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Label:-OUS
Cat-No:OUS050
Release-Date:24.05.2024
Genre:Electro
Configuration:LP
Barcode:7640136115358
1
Noémi Büchi - We Are Only Matter
2
Noémi Büchi - Infernal Stability
3
Noémi Büchi - Can We Be Completely Transparent?
4
Noémi Büchi - Window Display of the Year
5
Noémi Büchi - Sweet Paradox
6
Noémi Büchi - What If It Doesnt Matter?
7
Noémi Büchi - Almost Nothing
8
Noémi Büchi - Desiring the Desire
9
Noémi Büchi - Biocide
10
Noémi Büchi - Collective Disaster
11
Noémi Büchi - Sépulcrale
"The new avant-garde isn't about creating something that doesn't yet exist, it's about abandoning and confusing rigid genres. I want to open up, in order to both abolish and reconstruct the musical past." — Noémi Büchi
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Label:-OUS
Cat-No:OUS041
Release-Date:25.11.2022
Configuration:LP
Barcode:7640136115297
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Cat-No:OUS041
Release-Date:25.11.2022
Configuration:LP
Barcode:7640136115297
1
Noémi Büchi - Elemental Fear
2
Noémi Büchi - Screaming at Brutism
3
Noémi Büchi - Causes of Forgetfulness
4
Noémi Büchi - Measuring All Possibilities
5
Noémi Büchi - Uncertainty of an Undefined Interdependenc
6
Noémi Büchi - Memorizing by Heart
7
Noémi Büchi - Taking the Train with Mr. Shark
8
Noémi Büchi - Prelude for Rational Freshness
Noémi Büchi's debut album 'Matter' captures the tension between growth and decay, consonance and dissonance, mirroring Büchi's own catharsis through music. Her most personal material to date, 'Matter' is an opus of refined, sculpted beauty, one that aims to blur the distinction between ephemerality and physicality. Inspired by late romantic classical music and early 20th century contemporary music, 'Matter' is driven by the compositional methodologies of Igor Stravinsky, Alexander Skrjabin, Gustav Mahler and György Ligeti to modern sound forms, adapting and expanding upon their ideas in an awe-inspiring exploration of cutting-edge potency and tactility Büchi structures the electronic works that constitute 'Matter' in movements, stratifying myriad instrumental parts like the constituent sections of an orchestra. During her work on the album, Büchi engaged in extensive research, obsessively studying specific chords and progressions, and searching for transcendent intonations with resonant properties; complexions of sound with the ability to connect with the listener's body. Transforming our inner worlds into zones of suspension and levitation, Büchi exposes the listener to intoxicating slipstreams of sound. Prominent voices ascend, tectonic disturbances threaten the foundations, perception and sensation becomes subject to elemental countercurrents and inversions. 'Matter' illustrates the fraught pursuit of momentary equilibrium, and makes the fragility of euphoria tangible. Composer & sound artist Noémi Büchi creates electronic, symphonic maximalism. Her music is defined by delicate electronic-orchestral forms and textural rhythms. She strives for a combination of harmonic and dissonant sonorities, to evoke both intellectual and emotional euphoria. Büchi has appeared on the Light of Other Days and Visible Dinner labels, and is now an affiliate of -OUS, releasing 'Hyle' her debut EP on the label in spring 2022. As well as her solo output, Noémi Büchi is currently working with Feldermelder on their collaborative project Musique Infinie. Their debut album will also be released via -OUS in the near future.
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Label:-OUS
Cat-No:OUS047
Release-Date:17.05.2024
Configuration:LP
Barcode:7640136115327
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Cat-No:OUS047
Release-Date:17.05.2024
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Barcode:7640136115327
1
Ludwig Berger - what seed quests for a coralline mud slump
2
Ludwig Berger - where the body's distant arrivals
3
Ludwig Berger - bake airwaves into symbols?
