Tracklist:
A1. Out In The Ferns
A2. Cherry Bomb
B1. Gamma
B2. Never

Shortinfo:
With the second record for Misfit Melodies and the fourth for the Running Back universe, Robert Dietz solidifies and hones his very own sound.
Heartfelt and emotive, a slice of lovers acid works as the prelude to an EP of IDM patterns, classic house tropes and something that is as much fun as it is funky. "Great Hormones at Bed Time" owes the same amount of money to Detroit as it does to Frankfurt am Main. Definitely no lullabies here.
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Tracklist:
A1. Vitello Tornado
A2. Kinda Nice
B1. Shesout
B2. Quadruples
B3. B-Ebene

Shortinfo:
They expect me to write something informative about the tracks on this EP here but I find it really difficult to express music in words. On top of it I went out last night, to Club Der Visionäre, and I feel hungover and empty inside my head. So now I'm sitting here and all I can think of is, "can't you just take a listen to the music?!"
The EP contains 5 tracks all made in the last couple of lousy summer months here in Berlin in nostalgia for the better days. It's about house and a bit of electro, no gimmicks.
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Special Remarks:
Tracklist:
A. Parmacy A2. Telepathic People B1. Bone Apple Tea B2. I'm Sorry For What I Said When I Was Hungry
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Tracklist:
A1. Prom Night A2. Okasio B1. Kleptogracy B2. Whoja Vu

Shortinfo:
4th Release
4 Tracks
4 Times Fun For The Floors For 4 Different Times Of The Night.
Stop reading rather listen.
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UPC: 827170578463 Release : 19.01.2015
Special remarks : 12" with printed sleeve, 180g Vinyl, Endlos-Loop-Rille A & B side, B3 Vinyl Only - Gimmick
Tracklist A1 Radio Raheem A2 C.A.C B1 7 Turn arounds feat. Eddie Fowlkes B2 Orion feat. Markus Fix
Shortinfo:
Named after Internet abbreviation 'TBT', Truth Be Told is the acclaimed label of DJ and producer Robert Dietz. He created the label along with close friend and business partner Hendrik Schneider, combining their visions to infuse an alternative from what's current in the electronic music world right now, Truth Be Told Records aims for originality, creativity, and boasts music with character. Dietz launches his imprint, making sure the label's commitment to innovation remains at the forefront no matter how much action is taking place in the background. He not only uniquely focuses on exposing other artists to the limelight; he continues to make new music of his own in his own way. Dietz returns to the scene of notably fresh house grooves that the Frankfurt producer has recently excelled in. This works alongside a vision that is as much in line with that of his patient, confident evolution as a DJ Producer. Here responsible for an array of exciting talent, Truth Be Told sees Dietz welcome a development trend and take a proud step into the heart of the labels A&R process.
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UPC: 4260148770845 Release : 14.7..2014
Tracklist 12": A1. Pherrox A2. Sweatshop B1. Mind Trap B2. Who Am I
Short info:
FRANKFURT'S ROBERT DIETZ FIRST SOLO RELEASE ON DESOLAT
Robert Dietz has been one of the most consistent producers around in recent years, with releases on a diverse assortment of labels including Cecille, Cadenza, Running Back and Saved Records. While Robert's 'Your So Hood' track featured on the Desolat X Sampler back in March, then this will be his long-awaited debut solo release on Desolat, and as one would expect from such a talented producer it is a an striking EP.
'Pherrox' kicks the EP off in startling style. The track has a brooding tone and trudges along, characterised by a sharp beat and a dark distorted vocal, with computerised stabs piercing the soundscape. 'Sweatshop' follows in a different vein and builds, with punchy hi-hats, acid bass, spoken word samples, a panning siren combining brilliantly and resulting in a medley of hedonistic vibes.
Next up is 'Who Am I', which takes a techier-tangent and sees an off-kilter beat, another gloriously manipulated vocal, and percussion spirals effortlessly merge on this mechanical monster. Rounding things up is 'Mind Trap', which is another robotic mutation featuring a disfigured vocal, electronic squelches, and swirling pulses of bass.
On the 'X' EP it is clear that Robert has lived up to his billing as one of the most consistently brilliant producers over the last few years. The X EP is evidence that Robert Dietz has drawn upon all his years of experience to craft an accomplished debut record for Desolat full of distorted textures, striking details and mechanical sounds.
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Barcode: 827170510166 Rel date 26.8.2013
Special Remarks: 12 Inch Single with stickered sleeve
Tracklist: A1.Common A2. Doul B1.Nostlajack B2. Interrude
Robert Dietz returns to Running Back with old fashioned Frankfurt sounds techno soul leanings, Rhein-Neckar ambient, bold melody moves and Todd Terry rave house reminiscences. 4 tracks 4 hits 4 you 4 ever.
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Cadenza's latest release comes from a man who has made an undisputable impact on a host of A-list labels since he first began spreading his unique and invigorating sound spectrum in 2008. Hailing from Frankfurt and dividing his time between a hectic touring schedule that see's him travel the world and his studio where he compiles his exciting and technically compound productions , Robert Dietz joins Cadenza for the second time with the 'Slinger' EP.
Eclipsing the A-side is the percussion heavy and show stopper "Pandemic". Infused with sheer funk and relentless groove from its initial doors, "Pandemic" screams of sweat drenched dance floors, grinding movement and unstoppable force. Rebellious and cheeky in its sexual Latino wriggle yet modern and forward thinking in its structure; tight guitars pluck excitedly between intricate rhythm sections; so fast and furious that lines blur and beats blend in a never ending affair with the dance floor. Steaming ever forward with wriggling motion, this belting house track cannot help but infect as it rises and falls, pushes and pulls until exhaustion. Fitting its title like a glove, "Pandemic" is infectious and gripping with jazzy piano melodies and thunderous musicality. As a digital bonus, "Amesons Dub Mix" of "Pandemic" encases the original in a steel and echoing interpretation; hardened edges of metallic drums slide between piercing brass projections for a dub infused and contrasting mix.
On the flip, "Red Tops" is an adrenaline pumped fairground ride; exhilarating, dangerous and manic the smacking hand claps, jazzy cymbal crashes and spiralling drum rolls make way for a lush and rolling b-line with speeding hat's. Slurring sensually, Dietz's lyrics of "Like to ride, like to get high, like to feel the ride" say it all with their rich attitude, naughty nature and reckless allure. Summer may be drawing to an end but the "Slinger" EP is fiercely rhythmic, rife with texture and streams bright light shafts across our dance floors as darkness ascends.
Tracklisting:
A1 - Pandemic - Original Mix
B1 - Red Tops



