds of fans’ bodies and served as comfort and insight during that break-up you had (there’s a reason the band’s tagline is “your ex-girlfriend’s favourite band”).
Now with the release of All Hell, Los Camp! approach their third decade as a band more brilliant, more potent and more vital than ever.
More
Tracklist: 1. The Coin-Op Guillotine / 2. Holy Smoke (2005) / 3. A Psychic Wound / 4. I. Spit; or, a Bite Mark In The Shape Of The Sunflower State / 5. Long Throes / 6. Feast Of Tongues / 7. The Order Of The Seasons / 8. II. Music For Aerial Toll House / 9. To Hell In a Handjob / 10. Clown Blood/Orpheus’ Bobbing Head / 11. kms / 12. III. Surfing a Contrail / 13. Moonstruck / 14. 0898 HEARTACHE / 15. Adult Acne Stigmata
- Double LP pressed at 45pm for best audio quality
- UK headline tour confirmed for September & the band will play 2000 Trees festival preceding the release.
- LC! Sold out their biggest ever headline show at London’s Troxy earlier this year
The UK’s first and only emo band Los Campesinos! return with their highly-anticipated seventh album, All Hell. It is perhaps their most ambitious and assured album yet, whilst simultaneously recalling everything we’ve come to love about LC! over their faultless discography. Recorded between October 2023 and February 2024, it is the first album to be wholly self-produced by band member Tom Bromley (having co-produced previous albums Sick Scenes and NO BLUES). The album is also self-released on the band’s own Heart Swells record label.
In the band’s words All Hell is an album about…
Drinking for fun and drinking for misery // adult acne // adult friendship // football // death and dying // love and sex // late-stage capitalism // Orpheus // day dreaming // night terrors // the heart as an organ and as a burden // suburban boredom // Tears of the Kingdom // the punks on the playlist // increments of time // climate apocalypse // the moon the moon the moon ///
Los Campesinos! have become one of the most important and influential cult acts in the UK since they formed in the mid-2000s. Starting out in the Cardiff indie scene and soundtracking Budweiser adverts, the seven-piece’s musical evolution since then has been slow, steady and remarkable. From the frenzied chaos of debut album Hold On Now, Youngster… (2008) through 2010 breakthrough Romance is Boring and the self-mythologising of latter day highlights NO BLUES (2013) and Sick Scenes (2017), their discography is an interconnected web of niche references, big swings and unflinching honesty.
Making self-professed sleeper hits for weeping dipshits, they’re as influenced by The Beautiful South as they are US emo, with emotional intensity and connection always at the core. Their lyrics are a treasure trove of football references, tales of romantic woe and painfully frank exorcisms, which have been tattooed across hundreds of fans’ bodies and served as comfort and insight during that break-up you had (there’s a reason the band’s tagline is “your ex-girlfriend’s favourite band”).
Now with the release of All Hell, Los Camp! approach their third decade as a band more brilliant, more potent and more vital than ever.
More
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Label:London Records
Cat-No:LMS5521859
Release-Date:17.02.2023
Genre:Electronic
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Rights: World excluding Fr & UK
DOUBLE BLACK LP : 2 x 140 G Black Vinyl , Sleeve & 2 x Heavy Weight Printed Inner with UV Gloss Finish
TRACKLIST DOUBLE VINYLS:
A1. Ringa Ringa (The Old Pandemic Folk Song) (feat. The Mediaeval Baebes)
A2. Day One (feat. Dina Ipavic)
A3. Are You Alive? (feat. Penelope Isles)
B1. You Are The Frequency (feat. The Little Pest)
B2. The New Abnormal
C1. Home (feat. Anna B Savage)
C2. Dirty Rat
C3. Requiem For The Pre-Apocalypse
D1. What A Surprise (feat. The Little Pest)
D2. Moon Princess (feat. Coppe)
SHORT INFOS :
Legendary electronic music duo Orbital return Early 2023 with new album “Optical Delusion”, the Hartnoll brothers first studio album since 2018’s Monster’s Exist. Recorded in Orbital’s Brighton studio, “Optical Delusion” includes contributions from Sleaford Mods, Penelope Isles, Anna B Savage, The Little Pest, Dina Ipavic, Coppe, and perhaps most surprisingly, The Medieval Baebes.