4
Ludwig Berger - like aurochs who fraternized with syntax of the riverbed
5
Ludwig Berger - we stop short, frothy, outdoing the grass
6
Ludwig Berger - rake a song-gush from the outcrop
7
Ludwig Berger - or the noun of naive particles
8
Ludwig Berger - leeching off the glow-work of organ rooms
9
Ludwig Berger - we go candied in the marrow
10
Ludwig Berger - grow dream-bark, a tree
"Music is a form of world building. I love to develop sonic characters and set them into fictional ecosystems with unique textures, acoustics and atmospheres. Each song forms a different landscape, through which a vocal character guides us and tries to tell us its stories." — Ludwig Berger
Ludwig Berger's 'fictional' debut album "Garden Ediacara" unfolds as a musical eco-fiction, guiding listeners through a speculative ecosystem with synthesized vocals. Infused with storytelling techniques from sci-fi and fantasy, the album intertwines melodic songwriting with electroacoustic sound design. Inspired by hydrofeminism and eco-fiction novels, such as "A Door Into Ocean" by Joan Slonczewski, the album delves into the geological period of Ediacara around 600 million years ago — an era so remote it resonates as a glimpse into a possible future. The Ediacaran period was characterised by a peaceful and thriving ecosystem inhabited by soft-bodied creatures without eyes and bones, which were completely wiped out through the appearance of a new species. "Garden of Ediacara" alludes to this period, celebrating both the pleasures of biodiversity as well as mourning its inevitable loss. The narrative unfolds as an exploration of growth and interconnection in the shadow of a coming extinction. The track titles, written by Daisy Lafarge, reveal themselves as a cohesive poem and contribute to the album's narrative.
Informed by his practice of field recording that focusses on intimate encounters with plants, animals and geological phenomena, as well as his studies in electroacoustic composition, Berger expands his palette for his debut in 'fictional' music. The album prominently features a post-human, non-binary death metal voice synthesizer, physical modeling instruments, and microscopic field recordings of plants, insects, as well as aquatic and geological life. With impressionistic strokes, Ludwig Berger crafts vibrant worlds using glassy timbres and more-than-human voices, guiding listeners through emotionally ambiguous terrain, seamlessly oscillating between moments of intimacy and irritation, melancholy and playfulness.
Ludwig Berger is a landscape sound artist, educator and musician. In his compositions, installations and performances, he enables intimate and playful sonic encounters with plants, animals, buildings and geological entities. He is founder and curator of the label Vertical Music, which releases field recordings and experimental music. Berger holds degrees in electroacoustic composition, as well as musicology, art history and literature. As a sound researcher and teacher at the Institute for Landscape Architecture at ETH Zurich from 2015-2022, he studied the sonic dimension of Japanese gardens, alpine glaciers and urban landscapes, which among other things led to the release of the acclaimed album trilogy 'Melting Landscapes', 'Dammed Landscapes' and 'Buried Landscapes'. More
Ludwig Berger's 'fictional' debut album "Garden Ediacara" unfolds as a musical eco-fiction, guiding listeners through a speculative ecosystem with synthesized vocals. Infused with storytelling techniques from sci-fi and fantasy, the album intertwines melodic songwriting with electroacoustic sound design. Inspired by hydrofeminism and eco-fiction novels, such as "A Door Into Ocean" by Joan Slonczewski, the album delves into the geological period of Ediacara around 600 million years ago — an era so remote it resonates as a glimpse into a possible future. The Ediacaran period was characterised by a peaceful and thriving ecosystem inhabited by soft-bodied creatures without eyes and bones, which were completely wiped out through the appearance of a new species. "Garden of Ediacara" alludes to this period, celebrating both the pleasures of biodiversity as well as mourning its inevitable loss. The narrative unfolds as an exploration of growth and interconnection in the shadow of a coming extinction. The track titles, written by Daisy Lafarge, reveal themselves as a cohesive poem and contribute to the album's narrative.
