1
Pulshar - A1 Down by the river
2
Pulshar - A2 Mr. Money man
3
Pulshar - A3 Maerdream
4
Pulshar - A4 ACT 2
5
Pulshar - B1 Better than tears
6
Pulshar - B2 S.T.A.R.S
7
Pulshar - B3 Da Creator
8
Pulshar - B4 Montparnasse 2am
9
Pulshar - B5 ACT 1
10
Pulshar - C1 Jungle fever
11
Pulshar - C2 Nospheratu
12
Pulshar - C3 Sacrifice of love
13
Pulshar - C4 Dream when it's wrong
14
Pulshar - D1 The price you pay
15
Pulshar - D2 California state of mind
16
Pulshar - D3 Stepping stones
17
Pulshar - D4 Marathon man
[2LP Gatefold]
“Music that came from some intimate and deeply ethereal place that effortlessly bridged the gap between the dance
floor and the home-listening environment. Pulshar is a unique dub-heavy, soulful, psychedelic journey.”
Vladimir Ivkovic.
“A crossover sound that the deepest electronic heads and mainstream music fans can equally enjoy. The energy in their
music is universal, and moves all who are exposed to it. One of my all-time favorites”
Rod Modell ( Deepchord / Echospace )
GENRE/S: Dub, Electronica, Deep House
TRACKLISTS:
A1 Down by the river
A2 Mr. Money man
A3 Maerdream
A4 ACT 2
B1 Better than tears
B2 S.T.A.R.S
B3 Da Creator
B4 Montparnasse 2am
B5 ACT 1
C1 Jungle fever
C2 Nospheratu
C3 Sacrifice of love
C4 Dream when it's wrong
D1 The price you pay
D2 California state of mind
D3 Stepping stones
D4 Marathon man
SHORT INFO:
A double vinyl compilation that perfectly captures Pulshar’s sound: an elegant mixture of Dub, Techno, R&B &
Ambient. Contains 12 tracks previously unreleased on vinyl.
This release was certainly not meant to be a 'Best of' compilation but it is a collection of special moments that Sergio and
Pablo wanted to capture and share on one definitive release.This is an opportunity to look back on Pulshar's career in a
retrospective and reflect about how their background and influences have led to the complete sound of the act.
UMBRA / LUX (title based on their production technique that naturally blends dark and light aesthetics) contains 17
tracks that traverse the gamut of their sound with an impeccable level of quality.
More
“Music that came from some intimate and deeply ethereal place that effortlessly bridged the gap between the dance
floor and the home-listening environment. Pulshar is a unique dub-heavy, soulful, psychedelic journey.”
Vladimir Ivkovic.
“A crossover sound that the deepest electronic heads and mainstream music fans can equally enjoy. The energy in their
music is universal, and moves all who are exposed to it. One of my all-time favorites”
Rod Modell ( Deepchord / Echospace )
GENRE/S: Dub, Electronica, Deep House
TRACKLISTS:
A1 Down by the river
A2 Mr. Money man
A3 Maerdream
A4 ACT 2
B1 Better than tears
B2 S.T.A.R.S
B3 Da Creator
B4 Montparnasse 2am
B5 ACT 1
C1 Jungle fever
C2 Nospheratu
C3 Sacrifice of love
C4 Dream when it's wrong
D1 The price you pay
D2 California state of mind
D3 Stepping stones
D4 Marathon man
SHORT INFO:
A double vinyl compilation that perfectly captures Pulshar’s sound: an elegant mixture of Dub, Techno, R&B &
Ambient. Contains 12 tracks previously unreleased on vinyl.
This release was certainly not meant to be a 'Best of' compilation but it is a collection of special moments that Sergio and
Pablo wanted to capture and share on one definitive release.This is an opportunity to look back on Pulshar's career in a
retrospective and reflect about how their background and influences have led to the complete sound of the act.
UMBRA / LUX (title based on their production technique that naturally blends dark and light aesthetics) contains 17
tracks that traverse the gamut of their sound with an impeccable level of quality.
More
More records from Pulshar
UPC: 4260148770937 Release : 14.11.2014
CD with digipack and download code for the instrumental version.
Tracklist CD:
1. Prepare 2. Big Mistakes 3. Sounds Fake 4. Better Than Tears 5. Running Away (feat.Guti) 6. Find You in Every Street 7. Nadie Te Quiere Ya 8. Skull Girl 9. On A Mission 10. Keep My Boat Clean
Short info:
Pulshar return to Desolat with another stunning long player filled with a selection of sumptuous productions that further demonstrate their grasp over intimate and deeply ethereal electronic music. Vinyl version of 'Blood and Mathematics' features the originals and instrumentals via download code, and is perfectly timed for when the days begin to draw to a close. Barcelona based duo Sergio S. Vidal and Pablo Bolivar have cemented the Pulshar name and reputation as proponents of dub-heavy, soulful and at times psychedelic electronic music. Their first Desolat long player 'Inside' received critical acclaim and effortlessly bridged the gap between the dance-floor and the home listening environment. They returned to Desolat in 2013 with a deliciously deep and trippy EP in 'Different Drum', and now continue their relationship with the label with 'Blood and Mathematics'. Pulshar continue their affair with Electro, Instrumental Hip-Hop, Dub and Psychedelia. They have distilled this to create a distinctive and soulful brand of electronic music and the new Long Player represents where the artists are in 2014. All the tracks are written and produced by them, with only Guti as a featuring artist on 'Running Away'. This has resulted in them cultivating a traditional 'album' experience where one track effortlessly segues into the next and takes the listener through a range of emotions across the record. Blood and Mathematics is a contemporary electronic music listening experience that will be revisited again and again.
More
CD with digipack and download code for the instrumental version.
Tracklist CD:
1. Prepare 2. Big Mistakes 3. Sounds Fake 4. Better Than Tears 5. Running Away (feat.Guti) 6. Find You in Every Street 7. Nadie Te Quiere Ya 8. Skull Girl 9. On A Mission 10. Keep My Boat Clean
Short info:
Pulshar return to Desolat with another stunning long player filled with a selection of sumptuous productions that further demonstrate their grasp over intimate and deeply ethereal electronic music. Vinyl version of 'Blood and Mathematics' features the originals and instrumentals via download code, and is perfectly timed for when the days begin to draw to a close. Barcelona based duo Sergio S. Vidal and Pablo Bolivar have cemented the Pulshar name and reputation as proponents of dub-heavy, soulful and at times psychedelic electronic music. Their first Desolat long player 'Inside' received critical acclaim and effortlessly bridged the gap between the dance-floor and the home listening environment. They returned to Desolat in 2013 with a deliciously deep and trippy EP in 'Different Drum', and now continue their relationship with the label with 'Blood and Mathematics'. Pulshar continue their affair with Electro, Instrumental Hip-Hop, Dub and Psychedelia. They have distilled this to create a distinctive and soulful brand of electronic music and the new Long Player represents where the artists are in 2014. All the tracks are written and produced by them, with only Guti as a featuring artist on 'Running Away'. This has resulted in them cultivating a traditional 'album' experience where one track effortlessly segues into the next and takes the listener through a range of emotions across the record. Blood and Mathematics is a contemporary electronic music listening experience that will be revisited again and again.
More
1
pulshar - better than tears
2
pulshar - big mistakes
3
pulshar - sounds fake
4
pulshar - prepare
5
pulshar - running away feat guti
6
pulshar - find you in every street
7
pulshar - skull girl
8
pulshar - nadie te quiere ya
9
pulshar - on a mission
10
pulshar - keep my boat clean
UPC: 4260148770876 Release : 20.10.2014
Special Remarks: LP with printed inner sleeve and download code for vocal and instrumental version, CD with digipack and download code for the instrumental version.
Tracklist LP:
A1. Better Than Tears A2. Big Mistakes A3. Sounds Fake A4. Prepare A5. Running Away (feat.Guti)
B1. Find You in Every Street B2. Skull Girl B3. Nadie Te Quiere Ya B4. On A Mission B5. Keep My Boat Clean
Short info:
Pulshar return to Desolat with another stunning long player filled with a selection of sumptuous productions that further demonstrate their grasp over intimate and deeply ethereal electronic music. Vinyl version of 'Blood and Mathematics' features the originals and instrumentals via download code, and is perfectly timed for when the days begin to draw to a close. Barcelona based duo Sergio S. Vidal and Pablo Bolivar have cemented the Pulshar name and reputation as proponents of dub-heavy, soulful and at times psychedelic electronic music. Their first Desolat long player 'Inside' received critical acclaim and effortlessly bridged the gap between the dance-floor and the home listening environment. They returned to Desolat in 2013 with a deliciously deep and trippy EP in 'Different Drum', and now continue their relationship with the label with 'Blood and Mathematics'. Pulshar continue their affair with Electro, Instrumental Hip-Hop, Dub and Psychedelia. They have distilled this to create a distinctive and soulful brand of electronic music and the new Long Player represents where the artists are in 2014. All the tracks are written and produced by them, with only Guti as a featuring artist on 'Running Away'. This has resulted in them cultivating a traditional 'album' experience where one track effortlessly segues into the next and takes the listener through a range of emotions across the record. Blood and Mathematics is a contemporary electronic music listening experience that will be revisited again and again.
More
Special Remarks: LP with printed inner sleeve and download code for vocal and instrumental version, CD with digipack and download code for the instrumental version.