Earlier this year, Orbital celebrated their storied history with “30 Something” which, unlike other Best Of’s, contains reworks, remakes, remixes and re-imaginings of landmark Orbital tracks including “Chime”, “Belfast”, “Halcyon”, “Satan”, and “The Box”
SHORT BIOG:
“A human being experiences himself, his thoughts and feelings as something separate from the rest [of humanity] – a kind of optical delusion of his consciousness. This delusion is a kind of prison for us, restricting us to our personal desires and to affection for a few persons nearest to us. Our task must be to free ourselves from this prison…”
You many have seen this quote attributed to Albert Einstein on social media, the archetypal Smartest Guy Ever apparently having an out-of-character religious epiphany. It certainly leapt out at Paul Hartnoll of Orbital who spotted it in Michael Pollan’s 2018 book How to Change Your Mind: What the New Science of Psychedelics Teaches Us About Consciousness, Dying, Addiction, Depression and Transcendence.
“As soon as I saw ‘optical delusion’ I thought Oh hey, that’s the album title,” says Paul. “It just seemed to say so much about how people construct their own realities, how we see patterns that aren’t there, how we see what we want to see.
“But it’s actually a misquote. He never quite said that. In the German original what he’s really saying is that human experience is as relative as physics. Wouldn’t it be good if we could accept that, and find a kind of universal theory of everything for the human race? Then you look at everything from history to art to your Twitter feed and you think yeah, that’s what we’re all trying to do all of the time…”
Hence ‘Optical Delusion’, the tenth original Orbital album and the latest in a burst of renewed post-pandemic creativity for two brothers who’ve stayed at the top of their game longer than anyone from the post-1988 Class of Acid House.
Now with ‘Optical Delusion’ the Hartnolls dig deeper into the unquiet psyche of our increasingly surreal and disordered world. Sketched out partly during lockdown but fully recorded in the uncertain After Times, the album summons up conflicting emotions and sometimes beguiling images from years when the science fiction doomsdays that the Hartnolls watched on TV as kids finally came true. There are mesmeric tracks with names like ‘The New Abnormal’ and ‘Requiem For The Pre-Apocalypse’ and ‘Day One’. But there are also straight-up bangers and ethereal cosmic dreams, abstract sound wars and deeply human songs of separation and loss.
And it all starts with a bang. Lead single ‘Dirty Rat’, an outright Fall-meets-Front-242 class rant with vocals by Sleaford Mods mob orator Jason Williamson, harks right back to the Hartnolls’ days of politicised anarcho-squatpunk. It began as a remix swap (Orbital did the Sleafords’ ‘I Don’t Rate You’) and morphed into a comic, brutal, bass-driven harangue not so much against our rulers but at the petty, mean-spirited, frightened, Mail-reading voters who put them there: the people who are “blaming everyone in hospital/blaming everyone at the bottom of the English Channel/blaming everyone who doesn’t look like a fried animal.”
Also key to the album is opening track ‘Ringa Ringa (The Old Pandemic Folk Song)’ which returns to an Orbital truism, that time always becomes a loop. This chugging, cyclical Orbital groove gives way to an unnerving past-meets-present timeslip fit for ‘Sapphire And Steel’ as goth maenads The Mediaeval Baebes materialise to sing ‘Ring O’Roses’ – the innocent nursery rhyme whose roots are in the Black Death.
“I’ve always liked folk music and mediaeval sounds,” says Paul, himself an occasional Morris dancer. “I had the basis of that track and I wanted to spin it off somehow.” Trawling his archives he stumbled on The Mediaeval Baebes’ version of ‘Ring O’Roses’ “and my hackles just went up. I was like, my God, this is the original pandemic folk song.”