Informed by his practice of field recording that focusses on intimate encounters with plants, animals and geological phenomena, as well as his studies in electroacoustic composition, Berger expands his palette for his debut in 'fictional' music. The album prominently features a post-human, non-binary death metal voice synthesizer, physical modeling instruments, and microscopic field recordings of plants, insects, as well as aquatic and geological life. With impressionistic strokes, Ludwig Berger crafts vibrant worlds using glassy timbres and more-than-human voices, guiding listeners through emotionally ambiguous terrain, seamlessly oscillating between moments of intimacy and irritation, melancholy and playfulness.
Ludwig Berger is a landscape sound artist, educator and musician. In his compositions, installations and performances, he enables intimate and playful sonic encounters with plants, animals, buildings and geological entities. He is founder and curator of the label Vertical Music, which releases field recordings and experimental music. Berger holds degrees in electroacoustic composition, as well as musicology, art history and literature. As a sound researcher and teacher at the Institute for Landscape Architecture at ETH Zurich from 2015-2022, he studied the sonic dimension of Japanese gardens, alpine glaciers and urban landscapes, which among other things led to the release of the acclaimed album trilogy 'Melting Landscapes', 'Dammed Landscapes' and 'Buried Landscapes'. More
Label:-OUS
Cat-No:OUS044
Release-Date:08.12.2023
Configuration:LP
Barcode:7640136115310
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Cat-No:OUS044
Release-Date:08.12.2023
Configuration:LP
Barcode:7640136115310
1
Musique Infinie - The Power of Choice
2
Musique Infinie - Latent Delusional Thoughts
3
Musique Infinie - Voices Nobody Hears
4
Musique Infinie - Liquidation De La Nuit De L'incalculable
5
Musique Infinie - Broken Mind Circuit
6
Musique Infinie - Zones of Incorporation
7
Musique Infinie - The Cessation of Reasons
Musique Infinie, the new duo consisting of Noémi Büchi and Feldermelder, is rooted in a shared desire to intertwine two composing veins, and to merge them into a new, massive core. While Büchi combined her background in classical and electro-acoustic music with a bold approach to composition on her highly acclaimed debut album 'Matter' (-OUS, 2022), multi-disciplinary musician and artist Feldermelder has been expanding his artistic practice into unexplored realms for over 20 years. Mutually, they've challenged themselves to fully engage on an artistic exploration aimed at making use of the elementary forces that unfold between them. Their debut album, simply titled 'I', is a musical hybridization. The compositions make use of simple motives that are radically transformed by expanding them into intricate structures and fantastic layerings. The overcoming of genres with eclectic elements from classical music, jazz, film music and traditional music, combined with the vocabulary of experimental electronic music, complete the vertical plunge into this thickness. The emerging pieces lead into a paradoxical world, both disturbing and euphoric. Pieces that don't give in to calculations and expectations, but progress through ruptures and repetitions. The richness of the compositions and their analog, acoustic and orchestral character reflect the density of the world with its violence, its decadence, its fragility, but also its power, its ingenuity and its beauty.