Tracklist LP:
A1. Better Than Tears A2. Big Mistakes A3. Sounds Fake A4. Prepare A5. Running Away (feat.Guti)
B1. Find You in Every Street B2. Skull Girl B3. Nadie Te Quiere Ya B4. On A Mission B5. Keep My Boat Clean
Short info:
Pulshar return to Desolat with another stunning long player filled with a selection of sumptuous productions that further demonstrate their grasp over intimate and deeply ethereal electronic music. Vinyl version of 'Blood and Mathematics' features the originals and instrumentals via download code, and is perfectly timed for when the days begin to draw to a close. Barcelona based duo Sergio S. Vidal and Pablo Bolivar have cemented the Pulshar name and reputation as proponents of dub-heavy, soulful and at times psychedelic electronic music. Their first Desolat long player 'Inside' received critical acclaim and effortlessly bridged the gap between the dance-floor and the home listening environment. They returned to Desolat in 2013 with a deliciously deep and trippy EP in 'Different Drum', and now continue their relationship with the label with 'Blood and Mathematics'. Pulshar continue their affair with Electro, Instrumental Hip-Hop, Dub and Psychedelia. They have distilled this to create a distinctive and soulful brand of electronic music and the new Long Player represents where the artists are in 2014. All the tracks are written and produced by them, with only Guti as a featuring artist on 'Running Away'. This has resulted in them cultivating a traditional 'album' experience where one track effortlessly segues into the next and takes the listener through a range of emotions across the record. Blood and Mathematics is a contemporary electronic music listening experience that will be revisited again and again.
More
1
Pulshar, Loco Dice, - Wasting Time
2
Pulshar, - So Tired
3
Pulshar, - Different Drum
4
Pulshar, - She's Got A Ticket
5
Pulshar, - Dream When It's Wrong
EAN: 4260148770708 Release : 25.03.2013
Special Remarks: full cover artwork, inside-out print, download code for free mp3 and a bonus track
Tracklist 12":
A1. Wasting Time
A2. So Tired
B1 Different Drum
B2. She's Got A Ticket
ON THEIR RETURN TO DESOLAT BARCELONA BASED MUSICIANS PULSHAR DELIVER A DELICIOUSLY DEEP AND TRIPPY EP
Following on from 2010's critically acclaimed album 'Inside', Spanish duo Sergio S. Vidal and Pablo Bolívar aka Pulshar return to Desolat with the 'Different Drum EP', and all four tracks showcase the deeply hypnotic yet richly soulful sounds which the duo are synonymous with. Opener 'Wasting Time' is a collaboration with Desolat label head Loco Dice. The track, which was creating during a jam session between these friends, is a deep and twisted journey, with ocean-deep sub-bass, and features Loco Dice's own distorted vocals which echo in and out of the music. On 'So Tired', Pulshar have expertly crafted a captivating rich soundscape packed full of warm textures and atmospheres. 'Different Drum' is a similarly engaging and uplifting track complete with soaring synths and crisp drums. The 12" is rounded up by the standout 'She's Got A Ticket', with its infectious groove, rich sounds and contagious vocal layered over its psycadelic rhythm. On 'Different Drum' Pulshar have demonstrated with aplomb why over the last few years their distinctive and soulful brand of psychedelic electronic music has been turning heads and moving dancefloors.
Enjoy!
More
Special Remarks: full cover artwork, inside-out print, download code for free mp3 and a bonus track
Tracklist 12":
A1. Wasting Time
A2. So Tired
B1 Different Drum
B2. She's Got A Ticket
ON THEIR RETURN TO DESOLAT BARCELONA BASED MUSICIANS PULSHAR DELIVER A DELICIOUSLY DEEP AND TRIPPY EP
Following on from 2010's critically acclaimed album 'Inside', Spanish duo Sergio S. Vidal and Pablo Bolívar aka Pulshar return to Desolat with the 'Different Drum EP', and all four tracks showcase the deeply hypnotic yet richly soulful sounds which the duo are synonymous with. Opener 'Wasting Time' is a collaboration with Desolat label head Loco Dice. The track, which was creating during a jam session between these friends, is a deep and twisted journey, with ocean-deep sub-bass, and features Loco Dice's own distorted vocals which echo in and out of the music. On 'So Tired', Pulshar have expertly crafted a captivating rich soundscape packed full of warm textures and atmospheres. 'Different Drum' is a similarly engaging and uplifting track complete with soaring synths and crisp drums. The 12" is rounded up by the standout 'She's Got A Ticket', with its infectious groove, rich sounds and contagious vocal layered over its psycadelic rhythm. On 'Different Drum' Pulshar have demonstrated with aplomb why over the last few years their distinctive and soulful brand of psychedelic electronic music has been turning heads and moving dancefloors.
Enjoy!
More
Pulshar are emerging as true musical heavyweights, with compositions that traverse the borderlands between spacious songcraft and the futuristic outer-reaches of the dub-techno universe. Desolat is proud to present Pulshar's latest longplayer offering.
After receiving widespread critical acclaim for his various solo projects and remixes in 2009, the Inside LP sees Pablo Bolivar reunited with the tender tenor tones of Sergio S. Vidal for their much-loved Pulshar project.
On tracks like "Da Creator" and "Montparnasse 2am", an easy house groove takes its time rolling out languidly, while mild melancholia, sample stabs and outer-space delays hark back to the heyday of On-U: a synthetic interpretation of King Tubby's legacy that would sparkle in the early hours at a tech-house beach party. "Montparnasse 2am" incorporates eerie soundtrack fragments that explicate the duo's love of classic cinema, and the penultimate track, "Above the Wall", provides another filmic fragment: with surf guitar twangs atop a blissful doo-wop haze. A little magic goes a long way, and the blood light shines bright on some of the more pop-filtered tunes, such as the whistling nuance of "United States of Pulshar". With its plaintive, optimistic melody repeated like a hip hop sample, and burbling synth touches: it could stand as a manifesto for the project. "California State of Mind" lassoes elements of today's West Coast beats scene and the synth funk that preceded it, adding a tuneful dubby touch and letting everything melt together at leisure, while "S.T.A.R.S". and "Distant Fire" incorporate post-garage patterns and weighty bass, showing the full arc of dub's development. The two pay respect to their dub forefathers in a more literal manner on cleanly polished gems like "Empty Suitcase" and "Stepping Stones", a collaboration between Pulshar and Roberto Sanchez, who is a leading figure in the European roots reggae scene. Pulshar encompass the world of reggae influences and incorporate everything in their own distinctive, forward-looking style. Take a load off!
More
After receiving widespread critical acclaim for his various solo projects and remixes in 2009, the Inside LP sees Pablo Bolivar reunited with the tender tenor tones of Sergio S. Vidal for their much-loved Pulshar project.
On tracks like "Da Creator" and "Montparnasse 2am", an easy house groove takes its time rolling out languidly, while mild melancholia, sample stabs and outer-space delays hark back to the heyday of On-U: a synthetic interpretation of King Tubby's legacy that would sparkle in the early hours at a tech-house beach party. "Montparnasse 2am" incorporates eerie soundtrack fragments that explicate the duo's love of classic cinema, and the penultimate track, "Above the Wall", provides another filmic fragment: with surf guitar twangs atop a blissful doo-wop haze. A little magic goes a long way, and the blood light shines bright on some of the more pop-filtered tunes, such as the whistling nuance of "United States of Pulshar". With its plaintive, optimistic melody repeated like a hip hop sample, and burbling synth touches: it could stand as a manifesto for the project. "California State of Mind" lassoes elements of today's West Coast beats scene and the synth funk that preceded it, adding a tuneful dubby touch and letting everything melt together at leisure, while "S.T.A.R.S". and "Distant Fire" incorporate post-garage patterns and weighty bass, showing the full arc of dub's development. The two pay respect to their dub forefathers in a more literal manner on cleanly polished gems like "Empty Suitcase" and "Stepping Stones", a collaboration between Pulshar and Roberto Sanchez, who is a leading figure in the European roots reggae scene. Pulshar encompass the world of reggae influences and incorporate everything in their own distinctive, forward-looking style. Take a load off!
More
More records from Avantroots
1
Braulio Lam - A1 Prologue
2
Braulio Lam - A2 CineStill
3
Braulio Lam - A3 Buena Vista Social Dub
4
Braulio Lam - A4 Monika
5
Braulio Lam - B1 Mirror
6
Braulio Lam - B2 Eastman
7
Braulio Lam - B3 Winter Light
8
Braulio Lam - B4 Tiffen
LP
GENRE/S: Electronica, Trip Hop, Dub Techno, Ambient
TRACKLIST:
A1 Prologue
A2 CineStill
A3 Buena Vista Social Dub
A4 Monika
B1 Mirror
B2 Eastman
B3 Winter Light
B4 Tiffen
SHORT INFO:
Braulio Lam's Close-Up is a captivating soundscape that blurs the lines between music and photography. Hailing from the border region between San Diego and Tijuana, Lam's inspiration stems from the vibrant cultural exchange and diverse musical traditions of the area. His creativity as a music producer and photographer converges seamlessly into this album, where he manipulates images and sounds, using light as a catalyst for his sonic experiments.