?his being Orbital, there are collaborations galore on the album, the roles once played by Alison Goldfrapp, Lady Leshurr or David Gray now filled by new talents. London singer-songwriter Anna B Savage contributes a compellingly fragile, Anohni-like vocal to ‘Home’, in which nature reclaims the scorched and vacant mega-cities. ‘Day One’ is a pulsing techno track featuring the singer Dina Ipavic. Paul got in touch with her after working on a score for a sculpture show of giant robotic installations by his friend Giles Walker during the pandemic. First Paul cut up his own score and Ipavic’s vocals on the track The Crane, which appears on the deluxe version of the album. Then he thought, Why not work with her for real? The result is school of ‘Belfast’, a bassy dreamscape with vocalised clouds billowing above.
The pensive ‘Are You ?live?’ adds to the Orbital product range of existential questions (‘Are We Here?’, ‘Where Is It Going?’) in collaboration Bella Union signings Penelope Isles, AKA brother and sister act Lily and Jack Wolter. “They’re our studio mates, they work upstairs!” says Paul happily. “And they’ve both got amazing voices.”
But Orbital are Orbital and never far from the dancefloor. “Eventually the more abrasive bits came back into the fold…” ‘You Are The Frequency’, first of two tracks to feature mysterious vocalist The Little Pest, surrounds the listener with warped voices ordering you to the dancefloor (Phil: “we wanted the idea that the music is kind of absorbing you”). And the second, the sinister ‘What A Surprise’, traps you in a paranoid electronic hall of mirrors.
In another nod to Orbital’s resurgent past the cover artwork once again comes from fine art painter John Greenwood, creator of fantastical grotesques for the covers of ‘Snivilisation’, ‘In Sides’ and Orbital’s most recent album, 2018’s ‘Monsters Exist’. Orbital had just had a slick Mark Farrow cover for ‘30 Something’ – this is a return to the overripe and bulbous techno-organic constructions that somehow express Orbital’s own uncontrollably fertile sound.
There are gaps in the future that Orbital are desperate to fill too; there will be tours and festivals and rooms and fields full of people. Those long paralysed months when we had little to look forward to but a Zoom DJ set made Paul and Phil appreciate the things that make life worth living.
More
DOUBLE BLACK LP : 2 x 140 G Black Vinyl , Sleeve & 2 x Heavy Weight Printed Inner with UV Gloss Finish
TRACKLIST DOUBLE VINYLS:
A1. Ringa Ringa (The Old Pandemic Folk Song) (feat. The Mediaeval Baebes)
A2. Day One (feat. Dina Ipavic)
A3. Are You Alive? (feat. Penelope Isles)
B1. You Are The Frequency (feat. The Little Pest)
B2. The New Abnormal
C1. Home (feat. Anna B Savage)
C2. Dirty Rat
C3. Requiem For The Pre-Apocalypse
D1. What A Surprise (feat. The Little Pest)
D2. Moon Princess (feat. Coppe)
SHORT INFOS :
Legendary electronic music duo Orbital return Early 2023 with new album “Optical Delusion”, the Hartnoll brothers first studio album since 2018’s Monster’s Exist. Recorded in Orbital’s Brighton studio, “Optical Delusion” includes contributions from Sleaford Mods, Penelope Isles, Anna B Savage, The Little Pest, Dina Ipavic, Coppe, and perhaps most surprisingly, The Medieval Baebes.
Earlier this year, Orbital celebrated their storied history with “30 Something” which, unlike other Best Of’s, contains reworks, remakes, remixes and re-imaginings of landmark Orbital tracks including “Chime”, “Belfast”, “Halcyon”, “Satan”, and “The Box”
SHORT BIOG:
“A human being experiences himself, his thoughts and feelings as something separate from the rest [of humanity] – a kind of optical delusion of his consciousness. This delusion is a kind of prison for us, restricting us to our personal desires and to affection for a few persons nearest to us. Our task must be to free ourselves from this prison…”
You many have seen this quote attributed to Albert Einstein on social media, the archetypal Smartest Guy Ever apparently having an out-of-character religious epiphany. It certainly leapt out at Paul Hartnoll of Orbital who spotted it in Michael Pollan’s 2018 book How to Change Your Mind: What the New Science of Psychedelics Teaches Us About Consciousness, Dying, Addiction, Depression and Transcendence.