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Label:-OUS
Cat-No:OUS043
Release-Date:13.10.2023
Genre:Electronic
Configuration:LP
Barcode:7640136115303
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Label:-OUS
Cat-No:OUS043
Release-Date:13.10.2023
Genre:Electronic
Configuration:LP
Barcode:7640136115303
1
Furtherset - Circulata Melodia
2
Furtherset - Infinity of Stasis
3
Furtherset - Sites of Writing
4
Furtherset - The Streams of Time on Stone Dreams
5
Furtherset - New Clouds
6
Furtherset - Sensibility Spectrum
The Infinite Hour is a shattered elegy synthesized in electronics. Furtherset's music does not explain, settle or justify, it rather simply manifests the grip of anguish. As a whole, the album's six compositions resemble the labored breathing of one who mourns a disappearance and fears oblivion. A feeling like having one's chest weighed down by a stone, while still being attentive to one's breath, and aware of what remains. From this dimension The Infinite Hour arises and transfigures loss into a space that is always extending: the hour is infinite, the melody is circular, and even stasis has its own measure that is exceeded into eternity. The album was created between 2020 and 2022, in a slow process of writing and continuous refinement parallel to the previous EP, Auras. The compositions found their final form during the mixing process carried out together with composer & sound artist Bienoise (Mille Plateaux). They were later named based on references to authors who influenced and are dear to Furtherset: Amelia Rosselli, Vladimir Chlebnikov, Hubert Damisch, Dante Alighieri. Each track, composed with its live rendition in mind, manifests itself to the listener as a possible variant of a path that is never definitive. Their live performance, an increasingly distinctive moment within Furtherset's work, is a gesture of concentration and extension, where every composition is developed through meticulous variations of each singularity. The Infinite Hour is one possible manifestation of an ever-changing musical landscape, a universe with unmistakable sounds but always on the verge of disintegrating, collapsing, and opening up spaces, times, infinities. Furtherset is the musical project of artist and musician Tommaso Pandolfi (1995). His compositions' distinctive traits are stratifications and recursive shifting modulations, synthetic clusters and sampling, alongside rhythmic and embracing harmonies. The project is envisaged as formal research that follows a path towards saturation and layering, but is always capable of generating voids in which the listener can take their place and fill them according to their own focus.
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Label:-OUS
Cat-No:OUS041
Release-Date:25.11.2022
Configuration:LP
Barcode:7640136115297
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Cat-No:OUS041
Release-Date:25.11.2022
Configuration:LP
Barcode:7640136115297
1
Noémi Büchi - Elemental Fear
2
Noémi Büchi - Screaming at Brutism
3
Noémi Büchi - Causes of Forgetfulness
4
Noémi Büchi - Measuring All Possibilities
5
Noémi Büchi - Uncertainty of an Undefined Interdependenc
6
Noémi Büchi - Memorizing by Heart
7
Noémi Büchi - Taking the Train with Mr. Shark
8
Noémi Büchi - Prelude for Rational Freshness
Noémi Büchi's debut album 'Matter' captures the tension between growth and decay, consonance and dissonance, mirroring Büchi's own catharsis through music. Her most personal material to date, 'Matter' is an opus of refined, sculpted beauty, one that aims to blur the distinction between ephemerality and physicality. Inspired by late romantic classical music and early 20th century contemporary music, 'Matter' is driven by the compositional methodologies of Igor Stravinsky, Alexander Skrjabin, Gustav Mahler and György Ligeti to modern sound forms, adapting and expanding upon their ideas in an awe-inspiring exploration of cutting-edge potency and tactility Büchi structures the electronic works that constitute 'Matter' in movements, stratifying myriad instrumental parts like the constituent sections of an orchestra. During her work on the album, Büchi engaged in extensive research, obsessively studying specific chords and progressions, and searching for transcendent intonations with resonant properties; complexions of sound with the ability to connect with the listener's body. Transforming our inner worlds into zones of suspension and levitation, Büchi exposes the listener to intoxicating slipstreams of sound. Prominent voices ascend, tectonic disturbances threaten the foundations, perception and sensation becomes subject to elemental countercurrents and inversions. 'Matter' illustrates the fraught pursuit of momentary equilibrium, and makes the fragility of euphoria tangible. Composer & sound artist Noémi Büchi creates electronic, symphonic maximalism. Her music is defined by delicate electronic-orchestral forms and textural rhythms. She strives for a combination of harmonic and dissonant sonorities, to evoke both intellectual and emotional euphoria. Büchi has appeared on the Light of Other Days and Visible Dinner labels, and is now an affiliate of -OUS, releasing 'Hyle' her debut EP on the label in spring 2022. As well as her solo output, Noémi Büchi is currently working with Feldermelder on their collaborative project Musique Infinie. Their debut album will also be released via -OUS in the near future.