The album's eight tracks showcase Lam's eclectic sonic palette, ranging from electronica and dub techno to ambient and trip hop. The opening track, "Prologue," sets the stage with a haunting guitar echo and a spacious, downtempo beat. Angelic vocals float ethereal over the sonic backdrop, creating a sense of scenic grandeur. "Cinestill" immerses listeners in a sub-aquatic realm with its slow-pulsing beat and cavernous ambiance. "Buena Vista Social Dub" captivates with its sensual vocals, echoing drums, and hypnotic melody. "Monika" evokes a sense of beachy tranquility with its electric guitar and ambient soundscapes, while "Mirror" transports listeners into an atmospheric swirl of broken beats and ambient textures. "Eastman" delves into the depths of dub techno, its hypnotic chords and airy soundscapes creating an otherworldly atmosphere. "Winter Light," showcases Lam's mastery of minimalism. Field recordings of natural sounds, sparse guitar plucks, and evocative imagery paint a stark but beautiful soundscape that lingers long after the
music has faded. "Tiffen" closes the album on a serene note, its gentle island rhythms and floaty textures inviting listeners to relax and unwind.
Overall, Close-Up is a testament to Braulio Lam's boundless creativity and artistry. Its unique fusion of musical styles, experimental sonic textures, and evocative imagery makes it an immersive and captivating listening experience that transports listeners to a realm where the senses intertwine. More
GENRE/S: Electronica, Trip Hop, Dub Techno, Ambient
TRACKLIST:
A1 Prologue
A2 CineStill
A3 Buena Vista Social Dub
A4 Monika
B1 Mirror
B2 Eastman
B3 Winter Light
B4 Tiffen
SHORT INFO:
Braulio Lam's Close-Up is a captivating soundscape that blurs the lines between music and photography. Hailing from the border region between San Diego and Tijuana, Lam's inspiration stems from the vibrant cultural exchange and diverse musical traditions of the area. His creativity as a music producer and photographer converges seamlessly into this album, where he manipulates images and sounds, using light as a catalyst for his sonic experiments.
The album's eight tracks showcase Lam's eclectic sonic palette, ranging from electronica and dub techno to ambient and trip hop. The opening track, "Prologue," sets the stage with a haunting guitar echo and a spacious, downtempo beat. Angelic vocals float ethereal over the sonic backdrop, creating a sense of scenic grandeur. "Cinestill" immerses listeners in a sub-aquatic realm with its slow-pulsing beat and cavernous ambiance. "Buena Vista Social Dub" captivates with its sensual vocals, echoing drums, and hypnotic melody. "Monika" evokes a sense of beachy tranquility with its electric guitar and ambient soundscapes, while "Mirror" transports listeners into an atmospheric swirl of broken beats and ambient textures. "Eastman" delves into the depths of dub techno, its hypnotic chords and airy soundscapes creating an otherworldly atmosphere. "Winter Light," showcases Lam's mastery of minimalism. Field recordings of natural sounds, sparse guitar plucks, and evocative imagery paint a stark but beautiful soundscape that lingers long after the
music has faded. "Tiffen" closes the album on a serene note, its gentle island rhythms and floaty textures inviting listeners to relax and unwind.
Overall, Close-Up is a testament to Braulio Lam's boundless creativity and artistry. Its unique fusion of musical styles, experimental sonic textures, and evocative imagery makes it an immersive and captivating listening experience that transports listeners to a realm where the senses intertwine. More
1
V.A. - Deepchord ft. Linval Thompson
2
V.A. - Pulshar ft. Linval Thompso
3
V.A. - Deepnaut ft. Linval Thompson
4
V.A. - Braulio Lam ft. Linval Thompson
12"
GENRE/S: Dub Techno, Electronica
TRACKLISTS:
1. Deepchord ft. Linval Thompson
2.Pulshar ft. Linval Thompson
3.Deepnaut ft. Linval Thompson
4.Braulio Lam ft. Linval Thompson
SHORT INFO:
Avantroots is one of the leading dub related labels in recent years taking the genre to its furthest and freshest
perspectives while still respecting the history and the figures inside it. One of those historical figures is the legendary
Linval Thompson who's credits and list of those he influenced are pages long.
To have Linval be the lead on this project truly makes this a unique and special release. 'World Crisis' is Linval's
message and it is as definitive as ever. There is a lot of thought put into each step and portion of this project. The overall
traditional dub concept is to feature different voices over the same instrumental where this, flips the script and each
version has a different electronic music producer add their talents to create their own signature account. The result is an
extraordinary and well composed EP. Deepchord, Deepnaut, Pulshar and Braulio Lam were specifically chosen to head
up this treasured task of taking 'World Crisis' into their realms.
The Deepnaut version is a true essence of the future of a more mature island late night cultured dub techno sound. The
track shimmers in a euphoric glow that covers you like a sun on the beach in summer. Linval's voice is front and center
and one could say this may be the most single oriented as it uses the most vocals of any of the renditions here. Braulio
Lam's submission has all the makings of a classic styled dub track. While the beat is transcendent, everything else is
processed in a new school way. And the technique is next level to be clear. Next is Deepchord's version. To say this is
the deepest and most techno might not be much of a surprise. The groove is addictive and the chords sampled into the
rhythm while the melody ebbs and flows are pure magic. Lastly, Pulshar breaks things down to the starkest of the
choices and one of the most hypnotic. Pablo Bolivar and Sergio Sainz Vidal from Pulshar have a knack for injective some
serious island vibes to the electronic scene.
The artwork is also special here. It respects the history of dub culture while advancing the application as it uses AI
generated images combined with human elements. The pictures support the message of the 'World Crisis' speaks on by
Linval Thompson. This is a special release no doubt. Avant-Roots are very happy with the variety offered by the artists of
their label and this release. They shined when it came to harnessing the essence of this track and infusing it into their
particular version of electronic dub. More
GENRE/S: Dub Techno, Electronica
TRACKLISTS:
1. Deepchord ft. Linval Thompson
2.Pulshar ft. Linval Thompson
3.Deepnaut ft. Linval Thompson
4.Braulio Lam ft. Linval Thompson
SHORT INFO:
Avantroots is one of the leading dub related labels in recent years taking the genre to its furthest and freshest
perspectives while still respecting the history and the figures inside it. One of those historical figures is the legendary
Linval Thompson who's credits and list of those he influenced are pages long.
To have Linval be the lead on this project truly makes this a unique and special release. 'World Crisis' is Linval's
message and it is as definitive as ever. There is a lot of thought put into each step and portion of this project. The overall
traditional dub concept is to feature different voices over the same instrumental where this, flips the script and each
version has a different electronic music producer add their talents to create their own signature account. The result is an
extraordinary and well composed EP. Deepchord, Deepnaut, Pulshar and Braulio Lam were specifically chosen to head
up this treasured task of taking 'World Crisis' into their realms.
The Deepnaut version is a true essence of the future of a more mature island late night cultured dub techno sound. The
track shimmers in a euphoric glow that covers you like a sun on the beach in summer. Linval's voice is front and center
and one could say this may be the most single oriented as it uses the most vocals of any of the renditions here. Braulio
Lam's submission has all the makings of a classic styled dub track. While the beat is transcendent, everything else is
processed in a new school way. And the technique is next level to be clear. Next is Deepchord's version. To say this is
the deepest and most techno might not be much of a surprise. The groove is addictive and the chords sampled into the
rhythm while the melody ebbs and flows are pure magic. Lastly, Pulshar breaks things down to the starkest of the
choices and one of the most hypnotic. Pablo Bolivar and Sergio Sainz Vidal from Pulshar have a knack for injective some
serious island vibes to the electronic scene.
The artwork is also special here. It respects the history of dub culture while advancing the application as it uses AI
generated images combined with human elements. The pictures support the message of the 'World Crisis' speaks on by
Linval Thompson. This is a special release no doubt. Avant-Roots are very happy with the variety offered by the artists of
their label and this release. They shined when it came to harnessing the essence of this track and infusing it into their
particular version of electronic dub. More
1
Braulio Lam - Umbra
2
Braulio Lam - Vision 500T
3
Braulio Lam - Vision 250D
4
Braulio Lam - 5th Avenue
5
Braulio Lam - Domé
Limited to 100 copies!
Braulio Lam is a music producer and photographer from the border region of Tijuana and San Diego. With “ISO", he has created a very personal production filtered through digital and analog sounds alongside the soulful voice of his collaborator Villiam Larrondo. An original and warm sound palette filtered through dub techno, jazz and ambient that shines through day and night. More
Braulio Lam is a music producer and photographer from the border region of Tijuana and San Diego. With “ISO", he has created a very personal production filtered through digital and analog sounds alongside the soulful voice of his collaborator Villiam Larrondo. An original and warm sound palette filtered through dub techno, jazz and ambient that shines through day and night. More
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Label:In My Room
Cat-No:imr52cd
Release-Date:13.09.2024
Genre:Alternative/Electronic
Configuration:CD Excl
Label:In My Room
Cat-No:imr52cd
Release-Date:13.09.2024
Genre:Alternative/Electronic
Configuration:CD Excl
1
Trentemøller - A Different Light
Territories: WORLD EXCL DE, AT, Scandinavia
CD Digipac
GENRE/S:
Alternative, Independent, Shoegaze, Dreampop
TRACKLIST CD:
01. A Different Light
02. Nightfall
03. Dreamweavers
04. I Give My Tears
05. Behind My Eyes
06. Hollow
07. Empty Beaches
08. In A Storm
09. Winter's Ghost
10. Closure
SHORT INFO:
In May, fans were treated to the first new music from Trentemøller since 2022. A new single, "A Different Light," showcased a stunning blend of prismatic space rock and folk. For anyone wondering if it foreshadowed the release of a full-length, Dreamweaver will drop in September, on Friday the 13th.
