Tracklisting:
A1 P.E.A.R.L. - Patience
A2 P.E.A.R.L. - Adrenaline
A3 P.E.A.R.L. - Unknown Discipline
B1 P.E.A.R.L. - En Lo Exotico
B2 P.E.A.R.L. - Snaked
B3 P.E.A.R.L. - Sweaty Souls

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Tracklisting

A1 P.E.A.R.L. ? No Fall Damage Part 1
A2 P.E.A.R.L. ? No Fall Damage Part 2
B1 P.E.A.R.L. ? We Will Not All Fall (Matrixxman remix)
B2 P.E.A.R.L. ? We Will Not All Fall (Blue Hour remix)

Moral Standards is a sub-division of Falling Ethics Records. More

Our number 17 comes in the hands of P.E.A.R.L. himself, with three slices of modern properly distorted technoes plus a Drum & Bass infused cut. As P.E.A.R.L.'s sound signature, a few elements make things move an evolve without super breaks or mega reverb washes, dry, raw and precise. Shuffled rhythms and sequences, complex arrangements, cold in essence but warm for the most advanced dancefloors.
Artwork curated by Silent Editions. More

P.E.A.R.L. is launching the fifteenth installment of his Falling Ethics series with two versions of a serious club destroyer that has been released on the label back in the early days of Falling Ethics. Sorrows has been reflipped to a 2018 version that is sounding modern, large and in sync with the current aesthetics in techno music. While this version can be located on the B-side, on the A-side we find a larger than life CUB version (Karl O'Conner & Simon Shreeve) that will definitely turn some heads over the next few months. Reworking classics is not always needed but in this case, it's a welcome addition completely in harmony with the times. More

P.E.A.R.L. returns home with this brand new EP, after some exquisite releases in his very own Falling Ethics label it'
s time for a new adventure in our label. Sergio's sound has a distinctive raw and dry appeal, focusing in sound sculpture and direct grooves, always pushing the edge of his equipment, using just the necessary elements, away from saturation and trendiness.
'Internal Pressure' is the first number in this slice of wax, fat bass drums, hi frequency pulses, metalic components and subtle textures and ambiences all mixed up to create a solid mixing weapon. 'Dissolution' is less bright, more filtered and opaque the groove flows from low frequencies to full spectrum slowly, being almost static, with almost all the elements up from the beginning. The drones and textures evolve and change through the arrangement while drums reach their peak point almost at the end. Great construction tool.
The B-side offers a rework of 'Dissolution' by fellow producer Tensal. The well trained veteran makes his own vision of the track with his trademark style, always keeping the flow going, wisely playing with a few elements to create constant changes and twists in an intelligent techno exercise.
'Exceed By Delicacy' closes the EP, stereo panned synth lines, heavy subbass action and granular textures adding spice to the continuous feel.
A solid four tracker aimed directly to the most transgressive dancefloors around. More

P.E.A.R.L. is no stranger to the Weekend Circuit inner circle. Having released his ‘Desolation’ EP on the London label in 2015, his unique and refreshing productions slot comfortably in to the label's sonic aesthetic. Pulsating, submerged field recordings and natural sounds bristle next to menacingly hewn tones, rhythms and textures, creating a strange and disorientating environment across 4 parts. EP opener 'Body Arched I' encapsulates this alien-esque landscape, beckoning us into the P.E.A.R.L. sound-world. Slowly unwinding drones gradually draw us in, layers of almost synthetic jungle sounds, field recordings and eerie atmospherics create images of unseen landscapes in our minds. One gets the impression that is merely the calm before the storm, it will be a long, dark and revealing night. Second part 'Body Arched II' ups the ante considerably, a blistering assault on the senses. Cavernous kick-drums dance with repeated synth lines and synewaves creating a narcotic, unforgiving and swirling miasma of epic proportions. 'Body Arched III' opens the second side of this formidable slab of vinyl. The energy levels are still high, the mood somewhat foreboding. Unapologetic, urgent and oozing kinetic energy this 3rd movement continues on a journey that will sweep you deeper into the blackest night, all systems failed, flying blind. In the right hands a piece like this can wield colossal power. The fourth and final part of 'Body Arched' taps into a more psychedelic vein, a minimalistic mantra-esque piece that continually spirals to the very outer edges of restraint. Listen closely and you can hear the shamans feet kicking up dust in the clearing. A pensive and sparse piece and the perfect note on which P.E.A.R.L. will leave us bewildered. More

There was a time when to die was something slightly different from what it is today. Back in the last days of the middle age, some hidden monk was concerned about how to die properly, according to the catholic standarts of that era, so he wrote a book that was a cornerstone in that period.
This has been the leitmotiv and ispiration in the concept that drives this album, the Ars Moriendi book from 1415, a book that gave some clues about how to die properly, avoiding lack of faith, despair, impatience, avarice or spiritual pride, all those actually track titles in this compendium.