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Label:-OUS
Cat-No:OUS037LP
Release-Date:04.02.2022
Configuration:LP
Barcode:7640136115266
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Cat-No:OUS037LP
Release-Date:04.02.2022
Configuration:LP
Barcode:7640136115266
1
Simon Grab & Francesco Giudici - I Leave
2
Simon Grab & Francesco Giudici - Sirens
3
Simon Grab & Francesco Giudici - Wolves
4
Simon Grab & Francesco Giudici - Aftermath
Simon Grab & Francesco Giudici's '[No] Surrender' is a strong and uncut manifest against social injustices, packed into screaming feedbacks and towering drones. Grab lures tender noises and pulsating frequencies from his fragile no-input-mixing-setup, while Giudici adds linear and visceral guitar drones, opening a dialogue between the two musicians, the room, and the surrounding context. Together, they create a uniquely soft but angry musical creature that feeds from emotions of loss and anger to become a haunting call for change. The album's cover presents a portrait of 'Madame Rochat' by photographer and film maker Aline d'Auria. The seemingly indestructible concierge was stripped from her home of half a century on the day of her retirement. Still, she persistently continued to fight for the working class' rights. '[No] Surrender' calls for awareness, resilience, and space for reflections. It's a story about mankind being trapped in a world poisoned by a failed system of power. It's an urgent call to overcome the darkness. Focusing on reduction and the peculiarity of self-referential systems, Simon Grab plays fragile feedbacks, pulsating drones and opulent outbursts of noise on a no-input-mixing setup. His has previously released"Posthuman Species" and "Extinction" on -OUS, while "Diamonds", a collaboration with Togolese rapper Yao Bobby and Asian Dub Foundation's Dhangsha, came out via LavaLava. Experimental musician and sociologist Francesco Giudici plays guitar in bands and creates music for films, installations and theatre pieces. He has released three albums with his band 'Black Fluo' on PulverUndAsche Records. His research as sociologist and demographer focuses on social and economic inequalities, social gradient in health, gender inequalities, occupational and familiar life trajectories.
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Cat-No:RS9201X
Release-Date:31.05.2024
Genre:Techno
Configuration:2x12"
Barcode:5060944577216
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Label:R&S Records
Cat-No:RS9201X
Release-Date:31.05.2024
Genre:Techno
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“It’s just too easy to make a standard dance track,” Aphex Twin said of his mindset back in 1992. “You’ve got to put a bit of thought into it to get something a bit different.” ‘Didgeridoo’ was released on the Belgian R&S Records label in 1992, and originally peaked at #55 in the UK singles chart in May of that year. Over the last 32 years the track has become one of the essential Aphex Twin tracks in a gargantuan catalogue that continues to amaze and inspire. “I wanted to have some tracks to play to finish the raves I used to play in Cornwall, to really kill everybody off so they couldn’t dance,” Richard D James, AKA Aphex, told Select magazine back in the 90s. “Digeridoo came out of that.” Released as a 4 track EP that also included early Aphex productions (now classics) including the industrial, acidic clang of ‘Flap Head’ and hyperbolic futurism of ‘Isopropanol’, the release cemented a relationship with the R&S label that went on to release the ‘Xylem Tube’ EP and the pivotal album ‘Selected Ambient Works 85-92’ in the same year. The label’s owner & A&R Renaat Vandepapeliere reflected “When I first heard Aphex Twin’s music I said, ‘This is it!’, and everybody else said, ‘You’re crazy!’ …a lot of the hardcore R&S fans dropped us. To them it wasn’t music.” ‘Didgeridoo’ (Expanded Edition) is the first time the EP has been re-issued with extra material. Whilst digging in his DAT archive (allegedly stored in an airtight military ammo box), Richard James revisited the recordings, encoding them through a Nakamichi CR7e cassette deck, using the customised deck with vari-speed to encode at speeds “felt right at the time”. Alongside these CR7e versions, the original mixes have been remastered by Beau Thomas at Ten Eight Seven Mastering, offering a dilated insight into one of electronic music’s most endearing releases.