Featuring 10 tracks that traverse Trentemøller's many musical strengths, Dreamweaver also represents an obvious artistic leap, treading new ground while retaining the overall plot. Tracks featuring vocals come courtesy of of Iceland's Disa, who has been in Trentemøller's fold since the Memoria tour.
Dreamweaver's nylon string-led opening track, and first single from the album, "A Different Light," contains many of Trentemøller's trademarks: exploring dichotomies, musical shadowplay, Nordic frigidity, and warm waves. It opens the door for the steady, hypnotic "Nightfall," with its tetherless vocal, wistful guitars, and early morning desert chill. The third track in the opening trifecta, "Dreamweavers" finds its footing with a percussive soft trot, which starts after what feels like a shortwave radio scan in search of the right chords, eventually dialing in a weightless voice. Ostensibly keeping a ruminative pace with the previous two tracks, the song and, by extension, album soon opens up as the rest of the elements drop into place with a grand, luxurious burst.
Dreamweaver is about to enter its next phase. With the hatch blown off of the portal, the noisy "I Give My Tears," driven by its glissed and fuzzy bass line, pours into the void. It's followed by its sibling, the most chaotic track on Dreamweaver, "Behind My Eyes." Arriving as a piece of noise rock pandemonium, "Behind My Eyes," can't be contained in its plush vault. A whip-crack snare and convulsing guitars smash against each other in the song's verse chamber. The tension builds, as the particles collide, pushing past the point of critical mass, kicking off the chain reaction which is the chorus. At times it harkens back to the proto-gaze tracks that gave birth to dream pop, at others it newly defines what that is. There's no time to contemplate it, though, as the song disintegrates in a microphonic feedback instant.
A respite follows with the somnambulistic pair of "Hollow" and "Empty Beaches." Then, a moment of intensity returns as the soaring textures and tribal drum bursts of "In A Storm" take control, before being taken out with the ambient slo-core of "Winter's Ghost" and "Closure." This diptych wraps up an album which certainly feels on-script for Trentemøller, but is also much more psychedelic than previous offerings.
Dreamweaver will be released on Trentemøller's own In My Room label. It is an exceedingly immersive experience, bound to release any dormant hallucinations you may be harboring.
More
CD Digipac
GENRE/S:
Alternative, Independent, Shoegaze, Dreampop
TRACKLIST CD:
01. A Different Light
02. Nightfall
03. Dreamweavers
04. I Give My Tears
05. Behind My Eyes
06. Hollow
07. Empty Beaches
08. In A Storm
09. Winter's Ghost
10. Closure
SHORT INFO:
In May, fans were treated to the first new music from Trentemøller since 2022. A new single, "A Different Light," showcased a stunning blend of prismatic space rock and folk. For anyone wondering if it foreshadowed the release of a full-length, Dreamweaver will drop in September, on Friday the 13th.
Featuring 10 tracks that traverse Trentemøller's many musical strengths, Dreamweaver also represents an obvious artistic leap, treading new ground while retaining the overall plot. Tracks featuring vocals come courtesy of of Iceland's Disa, who has been in Trentemøller's fold since the Memoria tour.
Dreamweaver's nylon string-led opening track, and first single from the album, "A Different Light," contains many of Trentemøller's trademarks: exploring dichotomies, musical shadowplay, Nordic frigidity, and warm waves. It opens the door for the steady, hypnotic "Nightfall," with its tetherless vocal, wistful guitars, and early morning desert chill. The third track in the opening trifecta, "Dreamweavers" finds its footing with a percussive soft trot, which starts after what feels like a shortwave radio scan in search of the right chords, eventually dialing in a weightless voice. Ostensibly keeping a ruminative pace with the previous two tracks, the song and, by extension, album soon opens up as the rest of the elements drop into place with a grand, luxurious burst.
Dreamweaver is about to enter its next phase. With the hatch blown off of the portal, the noisy "I Give My Tears," driven by its glissed and fuzzy bass line, pours into the void. It's followed by its sibling, the most chaotic track on Dreamweaver, "Behind My Eyes." Arriving as a piece of noise rock pandemonium, "Behind My Eyes," can't be contained in its plush vault. A whip-crack snare and convulsing guitars smash against each other in the song's verse chamber. The tension builds, as the particles collide, pushing past the point of critical mass, kicking off the chain reaction which is the chorus. At times it harkens back to the proto-gaze tracks that gave birth to dream pop, at others it newly defines what that is. There's no time to contemplate it, though, as the song disintegrates in a microphonic feedback instant.
A respite follows with the somnambulistic pair of "Hollow" and "Empty Beaches." Then, a moment of intensity returns as the soaring textures and tribal drum bursts of "In A Storm" take control, before being taken out with the ambient slo-core of "Winter's Ghost" and "Closure." This diptych wraps up an album which certainly feels on-script for Trentemøller, but is also much more psychedelic than previous offerings.
Dreamweaver will be released on Trentemøller's own In My Room label. It is an exceedingly immersive experience, bound to release any dormant hallucinations you may be harboring.
More
Label:In My Room
Cat-No:imr52lp
Release-Date:13.09.2024
Genre:Alternative/Electronic
Configuration:LP Excl
Label:In My Room
Cat-No:imr52lp
Release-Date:13.09.2024
Genre:Alternative/Electronic
Configuration:LP Excl
1
Trentemøller - A Different Light
Territories: WORLD EXCL DE, AT, Scandinavia
LP transparent crystal clear vinyl, leaflet, sticker, download code
GENRE/S:
Alternative, Independent, Shoegaze, Dreampop
TRACKLIST:
A1. A Different Light
A2. Nightfall
A3. Dreamweavers
A4. I Give My Tears
A5. Hollow
B1. Behind My Eyes
B2. Empty Beaches
B3. In A Storm
B4. Winter's Ghost
B5. Closure
SHORT INFO:
In May, fans were treated to the first new music from Trentemøller since 2022. A new single, "A Different Light," showcased a stunning blend of prismatic space rock and folk. For anyone wondering if it foreshadowed the release of a full-length, Dreamweaver will drop in September, on Friday the 13th.
Featuring 10 tracks that traverse Trentemøller's many musical strengths, Dreamweaver also represents an obvious artistic leap, treading new ground while retaining the overall plot. Tracks featuring vocals come courtesy of of Iceland's Disa, who has been in Trentemøller's fold since the Memoria tour.
Dreamweaver's nylon string-led opening track, and first single from the album, "A Different Light," contains many of Trentemøller's trademarks: exploring dichotomies, musical shadowplay, Nordic frigidity, and warm waves. It opens the door for the steady, hypnotic "Nightfall," with its tetherless vocal, wistful guitars, and early morning desert chill. The third track in the opening trifecta, "Dreamweavers" finds its footing with a percussive soft trot, which starts after what feels like a shortwave radio scan in search of the right chords, eventually dialing in a weightless voice. Ostensibly keeping a ruminative pace with the previous two tracks, the song and, by extension, album soon opens up as the rest of the elements drop into place with a grand, luxurious burst.
Dreamweaver is about to enter its next phase. With the hatch blown off of the portal, the noisy "I Give My Tears," driven by its glissed and fuzzy bass line, pours into the void. It's followed by its sibling, the most chaotic track on Dreamweaver, "Behind My Eyes." Arriving as a piece of noise rock pandemonium, "Behind My Eyes," can't be contained in its plush vault. A whip-crack snare and convulsing guitars smash against each other in the song's verse chamber. The tension builds, as the particles collide, pushing past the point of critical mass, kicking off the chain reaction which is the chorus. At times it harkens back to the proto-gaze tracks that gave birth to dream pop, at others it newly defines what that is. There's no time to contemplate it, though, as the song disintegrates in a microphonic feedback instant.
A respite follows with the somnambulistic pair of "Hollow" and "Empty Beaches." Then, a moment of intensity returns as the soaring textures and tribal drum bursts of "In A Storm" take control, before being taken out with the ambient slo-core of "Winter's Ghost" and "Closure." This diptych wraps up an album which certainly feels on-script for Trentemøller, but is also much more psychedelic than previous offerings.
Dreamweaver will be released on Trentemøller's own In My Room label. It is an exceedingly immersive experience, bound to release any dormant hallucinations you may be harboring.
More
LP transparent crystal clear vinyl, leaflet, sticker, download code
GENRE/S:
Alternative, Independent, Shoegaze, Dreampop
TRACKLIST:
A1. A Different Light
A2. Nightfall
A3. Dreamweavers
A4. I Give My Tears
A5. Hollow
B1. Behind My Eyes
B2. Empty Beaches
B3. In A Storm
B4. Winter's Ghost
B5. Closure
SHORT INFO:
In May, fans were treated to the first new music from Trentemøller since 2022. A new single, "A Different Light," showcased a stunning blend of prismatic space rock and folk. For anyone wondering if it foreshadowed the release of a full-length, Dreamweaver will drop in September, on Friday the 13th.
Featuring 10 tracks that traverse Trentemøller's many musical strengths, Dreamweaver also represents an obvious artistic leap, treading new ground while retaining the overall plot. Tracks featuring vocals come courtesy of of Iceland's Disa, who has been in Trentemøller's fold since the Memoria tour.