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That time when the sun crosses the plane of the earth's equator, making night and day of approximately equal length all over the earth. 'Equinox' is P.E.A.R.L. his debut on Float Records. As known for his aesthetic grooves we are proud to add this Berlin based Spanish producer to our catalogue. This three track EP does exactly what the title implies.
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Weekend Circuit stride on with the second part of P.E.A.R.L.’s ‘Desolation’ EP welcoming Francois X, Reeko, I/Y and Jeff Rushin to this series of remixes, servicing the generation with every bit of expansive energy techno music has to offer. Francois X’s remix of ‘In Space' architectures raw, artificial, and flat-out production with gritty realism and brutal drum sequencing. Taking the original and making it his own, externally imposing in on itself, this peak time pattern leaves you energised and hectic. Reeko takes on the title track ’Desolation’, the result is plagued with atmosphere; stripping, capturing and examines you before you have chance to do so to it. The tracks estranged essence and amalgam of sound is immediately apparent. It has you uncertain and poised for more, pulsating with darkness at every turn. I/Y's 'Reduction' reduces nothing of the sort, constantly fluxing between varying percussion types of both hi and low energy. Considering nothing more than to possess you with filter laden drum pads and a stark reality, IY have created a hypnotic vision of creative compulsion that'll have you dance yourself silly. Rushin delivers his sonic canvas of sound; every bit his own, this original piece of production magnifies any opportunity to cause dancefloor commotion. Emphatically crafted, this thought proving and thunderously loud and vivid record will keep you exhilarated from start to finish.

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Celebrating all that's ear-piercing and Techno, P.E.A.R.L. surges through with an emanating soundscape of near, far and leftfield embodiment of energy. Following on from the well received Ground Fault Interrupt, P.E.A.R.L. brings his Spanish stamina and Berlin influence to the table in Biblical amounts. Abrasive and dancefloor-focused "DESOLATION" is no stranger to the harder sounds of percussion. With a subtle ghost, and ever tense, this track rides through red traffic lights, and begins at the end of your comfort zone; Techno at its best. Evoking a visceral reaction, "IN SPACE" exerts its crude, unearthly series of paranormal Techno sound from the get go. A long drawn tool of the trade, comprising of little more than drone and percussion, this gives way to be adapted into any mix in the right hands. "FLAME ON EARTH" doffs in salutation to the afterparty. With a constant identity of beep and bleeps - continually growing from somewhere from within itself - this track leaves a trail where no path lies. Cascading between dark and light, this is a release of effectual Techno worthy of any record bag, regardless of your sub-genre preference - a real weapon of profession.
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Our number 17 comes in the hands of P.E.A.R.L. himself, with three slices of modern properly distorted technoes plus a Drum & Bass infused cut. As P.E.A.R.L.'s sound signature, a few elements make things move an evolve without super breaks or mega reverb washes, dry, raw and precise. Shuffled rhythms and sequences, complex arrangements, cold in essence but warm for the most advanced dancefloors.
Artwork curated by Silent Editions. More

We are back in shape after a while, providing fresh wax for you all, this time in the hands of two proper experts on studio duties: label owner P.E.A.R.L. sharing this extended EP with Pole Group's and Warm Up records head, Oscar Mulero.
They offer this extended shared work featuring 2 tracks from each artist plus a digi only bonus track from Oscar Mulero. Music wise, you'll find no jokes here, mental frequencies, solid grooves, pristine production, and the rawness we always provide at home: not for everyone timeless techno pieces.
Artwork curated by Silent Editions. More

The fourth installment and latest in the Falling Ethics ELEVEN series contains tracks by label owner P.E.A.R.L., JK Flesh and the mysterious Auto De Fe. 'Moral Standards' is a tough opening track by label owner P.E.A.R.L. that is dancefloor oriented and packed with an almost tribal vigour. JK Flesh's 'Static Demon' revolves around a non linear rhythm and a fierce synth sequence that elvolves throughout. Auto De Fe's 'Mierda Bendita' is an adventurous piece of work that will strike a chord will lovers of industrial music. More

The forthcoming falling ethics effort [FEXLVN003] contains tracks by three stalwarts of modern day techno. UVB's 3000 years of lies is a work of percussive endurance which contains five minutes of thumping drums, a low down synth roar and several squeeks of fx. Kastil's Arcanism is an hypnotic endavour into uncharted territories. The main sounds have a repetitive and clear quality that pierce through eardrums and will grab the attention of crowds. Amsterdam based Dimi Angelis closes down this three track effort. ''Flirting With The Machine'' is a lenghty voyage into pure synthesis. A monotonous sound with razor sharp clarity serves as the spine of this track while the kickdrum dictates the pace. Adventurous music at it's best. More