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Label:Exit Records
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1
dBridge Vs Forest Drive West - Death Race 3000
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dBridge Vs Forest Drive West - Vignette
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dBridge Vs Forest Drive West - Spitefull Lips
dBridge & Forest Drive West, doing what they do, together
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1
Saigon Soul Revival - 1.Ai That Long Yeu Ai
2
Saigon Soul Revival - 2.Dam Cuoi Nha Em
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Saigon Soul Revival - 3.Thoi
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Saigon Soul Revival - 4.Mo Xuan
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Saigon Soul Revival - 5.Mong Mo
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Saigon Soul Revival - 8.Boi Hoa
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LP - NON EXCLUSIVE
GENRE/S:
GLOBAL POP
Urban / Funk / Soul / Rock
VINYL Tracklisting incl. (ISRC CODES) time:
Side A (33rpm) - 20:26
1.Ai That Long Yeu Ai
2.Dam Cuoi Nha Em
3.Thoi
4.Mo Xuan
5.Mong Mo
Side B (33rpm) - 22:54
6.Co May Ai Duoc Vui
7.Ke Khong Tinh
8.Boi Hoa
9.Sac Hoa Cuoc Song
10.Noi Niem Duong The
11.Ngo Nhan
SHORT INFO:
After their debut album "Hoa Am Xua" (2019), which was nominated for Songlines Music Award 2021, featured as Record of the Month on Radio FIP in France and celebrated by Iggy Pop on BBC6, among others, Saigon Soul Revival returns with their latest record, "M?i L??ng Duyên".
Descending out of the southern night sky through a turbulent cloud of dreams, memory, longing and psychedelia, Saigon Soul Revival's second full length represents the latest act in the group's resuscitation of the raw, heavy and subversive sounds of 1960s and 70s Saigon.
Roughly translated to "destiny", M?i L??ng Duyên is a journey through eight original compositions and three soul-stirring reinterpretations of Saigonese nh?c vàng or golden music: the soundtrack to a Saigon once thought lost to history and amnesia.
Driven by Western influences rock, bolero, soul, jazz and the rich heritage of Vietnamese ballads, M?i L??ng Duyên delivers a seamless blend of genres and traditional instrumentation (?àn Tranh, ?àn B?u & ?àn Nguy?t) with themes from across time and space.
In 2024 the title ?ÁM C??I NHÀ EM from their second studio album "M?i L??ng Duyên" is featured in the HBO Mini-Serie "The Symphatizer" (directed by Par Chan-Wook (Oldboy) / Robert Downey Junior producer and actor), which is based on the novel of the same name (Pulitzer Prize 2016) by Viet Thanh Nguyen.
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VINYL Tracklisting incl. (ISRC CODES) time:
Side A (33rpm) - 20:26
1.Ai That Long Yeu Ai
2.Dam Cuoi Nha Em
3.Thoi
4.Mo Xuan
5.Mong Mo
Side B (33rpm) - 22:54
6.Co May Ai Duoc Vui
7.Ke Khong Tinh
8.Boi Hoa
9.Sac Hoa Cuoc Song
10.Noi Niem Duong The
11.Ngo Nhan
SHORT INFO:
After their debut album "Hoa Am Xua" (2019), which was nominated for Songlines Music Award 2021, featured as Record of the Month on Radio FIP in France and celebrated by Iggy Pop on BBC6, among others, Saigon Soul Revival returns with their latest record, "M?i L??ng Duyên".
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Roughly translated to "destiny", M?i L??ng Duyên is a journey through eight original compositions and three soul-stirring reinterpretations of Saigonese nh?c vàng or golden music: the soundtrack to a Saigon once thought lost to history and amnesia.