Dreamweaver's nylon string-led opening track, and first single from the album, "A Different Light," contains many of Trentemøller's trademarks: exploring dichotomies, musical shadowplay, Nordic frigidity, and warm waves. It opens the door for the steady, hypnotic "Nightfall," with its tetherless vocal, wistful guitars, and early morning desert chill. The third track in the opening trifecta, "Dreamweavers" finds its footing with a percussive soft trot, which starts after what feels like a shortwave radio scan in search of the right chords, eventually dialing in a weightless voice. Ostensibly keeping a ruminative pace with the previous two tracks, the song and, by extension, album soon opens up as the rest of the elements drop into place with a grand, luxurious burst.
Dreamweaver is about to enter its next phase. With the hatch blown off of the portal, the noisy "I Give My Tears," driven by its glissed and fuzzy bass line, pours into the void. It's followed by its sibling, the most chaotic track on Dreamweaver, "Behind My Eyes." Arriving as a piece of noise rock pandemonium, "Behind My Eyes," can't be contained in its plush vault. A whip-crack snare and convulsing guitars smash against each other in the song's verse chamber. The tension builds, as the particles collide, pushing past the point of critical mass, kicking off the chain reaction which is the chorus. At times it harkens back to the proto-gaze tracks that gave birth to dream pop, at others it newly defines what that is. There's no time to contemplate it, though, as the song disintegrates in a microphonic feedback instant.
A respite follows with the somnambulistic pair of "Hollow" and "Empty Beaches." Then, a moment of intensity returns as the soaring textures and tribal drum bursts of "In A Storm" take control, before being taken out with the ambient slo-core of "Winter's Ghost" and "Closure." This diptych wraps up an album which certainly feels on-script for Trentemøller, but is also much more psychedelic than previous offerings.
Dreamweaver will be released on Trentemøller's own In My Room label. It is an exceedingly immersive experience, bound to release any dormant hallucinations you may be harboring.
More
Label:London Records
Cat-No:LMS5521620
Release-Date:25.02.2022
Genre:Indie Rock/Alternative
Configuration:CD Excl
Label:London Records
Cat-No:LMS5521620
Release-Date:25.02.2022
Genre:Indie Rock/Alternative
Configuration:CD Excl
Rights : World excluding FR & UK
CD: 1 x CD Jewelcase, 1 x Transparent Tray, 12 page 4/4 Booklet gloss finish, 1 x Inlay front and back. No sticker
TRACKLIST
CD
1. Why?
2. It Ain’t Necessarily So
3. Screaming
4. No More War
5. Love & Money
6. Smalltown Boy
7. Heatwave So
8. Junk
9. Need A Man Blues
10. I Feel Love/Johnny Remember Me
BONUS TRACK
11. Why? (12” VERSION)
12. Smalltown Boy (12” VERSION)
13. It Ain’t Necessarily So (12” VERSION)
14. I Feel Love/Johnny Remember Me (12” VERSION)
SHORT INFORMATION/ SHORT BIOG
Bronski Beat ‘s 1984 cult debut album “The Age of Consent” - remastered edititons celebrating the band’s 35th anniversary – is back on Vinyl & CD
- 1 x CD : The original album+ 4 Bonus Tracks (12’’ versions of the singles)
More
CD: 1 x CD Jewelcase, 1 x Transparent Tray, 12 page 4/4 Booklet gloss finish, 1 x Inlay front and back. No sticker
TRACKLIST
CD
1. Why?
2. It Ain’t Necessarily So
3. Screaming
4. No More War
5. Love & Money
6. Smalltown Boy
7. Heatwave So
8. Junk
9. Need A Man Blues
10. I Feel Love/Johnny Remember Me
BONUS TRACK
11. Why? (12” VERSION)
12. Smalltown Boy (12” VERSION)
13. It Ain’t Necessarily So (12” VERSION)
14. I Feel Love/Johnny Remember Me (12” VERSION)
SHORT INFORMATION/ SHORT BIOG
Bronski Beat ‘s 1984 cult debut album “The Age of Consent” - remastered edititons celebrating the band’s 35th anniversary – is back on Vinyl & CD
- 1 x CD : The original album+ 4 Bonus Tracks (12’’ versions of the singles)
More
1
Ryo Fukui - It Could Happen To You
2
Ryo Fukui - I Want To Talk About You
3
Ryo Fukui - Early Summer
4
Ryo Fukui - Willow Weep For Me
5
Ryo Fukui - Autumn Leaves
6
Ryo Fukui - Scenery
The Standard Edition - Territory - NO Sales to Japan
Ryo Fukui's 1976 highly sought-after jazz masterpiece SCENERY-
LP Edition: Mastered at half speed, 140g vinyl, Sticker
We Release Jazz (WRWTFWW Records' new sister-label) is proud to present its first release, the official reissue of Ryo Fukui's highly sought-after masterpiece Scenery (1976), sourced from the original masters and available on limited edition 180g vinyl mastered at half speed for audiophile sound and on digipack CD.
Unquestionably one of the most important Japanese jazz albums ever recorded, Scenery reveals Ryo Fukui as a miraculously brilliant self-taught pianist fusing modal, bop, and cool jazz influences for a very personal, dexterous and game-changing take on classic standards made famous by Bing Crosby and John Coltrane among others. From "It Could Happen To You" and its serene and calm intro which magically flows into a jubilant and upbeat piece, to the out-of-this-world piano solo of "Early Summer", or the incredible teamwork of "Autumn Leaves" where Fukui leads Satoshi Denpo (bass) and Yoshinori Fukui (drums) into groove heaven, every single note on the album oozes precision, confidence and flair and every single section slides seamlessly into one another, creating a supreme and elegant blend of jazz. Often compared to McCoy Tyner or Bill Evans, Ryo Fukui was a genius in his own right, a true master of his craft whose perfectionism gave birth to some of the greatest music ever recorded. Scenery is his magnum opus and an absolute must-have.
The Hokkaido wizard-pianist followed Scenery with the soulful gem Mellow Dream (also available on We Release Jazz) in 1977. He then focused on improving his live skills, often performing at Sapporo's Slowboat Jazz Club (which he co-founded with his wife Yasuko Fukui) and releasing 2 live albums. Ryo Fukui sadly passed away in March 2016, leaving behind a legacy of works that is sure to captivate jazz lovers for generations to come.
Tracklisting Vinyl LP
A1 It Could Happen To You
A2 I Want To Talk About You
A3 Early Summer
B1 Willow Weep For Me
B2 Autumn Leaves
B3 Scenery
More
Ryo Fukui's 1976 highly sought-after jazz masterpiece SCENERY-
LP Edition: Mastered at half speed, 140g vinyl, Sticker
We Release Jazz (WRWTFWW Records' new sister-label) is proud to present its first release, the official reissue of Ryo Fukui's highly sought-after masterpiece Scenery (1976), sourced from the original masters and available on limited edition 180g vinyl mastered at half speed for audiophile sound and on digipack CD.
Unquestionably one of the most important Japanese jazz albums ever recorded, Scenery reveals Ryo Fukui as a miraculously brilliant self-taught pianist fusing modal, bop, and cool jazz influences for a very personal, dexterous and game-changing take on classic standards made famous by Bing Crosby and John Coltrane among others. From "It Could Happen To You" and its serene and calm intro which magically flows into a jubilant and upbeat piece, to the out-of-this-world piano solo of "Early Summer", or the incredible teamwork of "Autumn Leaves" where Fukui leads Satoshi Denpo (bass) and Yoshinori Fukui (drums) into groove heaven, every single note on the album oozes precision, confidence and flair and every single section slides seamlessly into one another, creating a supreme and elegant blend of jazz. Often compared to McCoy Tyner or Bill Evans, Ryo Fukui was a genius in his own right, a true master of his craft whose perfectionism gave birth to some of the greatest music ever recorded. Scenery is his magnum opus and an absolute must-have.
The Hokkaido wizard-pianist followed Scenery with the soulful gem Mellow Dream (also available on We Release Jazz) in 1977. He then focused on improving his live skills, often performing at Sapporo's Slowboat Jazz Club (which he co-founded with his wife Yasuko Fukui) and releasing 2 live albums. Ryo Fukui sadly passed away in March 2016, leaving behind a legacy of works that is sure to captivate jazz lovers for generations to come.
Tracklisting Vinyl LP
A1 It Could Happen To You
A2 I Want To Talk About You
A3 Early Summer
B1 Willow Weep For Me
B2 Autumn Leaves
B3 Scenery
More
Format:CD / Territory: WW-US,UK,FR
Tracklist: 1. The Coin-Op Guillotine / 2. Holy Smoke (2005) / 3. A Psychic Wound / 4. I. Spit; or, a Bite Mark In The Shape Of The Sunflower State / 5. Long Throes / 6. Feast Of Tongues / 7. The Order Of The Seasons / 8. II. Music For Aerial Toll House / 9. To Hell In a Handjob / 10. Clown Blood/Orpheus’ Bobbing Head / 11. kms / 12. III. Surfing a Contrail / 13. Moonstruck / 14. 0898 HEARTACHE / 15. Adult Acne Stigmata
- UK headline tour confirmed for September & the band will play 2000 Trees festival preceding the release.
- LC! Sold out their biggest ever headline show at London’s Troxy earlier this year
The UK’s first and only emo band Los Campesinos! return with their highly-anticipated seventh album, All Hell. It is perhaps their most ambitious and assured album yet, whilst simultaneously recalling everything we’ve come to love about LC! over their faultless discography. Recorded between October 2023 and February 2024, it is the first album to be wholly self-produced by band member Tom Bromley (having co-produced previous albums Sick Scenes and NO BLUES). The album is also self-released on the band’s own Heart Swells record label.