P.E.A.R.L. is launching the fifteenth installment of his Falling Ethics series with two versions of a serious club destroyer that has been released on the label back in the early days of Falling Ethics. Sorrows has been reflipped to a 2018 version that is sounding modern, large and in sync with the current aesthetics in techno music. While this version can be located on the B-side, on the A-side we find a larger than life CUB version (Karl O'Conner & Simon Shreeve) that will definitely turn some heads over the next few months. Reworking classics is not always needed but in this case, it's a welcome addition completely in harmony with the times. More

We are glad to intruduce you this new joint venture, CRVEL are P.E.A.R.L. and Tensal colliding in the studio with the aim to create cyclical weapons for the most osbscure dancefloors. Raw synth lines, crispy high frequencies, continuous sequences and plenty of details and subtle twists that keep the flow going. Four exercises of futuristic techno with no turnabouts, straight to the point with a timeless attitude. More

Falling Ethics starts a new Various Artists series: Falling Ethics Eleven, with an open approach ranging from Ambient experimental to proper techno adventures. First two volumes features music from Steve Bicknell, Reeko, P.E.A.R.L., SHXCXCHCXSH, Ex Continent and first new 65D Mavericks track released in five years.

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Falling Ethics starts a new Various Artists series: Falling Ethics Eleven , with an open approach ranging from Ambient experimental to proper techno adventures. First two volumes features music from Steve Bicknell, Reeko, P.E.A.R.L., SHXCXCHCXSH, Ex Continent and first new 65D Mavericks track released in five years.
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Techno operation "Falling Ethics'' extends it's solid catalog with a belter release by Amsterdam based produced ''Dimi Angelis''. Under A Glass Moon EP is a sturdy package of 3 dark and modular sounding Techno cuts. Label boss P.E.A.R.L. completes the package with an even deeper cut on the B1. More

"Plastic Love" often comes to mind as the quintessential example of City-Pop, originally written and produced by Japanese power couple Tatsuro Yamashita and Mariya Takeuchi in 1984. Later in 1991 it was covered with new Cantonese lyrics by Anita Mui, and now, over 3 decades later, the pursuit to give this song new aesthetics continues with yet another cover with Anita Mui's Cantonese lyrics but with a completely different feel. What could be interpreted as relatively raw production methods is turned into a refreshing take on this classic Japanese 80's anthem. Originally recorded during golden age of Japanese technology with a highly polished sound, Xiaolin gives it a new twist with a rougher edge established by the drum machines and saturated bass echoing video game soundtracks from a bygone era, beautifully juxtaposed with her dreamy vocals. Also included, a karaoke instrumental version on the B-side. More

Tracklist

Tracklist
A1. Oscar Mulero - The Sweat And The Salt
A2. Oscar Mulero - The Reddish Glow

B1. Oscar Mulero - Why Are You Holding a Gun?
B2. Oscar Mulero - The Sunlight Blinded His Eyes


Known for his intense DJ sets and heavily textured productions, Oscar Mulero embodies all that has made him a central figure in the international techno scene in 'The Stranger'. His first release on Token since 2021's 'Titan', the Spaniard announces his return the only way he knows how, through layered concoctions of noisy synth work and impactful percussion wrapped up in a four track EP of impressive weight.

The record's first track 'The Sweat and the Salt' is a representative introduction to the rest of the project. Mulero holds nothing back with his moody, obscure style and funnels measured grit into every detail he can. Hypnotic to its core but noisy and saturated enough to give it an industrial edge, the intricacies of this first track are upheld and continued in 'The Reddish Glow'. Here, we have more of a melodic back and forth being played between synth sequences. With no small dose of reverb to open up the dimension of the track, the incessant tapping of high to low frequency plucks make it a destabilizing mind trip of a club record. Complete with racing hi hats and his signature kick, Mulero plays with his elements to ensure depth in disorientation. 'Why Are You Holding a Gun' flattens up the space a little bit, creating more of a two-dimensional ambiance and taking synth distortion to a new level. A mess of an analog sequence hissing in the high end is paced out by metallic rides and short hi hats, making an effective dancefloor instrument. As powerful as ever, the PoleGroup boss controls his chaos with rhythmically questionable elements that add to the general delirium of 'The Stranger'. As the final chapter, 'The Sunlight Blinded His Eyes' is the perfect arrival to a stomping EP. A meditative pad hovers in the back while a rhythmically centered track forms, shuffling through drum patterns and an infectious bassline. Still packing a punch in the kick, this final song takes us out into the cosmos after a high pressure club music display by one of Spain's most respected contributors to techno.



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