“As soon as I saw ‘optical delusion’ I thought Oh hey, that’s the album title,” says Paul. “It just seemed to say so much about how people construct their own realities, how we see patterns that aren’t there, how we see what we want to see.
“But it’s actually a misquote. He never quite said that. In the German original what he’s really saying is that human experience is as relative as physics. Wouldn’t it be good if we could accept that, and find a kind of universal theory of everything for the human race? Then you look at everything from history to art to your Twitter feed and you think yeah, that’s what we’re all trying to do all of the time…”
Hence ‘Optical Delusion’, the tenth original Orbital album and the latest in a burst of renewed post-pandemic creativity for two brothers who’ve stayed at the top of their game longer than anyone from the post-1988 Class of Acid House.
Now with ‘Optical Delusion’ the Hartnolls dig deeper into the unquiet psyche of our increasingly surreal and disordered world. Sketched out partly during lockdown but fully recorded in the uncertain After Times, the album summons up conflicting emotions and sometimes beguiling images from years when the science fiction doomsdays that the Hartnolls watched on TV as kids finally came true. There are mesmeric tracks with names like ‘The New Abnormal’ and ‘Requiem For The Pre-Apocalypse’ and ‘Day One’. But there are also straight-up bangers and ethereal cosmic dreams, abstract sound wars and deeply human songs of separation and loss.
And it all starts with a bang. Lead single ‘Dirty Rat’, an outright Fall-meets-Front-242 class rant with vocals by Sleaford Mods mob orator Jason Williamson, harks right back to the Hartnolls’ days of politicised anarcho-squatpunk. It began as a remix swap (Orbital did the Sleafords’ ‘I Don’t Rate You’) and morphed into a comic, brutal, bass-driven harangue not so much against our rulers but at the petty, mean-spirited, frightened, Mail-reading voters who put them there: the people who are “blaming everyone in hospital/blaming everyone at the bottom of the English Channel/blaming everyone who doesn’t look like a fried animal.”
Also key to the album is opening track ‘Ringa Ringa (The Old Pandemic Folk Song)’ which returns to an Orbital truism, that time always becomes a loop. This chugging, cyclical Orbital groove gives way to an unnerving past-meets-present timeslip fit for ‘Sapphire And Steel’ as goth maenads The Mediaeval Baebes materialise to sing ‘Ring O’Roses’ – the innocent nursery rhyme whose roots are in the Black Death.
“I’ve always liked folk music and mediaeval sounds,” says Paul, himself an occasional Morris dancer. “I had the basis of that track and I wanted to spin it off somehow.” Trawling his archives he stumbled on The Mediaeval Baebes’ version of ‘Ring O’Roses’ “and my hackles just went up. I was like, my God, this is the original pandemic folk song.”
?his being Orbital, there are collaborations galore on the album, the roles once played by Alison Goldfrapp, Lady Leshurr or David Gray now filled by new talents. London singer-songwriter Anna B Savage contributes a compellingly fragile, Anohni-like vocal to ‘Home’, in which nature reclaims the scorched and vacant mega-cities. ‘Day One’ is a pulsing techno track featuring the singer Dina Ipavic. Paul got in touch with her after working on a score for a sculpture show of giant robotic installations by his friend Giles Walker during the pandemic. First Paul cut up his own score and Ipavic’s vocals on the track The Crane, which appears on the deluxe version of the album. Then he thought, Why not work with her for real? The result is school of ‘Belfast’, a bassy dreamscape with vocalised clouds billowing above.
The pensive ‘Are You ?live?’ adds to the Orbital product range of existential questions (‘Are We Here?’, ‘Where Is It Going?’) in collaboration Bella Union signings Penelope Isles, AKA brother and sister act Lily and Jack Wolter. “They’re our studio mates, they work upstairs!” says Paul happily. “And they’ve both got amazing voices.”
But Orbital are Orbital and never far from the dancefloor. “Eventually the more abrasive bits came back into the fold…” ‘You Are The Frequency’, first of two tracks to feature mysterious vocalist The Little Pest, surrounds the listener with warped voices ordering you to the dancefloor (Phil: “we wanted the idea that the music is kind of absorbing you”). And the second, the sinister ‘What A Surprise’, traps you in a paranoid electronic hall of mirrors.