In the band’s words All Hell is an album about…
Drinking for fun and drinking for misery // adult acne // adult friendship // football // death and dying // love and sex // late-stage capitalism // Orpheus // day dreaming // night terrors // the heart as an organ and as a burden // suburban boredom // Tears of the Kingdom // the punks on the playlist // increments of time // climate apocalypse // the moon the moon the moon ///
Los Campesinos! have become one of the most important and influential cult acts in the UK since they formed in the mid-2000s. Starting out in the Cardiff indie scene and soundtracking Budweiser adverts, the seven-piece’s musical evolution since then has been slow, steady and remarkable. From the frenzied chaos of debut album Hold On Now, Youngster… (2008) through 2010 breakthrough Romance is Boring and the self-mythologising of latter day highlights NO BLUES (2013) and Sick Scenes (2017), their discography is an interconnected web of niche references, big swings and unflinching honesty.
Making self-professed sleeper hits for weeping dipshits, they’re as influenced by The Beautiful South as they are US emo, with emotional intensity and connection always at the core. Their lyrics are a treasure trove of football references, tales of romantic woe and painfully frank exorcisms, which have been tattooed across hundreds of fans’ bodies and served as comfort and insight during that break-up you had (there’s a reason the band’s tagline is “your ex-girlfriend’s favourite band”).
Now with the release of All Hell, Los Camp! approach their third decade as a band more brilliant, more potent and more vital than ever.
More
Tracklist: 1. The Coin-Op Guillotine / 2. Holy Smoke (2005) / 3. A Psychic Wound / 4. I. Spit; or, a Bite Mark In The Shape Of The Sunflower State / 5. Long Throes / 6. Feast Of Tongues / 7. The Order Of The Seasons / 8. II. Music For Aerial Toll House / 9. To Hell In a Handjob / 10. Clown Blood/Orpheus’ Bobbing Head / 11. kms / 12. III. Surfing a Contrail / 13. Moonstruck / 14. 0898 HEARTACHE / 15. Adult Acne Stigmata
- UK headline tour confirmed for September & the band will play 2000 Trees festival preceding the release.
- LC! Sold out their biggest ever headline show at London’s Troxy earlier this year
The UK’s first and only emo band Los Campesinos! return with their highly-anticipated seventh album, All Hell. It is perhaps their most ambitious and assured album yet, whilst simultaneously recalling everything we’ve come to love about LC! over their faultless discography. Recorded between October 2023 and February 2024, it is the first album to be wholly self-produced by band member Tom Bromley (having co-produced previous albums Sick Scenes and NO BLUES). The album is also self-released on the band’s own Heart Swells record label.
In the band’s words All Hell is an album about…
Drinking for fun and drinking for misery // adult acne // adult friendship // football // death and dying // love and sex // late-stage capitalism // Orpheus // day dreaming // night terrors // the heart as an organ and as a burden // suburban boredom // Tears of the Kingdom // the punks on the playlist // increments of time // climate apocalypse // the moon the moon the moon ///
Los Campesinos! have become one of the most important and influential cult acts in the UK since they formed in the mid-2000s. Starting out in the Cardiff indie scene and soundtracking Budweiser adverts, the seven-piece’s musical evolution since then has been slow, steady and remarkable. From the frenzied chaos of debut album Hold On Now, Youngster… (2008) through 2010 breakthrough Romance is Boring and the self-mythologising of latter day highlights NO BLUES (2013) and Sick Scenes (2017), their discography is an interconnected web of niche references, big swings and unflinching honesty.
Making self-professed sleeper hits for weeping dipshits, they’re as influenced by The Beautiful South as they are US emo, with emotional intensity and connection always at the core. Their lyrics are a treasure trove of football references, tales of romantic woe and painfully frank exorcisms, which have been tattooed across hundreds of fans’ bodies and served as comfort and insight during that break-up you had (there’s a reason the band’s tagline is “your ex-girlfriend’s favourite band”).
Now with the release of All Hell, Los Camp! approach their third decade as a band more brilliant, more potent and more vital than ever.
More
NO VINYLE OF ANY MANU CHAO ALBUM HAS BEEN AVAILABLE ON SALE FOR AGES. ALL STUDIO & LIVE ALBUMS ARE BACK ON DOUBLE VINYL GATEFOLD FEAT. THE CD
TRACKLIST
A1. CLANDESTINO - A2. DESAPARECIDO - A3. BONGO BONG - A4. JE NE T’AIME PLUS - B1. MENTIRA... - B2. LAGRIMAS DE ORO - B3. MAMA CALL - C1. LUNA Y SOL - C2. POR EL SUELO - C3. WELCOME TO TIJUANA - C4. DIA LUNA... DIA PENA - D1. MALEGRIA - D2. LA VIE A 2 - D3. MINHA GALERA - D4. LA DESPEDIDA - D5. EL VIENTO More
TRACKLIST
A1. CLANDESTINO - A2. DESAPARECIDO - A3. BONGO BONG - A4. JE NE T’AIME PLUS - B1. MENTIRA... - B2. LAGRIMAS DE ORO - B3. MAMA CALL - C1. LUNA Y SOL - C2. POR EL SUELO - C3. WELCOME TO TIJUANA - C4. DIA LUNA... DIA PENA - D1. MALEGRIA - D2. LA VIE A 2 - D3. MINHA GALERA - D4. LA DESPEDIDA - D5. EL VIENTO More
RE-RELEASE! No one can say they didn’t see these two brats coming! Justice, who’s name the world (well at least that part of the world that loves to dance) chants with emotion and whose first album is awaited with bated breath ever since the French duo revolutionised dancefloors with two radically different hits. It comes as no surprise that «†», the first album by Justice, is a fantastic treat for the ears and for the feet. A kind of musical opera marked with religious and baroque symbols, where the melodies are ripped to shreds by the beats, where electro teaches rock a lesson and where pop gets a botox injection.
More
1
MANUEL GÖTTSCHING - DREAM .................. 30:14
2
MANUEL GÖTTSCHING - DESIRE .................. 22:56
3
MANUEL GÖTTSCHING - DESPAIR .................. 8:29
CD, RE Edition 2019,Sticker
Carefully Re Edited Legendary 1977 Studio Recording for RIAS Berlin -Includes Bonus Track: "Despair"
"Largely unnoticed by the mainstream public, some West-Berlin musicians developed a world of sound
that would later become labeled Electronic Music."
Olaf Leitner (RIAS Berlin)
Tracklist:
1. DREAM .................. 30:14
2. DESIRE .................. 22:56
3. DESPAIR .................. 8:29
DREAM & DESIRE
Notes to a friend…
The 1970s. The Vietnam War is slowly coming to an end; the RAF thrives and prospers;
the first Achtundsechziger ('68 protestors) are actually
planning to march through the institutions; rock and roll is getting heavier;
and hardly noticed by the mainstream public, some West-Berlin musicians
develop a world of sound, which later eventually became labelled as
“Electronic Music”.
Indeed, there was nothing electronically generated initially,
let alone even digital. In the beginning they simply named these
sound-mixtures "electro-acoustic". These compositions of slowly evolving
soundscapes relating to the Minimal Music concept created a meditative
mood. This was new. This was the Berliner Schule (Berlin school).
Being responsible for popular music at a radio station in the 1970s
was an absolute dream job. At least that’s what it was like at RIAS Berlin
(Radio In the American Sector). There was no quota, no pressure,
no hit-terror, and we just invited the artists, bands and musicians we liked
to the studio. The artists from next door. That’s how I got to know Manuel.
He was living right on the Ku-Damm (Kurfürstendamm), right in the city
centre, but in the rear building, shielded from the noise.
Manu didn’t have a sequencer. Everything that sounded like a sequencer
was his highly focused guitar work. The slowly changing tone sequences
for example. This was a physical accomplishment in itself.
His minimalistic play is still part of his signature style.
The musicians from Berlin, who worked in the same genre, were either
friends, periodically played in Manuel’s ASH RA TEMPEL, or built up their
own careers.
The scene was small, but equipped with illustrious celebrities
- Klaus Schulze, Tangerine Dream, Harald Grosskopf, Agitation Free.
And my RIAS colleague Walter Bachauer. He had called the Metamusik
Festival into life and brought the international avant-garde to Berlin.
The festival opened up new aesthetic continents to us when we were grateful to listen to chants of Tibetanian
monks or the Steve Reich Ensemble play “Drumming”.
Manuel was able to start his international career pretty quickly, focusing on England, France and Japan.
For the German middle-of-the-road-consciousness, these countries were as exotic as the winds on Jupiter,
especially Japan, where Göttsching still enjoys superstar status. Today it is not only these countries, which
consider him a cult figure. He has also made his mark as a film composer and has added his music to numerous
events and art happenings.
In November 1975 I had initiated a concert at the RIAS Studio 10, entitled “Futurum 3”, with ASH RA TEMPEL
performing. Apart from the guitars there was also an EMS Synthi A on stage. And an old Farfisa Compact Organ
that Manuel played and of which I was especially proud:
I was able to buy this instrument in 1964 after a summer job at a steel drill factory. This Farfisa was on stage
when I performed with my band the Team Beats Berlin, as support act for the Rolling Stones at their legendary
concert in September 1965 at the Berliner Waldbühne.
Somehow this instrument had survived the riot, and ten years later Manuel bought this organ from me. He had
played this Farfisa in many concerts and recordings in the following years, and it can be heard also prominently
here on “Dream and Desire”.