Driven by Western influences rock, bolero, soul, jazz and the rich heritage of Vietnamese ballads, M?i L??ng Duyên delivers a seamless blend of genres and traditional instrumentation (?àn Tranh, ?àn B?u & ?àn Nguy?t) with themes from across time and space.
In 2024 the title ?ÁM C??I NHÀ EM from their second studio album "M?i L??ng Duyên" is featured in the HBO Mini-Serie "The Symphatizer" (directed by Par Chan-Wook (Oldboy) / Robert Downey Junior producer and actor), which is based on the novel of the same name (Pulitzer Prize 2016) by Viet Thanh Nguyen.
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"Unearthed remixes finally seeing a release after 23 years (now 27 years btw, as this 12" first appeared in 2020) . More
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2
Wax - No Title
Perfect uplifting Techno / House Shedism
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Label:Sneaker Social Club
Cat-No:SNKR054
Release-Date:24.05.2024
Genre:Dubstep
Configuration:12"
Barcode:
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Label:Sneaker Social Club
Cat-No:SNKR054
Release-Date:24.05.2024
Genre:Dubstep
Configuration:12"
Barcode:
1
Silas - Know Yourself
2
Silas - Wot
3
Silas - Ubuntu
4
Silas - Make It Happen
Lock on for a legit excursion into 140 realness as Sneaker Social Club welcomes Silas into the fold. The breakthrough Oxford beatsmith has been on the bubble-up for a minute, facing off with the likes of Trends and Boylan on Mean Streets, remixing PRAGA and throwing down for repeat appearances on Rinse and elsewhere.
The sound Silas pushes on the ‘Wot’ EP - his debut solo 12” no less - is steeped in the original dank pressure of OG grime and dubstep, where moodiness and minimalism create the perfect storm for all-consuming soundsystem immersion. There’s a wavey swing to ‘Know Yourself’ which contrasts with the strict, claustrophobic drive of ‘Wot’. ‘Ubuntu’ on the flip teases an evocative sound world just past the edge of the mix, but manages to hold down the stripped back approach on a skippy 4/4 rhythm which nudges garage into a kind of tech-house-funky amalgamation. ‘Make It Happen’ offers yet another subtle slant on Silas’ style, crooked and gritty but still executed with
an unrelenting, austere focus.
Consider this an essential pin dropped on forward-leaning bassweight sounds which carry the torch for grime and dubstep’s ice-cold origins, maintaining maximum presence without even a whiff of derivative wobble. More
The sound Silas pushes on the ‘Wot’ EP - his debut solo 12” no less - is steeped in the original dank pressure of OG grime and dubstep, where moodiness and minimalism create the perfect storm for all-consuming soundsystem immersion. There’s a wavey swing to ‘Know Yourself’ which contrasts with the strict, claustrophobic drive of ‘Wot’. ‘Ubuntu’ on the flip teases an evocative sound world just past the edge of the mix, but manages to hold down the stripped back approach on a skippy 4/4 rhythm which nudges garage into a kind of tech-house-funky amalgamation. ‘Make It Happen’ offers yet another subtle slant on Silas’ style, crooked and gritty but still executed with
an unrelenting, austere focus.
Consider this an essential pin dropped on forward-leaning bassweight sounds which carry the torch for grime and dubstep’s ice-cold origins, maintaining maximum presence without even a whiff of derivative wobble. More
Label:Frustrated Funk
Cat-No:FR059
Release-Date:10.05.2024
Genre:Electro
Configuration:12"
Barcode:
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Last in:14.05.2024
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Last in:14.05.2024
Label:Frustrated Funk
Cat-No:FR059
Release-Date:10.05.2024
Genre:Electro
Configuration:12"
Barcode:
1
Adapta - Who Am I
2
Adapta - Cousin Bruce
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Adapta - Cassette King
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Adapta - Memory Event
5
Adapta - Stars Hold
A much needed 12-inch sampler for Adapta's critically acclaimed Memory Program album. Originally released as cassette and digital download through Miami's Schematic Music Company. Beware!!..
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