In another nod to Orbital’s resurgent past the cover artwork once again comes from fine art painter John Greenwood, creator of fantastical grotesques for the covers of ‘Snivilisation’, ‘In Sides’ and Orbital’s most recent album, 2018’s ‘Monsters Exist’. Orbital had just had a slick Mark Farrow cover for ‘30 Something’ – this is a return to the overripe and bulbous techno-organic constructions that somehow express Orbital’s own uncontrollably fertile sound.
There are gaps in the future that Orbital are desperate to fill too; there will be tours and festivals and rooms and fields full of people. Those long paralysed months when we had little to look forward to but a Zoom DJ set made Paul and Phil appreciate the things that make life worth living.
More
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Last in:11.11.2019
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“Singles party” include 2 new songs.
On the 15th May the band release a new single ‘All The Queen’s Horses’- produced by Nick Launay (Nick Cave, Yeah Yeah Yeahs, Arcade Fire) and featuring members of The Bad Seeds.
Special Remarks:
2CD in digibook.(hardcover) 48-page booklet with rare photos, new sleeve notes and lyrics.
Tracklist:
CD1
1. Break My Heart (Remastered) / 2. Heroine (Remastered) / 3. You’re History (Remastered)
4. Run Silent (Remastered) / 5. Dirty Mind (Remastered) / 6. Stay (Remastered)
7. I Don’t Care (Remastered) / 8. Goodbye Cruel World (Remastered) 9. Hello (Turn Your Radio On) (Remastered) / 10. My 16th Apology (Remastered) / 12. I Can Drive (Remastered) / 13. Bitter Pill (Remastered) / 14. Pulsatron (Remastered) / 15. Bad Blood (Remastered) / 16. It’s a Trip (Remastered) 16. All The Queen’s Horses (new song) / 17. C U Next Tuesday (new song) / 18. Stay [Acoustic Version] (Remastered)
CD2
1. Cat Worship / 2. You’re History [Catz ’n Dogz Remix] / 3. You Made Me Come to This [HMD Pulsatron Mix]
4. Pretty Boy (Remastered) / 5. Mr Wrong (Remastered) / 6. Remember My Name (Remastered) / 7. Do I Scare You? (Remastered) / 8. Excuse Me John (Remastered) / 9. Singles Party (Remastered) / 10. Heroine [Heavenly Mix] (Remastered) / 11. Black Sky [The Black Dub] (Remastered) / 12. Break My Heart [Shep Pettibone Dub] (Remastered) / 13. Goodbye Cruel World [BTO Remix] (Remastered) / 14. You’re History [Brothers In Rhythm Remix] (Remastered)
Short info:
Shakespears Sister present ‘Singles Party’ a comprehensive singles collection containing two brand new tracks plus rarities, unheard tracks and remixes. Including the huge hit singles ‘Stay’, ‘You’re History,’ 'I Don’t Care’ and ‘Hello- Turn Your Radio On.’ Following one of the most dramatic break ups in pop history, Siobhan and Marcella have reunited and written music together for the first time in over 25 years. The band are also touring the UK this winter. This limited edition, deluxe edition includes 32 tracks over 2 x CD in book pack style packaging with 48-page booklet of rare photos, new sleeve notes and lyrics.
Key Points
- Shakespears Sister are back together. Following a famous fall out in 1993, Siobhan and Marcella were reunited in 2018 and have written music together for the first time in over 25 years. “Singles party” include 2 new songs.
- On the 15th May the band release a new single ‘All The Queen’s Horses’- produced by Nick Launay (Nick Cave, Yeah Yeah Yeahs, Arcade Fire) and featuring members of The Bad Seeds.
- The creative team include video director Sophie Muller (also directed Stay video), Kate Garner of Haysi Fantayzee fame (photos) and Kim Bowen the original Blitz Kid (stylist).