Originally, the two tracks “Dream” and “Desire” had been conceived for my one-hour radio feature at RIAS Berlin
in summer 1977. Then, although being broadcast only once in Berlin and Belgium, they soon became cult
amongst listeners, who taped, multiplied and distributed the tracks throughout Manuel's fan base.
But it was only in 1991, after 14 years, when Manuel decided to make it an “official” release on CD.
Something like that is unusual at times when only the new things count - until it is dismissed by the new and gets
dumped.
The revival of Dream & Desire is not nostalgia but an indication that the present will only be appreciated after
acknowledging the past. Applies also to art.
The bonus track “Despair” was not part of the original radio-feature, but was composed and recorded around the
same time in 1977, and the track fits perfectly in style and sound.
Manuel's music has been with me for now almost 50 years.
I own a superb LP and CD collection of him.
Dream & Desire is beautiful - what more can I say ...
Olaf Leitner, March 2019
More
Carefully Re Edited Legendary 1977 Studio Recording for RIAS Berlin -Includes Bonus Track: "Despair"
"Largely unnoticed by the mainstream public, some West-Berlin musicians developed a world of sound
that would later become labeled Electronic Music."
Olaf Leitner (RIAS Berlin)
Tracklist:
1. DREAM .................. 30:14
2. DESIRE .................. 22:56
3. DESPAIR .................. 8:29
DREAM & DESIRE
Notes to a friend…
The 1970s. The Vietnam War is slowly coming to an end; the RAF thrives and prospers;
the first Achtundsechziger ('68 protestors) are actually
planning to march through the institutions; rock and roll is getting heavier;
and hardly noticed by the mainstream public, some West-Berlin musicians
develop a world of sound, which later eventually became labelled as
“Electronic Music”.
Indeed, there was nothing electronically generated initially,
let alone even digital. In the beginning they simply named these
sound-mixtures "electro-acoustic". These compositions of slowly evolving
soundscapes relating to the Minimal Music concept created a meditative
mood. This was new. This was the Berliner Schule (Berlin school).
Being responsible for popular music at a radio station in the 1970s
was an absolute dream job. At least that’s what it was like at RIAS Berlin
(Radio In the American Sector). There was no quota, no pressure,
no hit-terror, and we just invited the artists, bands and musicians we liked
to the studio. The artists from next door. That’s how I got to know Manuel.
He was living right on the Ku-Damm (Kurfürstendamm), right in the city
centre, but in the rear building, shielded from the noise.
Manu didn’t have a sequencer. Everything that sounded like a sequencer
was his highly focused guitar work. The slowly changing tone sequences
for example. This was a physical accomplishment in itself.
His minimalistic play is still part of his signature style.
The musicians from Berlin, who worked in the same genre, were either
friends, periodically played in Manuel’s ASH RA TEMPEL, or built up their
own careers.
The scene was small, but equipped with illustrious celebrities
- Klaus Schulze, Tangerine Dream, Harald Grosskopf, Agitation Free.
And my RIAS colleague Walter Bachauer. He had called the Metamusik
Festival into life and brought the international avant-garde to Berlin.
The festival opened up new aesthetic continents to us when we were grateful to listen to chants of Tibetanian
monks or the Steve Reich Ensemble play “Drumming”.
Manuel was able to start his international career pretty quickly, focusing on England, France and Japan.
For the German middle-of-the-road-consciousness, these countries were as exotic as the winds on Jupiter,
especially Japan, where Göttsching still enjoys superstar status. Today it is not only these countries, which
consider him a cult figure. He has also made his mark as a film composer and has added his music to numerous
events and art happenings.
In November 1975 I had initiated a concert at the RIAS Studio 10, entitled “Futurum 3”, with ASH RA TEMPEL
performing. Apart from the guitars there was also an EMS Synthi A on stage. And an old Farfisa Compact Organ
that Manuel played and of which I was especially proud:
I was able to buy this instrument in 1964 after a summer job at a steel drill factory. This Farfisa was on stage
when I performed with my band the Team Beats Berlin, as support act for the Rolling Stones at their legendary
concert in September 1965 at the Berliner Waldbühne.
Somehow this instrument had survived the riot, and ten years later Manuel bought this organ from me. He had
played this Farfisa in many concerts and recordings in the following years, and it can be heard also prominently
here on “Dream and Desire”.
Originally, the two tracks “Dream” and “Desire” had been conceived for my one-hour radio feature at RIAS Berlin
in summer 1977. Then, although being broadcast only once in Berlin and Belgium, they soon became cult
amongst listeners, who taped, multiplied and distributed the tracks throughout Manuel's fan base.
But it was only in 1991, after 14 years, when Manuel decided to make it an “official” release on CD.
Something like that is unusual at times when only the new things count - until it is dismissed by the new and gets
dumped.
The revival of Dream & Desire is not nostalgia but an indication that the present will only be appreciated after
acknowledging the past. Applies also to art.
The bonus track “Despair” was not part of the original radio-feature, but was composed and recorded around the
same time in 1977, and the track fits perfectly in style and sound.
Manuel's music has been with me for now almost 50 years.
I own a superb LP and CD collection of him.
Dream & Desire is beautiful - what more can I say ...
Olaf Leitner, March 2019
More
Format:2 LP / Territory: WW-US,UK,FR
Tracklist: 1. The Coin-Op Guillotine / 2. Holy Smoke (2005) / 3. A Psychic Wound / 4. I. Spit; or, a Bite Mark In The Shape Of The Sunflower State / 5. Long Throes / 6. Feast Of Tongues / 7. The Order Of The Seasons / 8. II. Music For Aerial Toll House / 9. To Hell In a Handjob / 10. Clown Blood/Orpheus’ Bobbing Head / 11. kms / 12. III. Surfing a Contrail / 13. Moonstruck / 14. 0898 HEARTACHE / 15. Adult Acne Stigmata
- Double LP pressed at 45pm for best audio quality
- UK headline tour confirmed for September & the band will play 2000 Trees festival preceding the release.
- LC! Sold out their biggest ever headline show at London’s Troxy earlier this year
The UK’s first and only emo band Los Campesinos! return with their highly-anticipated seventh album, All Hell. It is perhaps their most ambitious and assured album yet, whilst simultaneously recalling everything we’ve come to love about LC! over their faultless discography. Recorded between October 2023 and February 2024, it is the first album to be wholly self-produced by band member Tom Bromley (having co-produced previous albums Sick Scenes and NO BLUES). The album is also self-released on the band’s own Heart Swells record label.
In the band’s words All Hell is an album about…
Drinking for fun and drinking for misery // adult acne // adult friendship // football // death and dying // love and sex // late-stage capitalism // Orpheus // day dreaming // night terrors // the heart as an organ and as a burden // suburban boredom // Tears of the Kingdom // the punks on the playlist // increments of time // climate apocalypse // the moon the moon the moon ///
Los Campesinos! have become one of the most important and influential cult acts in the UK since they formed in the mid-2000s. Starting out in the Cardiff indie scene and soundtracking Budweiser adverts, the seven-piece’s musical evolution since then has been slow, steady and remarkable. From the frenzied chaos of debut album Hold On Now, Youngster… (2008) through 2010 breakthrough Romance is Boring and the self-mythologising of latter day highlights NO BLUES (2013) and Sick Scenes (2017), their discography is an interconnected web of niche references, big swings and unflinching honesty.
Making self-professed sleeper hits for weeping dipshits, they’re as influenced by The Beautiful South as they are US emo, with emotional intensity and connection always at the core. Their lyrics are a treasure trove of football references, tales of romantic woe and painfully frank exorcisms, which have been tattooed across hundreds of fans’ bodies and served as comfort and insight during that break-up you had (there’s a reason the band’s tagline is “your ex-girlfriend’s favourite band”).
Now with the release of All Hell, Los Camp! approach their third decade as a band more brilliant, more potent and more vital than ever.
More
Tracklist: 1. The Coin-Op Guillotine / 2. Holy Smoke (2005) / 3. A Psychic Wound / 4. I. Spit; or, a Bite Mark In The Shape Of The Sunflower State / 5. Long Throes / 6. Feast Of Tongues / 7. The Order Of The Seasons / 8. II. Music For Aerial Toll House / 9. To Hell In a Handjob / 10. Clown Blood/Orpheus’ Bobbing Head / 11. kms / 12. III. Surfing a Contrail / 13. Moonstruck / 14. 0898 HEARTACHE / 15. Adult Acne Stigmata
- Double LP pressed at 45pm for best audio quality
- UK headline tour confirmed for September & the band will play 2000 Trees festival preceding the release.
- LC! Sold out their biggest ever headline show at London’s Troxy earlier this year
The UK’s first and only emo band Los Campesinos! return with their highly-anticipated seventh album, All Hell. It is perhaps their most ambitious and assured album yet, whilst simultaneously recalling everything we’ve come to love about LC! over their faultless discography. Recorded between October 2023 and February 2024, it is the first album to be wholly self-produced by band member Tom Bromley (having co-produced previous albums Sick Scenes and NO BLUES). The album is also self-released on the band’s own Heart Swells record label.
In the band’s words All Hell is an album about…
Drinking for fun and drinking for misery // adult acne // adult friendship // football // death and dying // love and sex // late-stage capitalism // Orpheus // day dreaming // night terrors // the heart as an organ and as a burden // suburban boredom // Tears of the Kingdom // the punks on the playlist // increments of time // climate apocalypse // the moon the moon the moon ///
Los Campesinos! have become one of the most important and influential cult acts in the UK since they formed in the mid-2000s. Starting out in the Cardiff indie scene and soundtracking Budweiser adverts, the seven-piece’s musical evolution since then has been slow, steady and remarkable. From the frenzied chaos of debut album Hold On Now, Youngster… (2008) through 2010 breakthrough Romance is Boring and the self-mythologising of latter day highlights NO BLUES (2013) and Sick Scenes (2017), their discography is an interconnected web of niche references, big swings and unflinching honesty.
Making self-professed sleeper hits for weeping dipshits, they’re as influenced by The Beautiful South as they are US emo, with emotional intensity and connection always at the core. Their lyrics are a treasure trove of football references, tales of romantic woe and painfully frank exorcisms, which have been tattooed across hundreds of fans’ bodies and served as comfort and insight during that break-up you had (there’s a reason the band’s tagline is “your ex-girlfriend’s favourite band”).
Now with the release of All Hell, Los Camp! approach their third decade as a band more brilliant, more potent and more vital than ever.
More
Label:Innervisions
Cat-No:IVLP09
Release-Date:01.06.2018
Genre:Electronic
Configuration:Vinyl Album Excl
Label:Innervisions
Cat-No:IVLP09
Release-Date:01.06.2018
Genre:Electronic
Configuration:Vinyl Album Excl
1
Ame - The Line ft. Matthew Herbert
2
Ame - Queen Of Toys
3
Ame - Gerne ft. Gudrun Gut
4
Ame - Deadlocked ft. Roedelius
5
Ame - Blind Eye ft. Planningtorock
6
Ame - Positivland
7
Ame - Helliconia
8
Ame - Futuro Antico
9
Ame - No War
10
Ame - Give Me Your Ghost ft. Jens Kuross
11
Ame - Oldorado
Exclusive Wholesale Product . 2LP Gatefold Vinyl + Extensive Spot Varnish + Sticker
- Second album from Âme, first album since 2004;
- Featured guests: Matthew Herbert, Gudrun Gut, Planningtorock, Jens Kuross (ex Drummer RyX), Roedelius
Tracklist
A1 The Line ft. Matthew Herbert
A2 Queen Of Toys
A3 Gerne ft. Gudrun Gut
B1 Deadlocked ft. Roedelius
B2 Blind Eye ft. Planningtorock
B3 Positivland
C1 Helliconia
C2 Futuro Antico
D1 No War
D2 Give Me Your Ghost ft. Jens Kuross
D3 Oldorado
Short Info:
In the world of electronic dance music, Âme stand apart. Since 2003, the duo of Frank Wiedemann and Kristian Beyer have cut a singular path through techno, house, minimal, ambient and more with their anthemic singles and mixes. But 2018 reveals their finest achievement yet, their debut full-length album Dream House. It both sounds unmistakably like Âme and unlike anything you've ever heard from the duo, an evocative home listening journey enacted after 15 years spent crafting dancefloor weapons. More
- Second album from Âme, first album since 2004;
- Featured guests: Matthew Herbert, Gudrun Gut, Planningtorock, Jens Kuross (ex Drummer RyX), Roedelius
Tracklist
A1 The Line ft. Matthew Herbert
A2 Queen Of Toys
A3 Gerne ft. Gudrun Gut
B1 Deadlocked ft. Roedelius
B2 Blind Eye ft. Planningtorock
B3 Positivland
C1 Helliconia
C2 Futuro Antico
D1 No War
D2 Give Me Your Ghost ft. Jens Kuross
D3 Oldorado
Short Info:
In the world of electronic dance music, Âme stand apart. Since 2003, the duo of Frank Wiedemann and Kristian Beyer have cut a singular path through techno, house, minimal, ambient and more with their anthemic singles and mixes. But 2018 reveals their finest achievement yet, their debut full-length album Dream House. It both sounds unmistakably like Âme and unlike anything you've ever heard from the duo, an evocative home listening journey enacted after 15 years spent crafting dancefloor weapons. More
1
Ptaki - Czula Jest Noc
2
Ptaki - Nie Zabijaj
3
Ptaki - Warsaw
4
Ptaki - Ostatni Kurs
5
Ptaki - Skit 1
6
Ptaki - Stacja Zagluszania
7
Ptaki - Za Daleki Sen
8
Ptaki - Skit 2
9
Ptaki - Szoneczny Pyl
10
Ptaki - Deszczem
11
Ptaki - Gdy Nadchodzi Ksiezycowa Pora
12
Ptaki - Juz Tyle
13
Ptaki - Jelitkowo
14
Ptaki - Girlandy
Ptaki's sought after debut album "Przelot" , that originally got released on TRANSATLANTYK in 2015 ,is getting the reissue treatment on THE VERY POLISH CUT OUTS. After 9 years since its release the music on the album still sounds fresh and became one of the biggest classics in the polish electronic music underground. This time the album, will be for the first time pressed on 2LP, which means that all the tracks from the original CD version are included on the record.
The music of Ptaki has a depth and enduring quality that has clearly set them apart from contemporaries, and Przelot has given them a broader canvas to, pardon the pun, spread their wings. Familiar textures, acoustic guitars, rhodes and treated bass are assembled in a fresh and uplifting way as the duo seem unencumbered by any sense of homage or reverence to past masters. Cod Reggae (done well!), sleazy chuggers, and dreamy mid-tempo workouts sit easily alongside the Yacht Rock leanings and straight up blissed-out beach bar fare. All shot through with an undeniably Balearic sense of well being throughout.
A1 Czula Jest Noc
A2 Nie Zabijaj
A3 Warsaw
B1 Ostatni Kurs
B2 Skit 1
B3 Stacja Zagluszania
B4 Za Daleki Sen
B5 Skit 2
B6 Szoneczny Pyl
C1 Deszczem
C2 Gdy Nadchodzi Ksiezycowa Pora
D1 Juz Tyle
D2 Jelitkowo
D3 Girlandy
More
The music of Ptaki has a depth and enduring quality that has clearly set them apart from contemporaries, and Przelot has given them a broader canvas to, pardon the pun, spread their wings. Familiar textures, acoustic guitars, rhodes and treated bass are assembled in a fresh and uplifting way as the duo seem unencumbered by any sense of homage or reverence to past masters. Cod Reggae (done well!), sleazy chuggers, and dreamy mid-tempo workouts sit easily alongside the Yacht Rock leanings and straight up blissed-out beach bar fare. All shot through with an undeniably Balearic sense of well being throughout.
A1 Czula Jest Noc
A2 Nie Zabijaj
A3 Warsaw
B1 Ostatni Kurs
B2 Skit 1
B3 Stacja Zagluszania
B4 Za Daleki Sen
B5 Skit 2
B6 Szoneczny Pyl
C1 Deszczem
C2 Gdy Nadchodzi Ksiezycowa Pora
D1 Juz Tyle
D2 Jelitkowo
D3 Girlandy
More
1
Monolink - Amniotic
2
Monolink - Black Day
3
Monolink - Sirens
4
Monolink - Rearrange My Mind
5
Monolink - Frozen
6
Monolink - Father Ocean
7
Monolink - Swallow
8
Monolink - Take Me Home
9
Monolink - Riverman
10
Monolink - Return To Oz
11
Monolink - Burning Sun
WORLD EXCLUDING GERMANY, SWITZERLAND, AUSTRIA (GSA),AUSTRALIA, NEW ZEALAND.
1CD, Special remarks : 4 page Digipack ( no booklet)
Tracklist CD:
01 Amniotic
02 Black Day
03 Sirens
04 Rearrange My Mind
05 Frozen
06 Father Ocean
07 Swallow
08 Take Me Home
09 Riverman
10 Return To Oz
11 Burning Sun
Short release info:
Berlin's own Steffen Linck, a multi-instrumentalist known as Monolink, announces his debut album Amniotic, due April 20th via Embassy of Music subsidy Embassy One.
It is the experiential nature of Monolink's music that defies the muddy definition of modern live electronic music. Armed with a singular blend of Berlin underground culture with the pop-leaning sensibility of American electronica, Steffen transports listeners into his own realm of sonic exploration. The music is pillared by emotive guitar tones, analog synth stabs and, for the first time, his own vocals - acting as a singular point of departure for this budding talent.
Amniotic stands as Monolink's first complete body of work, following his 2017 EP 'Burning Sun' via Sol Selectas, and 'The End', a collaborative record with Acid Pauli in 2015.
More
1CD, Special remarks : 4 page Digipack ( no booklet)
Tracklist CD:
01 Amniotic
02 Black Day
03 Sirens
04 Rearrange My Mind
05 Frozen
06 Father Ocean
07 Swallow
08 Take Me Home
09 Riverman
10 Return To Oz
11 Burning Sun
Short release info:
Berlin's own Steffen Linck, a multi-instrumentalist known as Monolink, announces his debut album Amniotic, due April 20th via Embassy of Music subsidy Embassy One.
It is the experiential nature of Monolink's music that defies the muddy definition of modern live electronic music. Armed with a singular blend of Berlin underground culture with the pop-leaning sensibility of American electronica, Steffen transports listeners into his own realm of sonic exploration. The music is pillared by emotive guitar tones, analog synth stabs and, for the first time, his own vocals - acting as a singular point of departure for this budding talent.
Amniotic stands as Monolink's first complete body of work, following his 2017 EP 'Burning Sun' via Sol Selectas, and 'The End', a collaborative record with Acid Pauli in 2015.
More