- The band are also announcing a full UK tour on 7th May plus ‘Singles Party’ a complete singles collection containing all their hits plus new single ‘All The Queens Horses’
- In 1989 and 1992 respectively they achieved two Top 10 albums, ‘Sacred Heart’ and ‘Hormonally Yours’.
- ‘Hormonally Yours’ was certified double platinum in the UK and was a hit around the world.
- In 1992 their single ‘Stay’ was Number One in the UK for eight weeks.
- Their other Top 10 hits include ‘You’re History’ and ‘I Don’t Care’.
More
“Singles party” include 2 new songs.
On the 15th May the band release a new single ‘All The Queen’s Horses’- produced by Nick Launay (Nick Cave, Yeah Yeah Yeahs, Arcade Fire) and featuring members of The Bad Seeds.
Special Remarks:
2CD in digibook.(hardcover) 48-page booklet with rare photos, new sleeve notes and lyrics.
Tracklist:
CD1
1. Break My Heart (Remastered) / 2. Heroine (Remastered) / 3. You’re History (Remastered)
4. Run Silent (Remastered) / 5. Dirty Mind (Remastered) / 6. Stay (Remastered)
7. I Don’t Care (Remastered) / 8. Goodbye Cruel World (Remastered) 9. Hello (Turn Your Radio On) (Remastered) / 10. My 16th Apology (Remastered) / 12. I Can Drive (Remastered) / 13. Bitter Pill (Remastered) / 14. Pulsatron (Remastered) / 15. Bad Blood (Remastered) / 16. It’s a Trip (Remastered) 16. All The Queen’s Horses (new song) / 17. C U Next Tuesday (new song) / 18. Stay [Acoustic Version] (Remastered)
CD2
1. Cat Worship / 2. You’re History [Catz ’n Dogz Remix] / 3. You Made Me Come to This [HMD Pulsatron Mix]
4. Pretty Boy (Remastered) / 5. Mr Wrong (Remastered) / 6. Remember My Name (Remastered) / 7. Do I Scare You? (Remastered) / 8. Excuse Me John (Remastered) / 9. Singles Party (Remastered) / 10. Heroine [Heavenly Mix] (Remastered) / 11. Black Sky [The Black Dub] (Remastered) / 12. Break My Heart [Shep Pettibone Dub] (Remastered) / 13. Goodbye Cruel World [BTO Remix] (Remastered) / 14. You’re History [Brothers In Rhythm Remix] (Remastered)
Short info:
Shakespears Sister present ‘Singles Party’ a comprehensive singles collection containing two brand new tracks plus rarities, unheard tracks and remixes. Including the huge hit singles ‘Stay’, ‘You’re History,’ 'I Don’t Care’ and ‘Hello- Turn Your Radio On.’ Following one of the most dramatic break ups in pop history, Siobhan and Marcella have reunited and written music together for the first time in over 25 years. The band are also touring the UK this winter. This limited edition, deluxe edition includes 32 tracks over 2 x CD in book pack style packaging with 48-page booklet of rare photos, new sleeve notes and lyrics.
Key Points
- Shakespears Sister are back together. Following a famous fall out in 1993, Siobhan and Marcella were reunited in 2018 and have written music together for the first time in over 25 years. “Singles party” include 2 new songs.
- On the 15th May the band release a new single ‘All The Queen’s Horses’- produced by Nick Launay (Nick Cave, Yeah Yeah Yeahs, Arcade Fire) and featuring members of The Bad Seeds.
- The creative team include video director Sophie Muller (also directed Stay video), Kate Garner of Haysi Fantayzee fame (photos) and Kim Bowen the original Blitz Kid (stylist).
- The band are also announcing a full UK tour on 7th May plus ‘Singles Party’ a complete singles collection containing all their hits plus new single ‘All The Queens Horses’
- In 1989 and 1992 respectively they achieved two Top 10 albums, ‘Sacred Heart’ and ‘Hormonally Yours’.
- ‘Hormonally Yours’ was certified double platinum in the UK and was a hit around the world.
- In 1992 their single ‘Stay’ was Number One in the UK for eight weeks.
- Their other Top 10 hits include ‘You’re History’ and ‘I Don’t Care’.
More