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Are you feeling energetic? Actually, don't even bother answering. Because after hearing Robert Dietz' "Soup Opera," you'll have stamina for days. It's a charging, standup bass burner that puts house sounds to techno purposes; it's a wolf in sheep's clothing, a rainstorm at the open-air-a monster, simply put, that leaves you drenched and grinning from ear to ear. Frankfurt's Dietz has been on fire for the past couple of years, turning out tight, percussive and above all memorable tech-house concoctions for the likes of Runing Back and Cecille Numbers, but none of his productions to date have had the full-on intensity of "Soup Opera." Raw, Chicago hi-hats lash out against a rising/falling bassline as midrange drones and fluttering tones keep frothing higher and higher; the way he mans the filters feels more like sculpture than music, carving away the bass to create a dizzying sense of floating in space, until gravity comes crashing home again. Laced with birdsong, "Aurel in Wonderland" is a more pastoral affair, dappled with rich, acoustic percussive sounds, its African palette opening up into a bittersweet minor-key melody. For all its sensitive heart, the track's got backbone, with a whipcrack jack offset by supple, unquantized drums; beat after beat, it's a slack rope pulled taut, and the force sends you soaring into a galaxy of butterflies.
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[12” EP] incl. 13 Tracks for download

GENRE/S: House

TRACKLISTS:

Vinyl:
A1 Who We Are w/ Felix Raphael
A2 Alright
A3 Dark Sun

B1 Last Call
B2 Repeat The Good w/ Wolfson
B3 Momentum

Download:
1. Hidden Empire - Dawn Interlude
2. Hidden Empire - Modesty
3. Hidden Empire - Avalanche
4. Hidden Empire & Felix Raphael - Who We Are
5. Hidden Empire & Wolfson - Repeat the Good
6. Hidden Empire - Last Call
7. Hidden Empire - Vivid
8. Hidden Empire - Rebel
9. Hidden Empire - Alright
10. Hidden Empire - Momentum
11. Hidden Empire - Dark Sun
12. Hidden Empire - Savasana
13. Hidden Empire & Felix Raphael - Who We Are (Instrumental)

SHORT INFO:

Following in the footsteps of "Mind Palace" and "Lost Spirits", respectively issued in 2018 and 2021, Hidden Empire return to Stil vor Talent with their eagerly anticipated third studio full-length, "Momentum". Going the same route that came to define their sound throughout the years, Branko Novakovic and Niklas Schäfers cook a savvy mix of deep electroid flavours and prog techno magnitude which flourishes in the long-playing format. Orbiting the frontier between proper no-nonsense, floor-focussed effectiveness and a trademark exploratory take on electronics, Hidden Empire here delivers one of their most accomplished slices to date, which not only spans the largest span of their many-faceted influences, from tribal anchorage to hypermodern escapology, but breathes a truly epic wind into it.

Draped in luscious, silken envelopes and easternmost ambiences, "Dawn" gets the ball rolling on a mystique-imbued note, halfway meditation-friendly material and square-shouldered club busting wares. Moving into Afro-infused house grounds, "Modesty" finds Branko and Niklas heading for the deeper end of the spectrum, as they pull out a clinically precise blender of rattling percussions, opaque incantations, lush synth swashes and verbed-out machine talk, tailored for nightly boogie rituals in the forest. "Avalanche" opts for a more brooding, deadlier approach. Cutting its path away from prying eyes, this one finds Hidden Empire pulling the stealth weaponry to absolute hypnotic effect - perfect for serious in-between peak time business with its thick, thriller-like tension, mist-shrouded atmosphere and surgical focus. Featuring Felix Raphael on vocals, "Who We Are", is a pop-influenced chugger that perhaps best defines Hidden Empire's ambivalent style, both hi-NRG and innervated with a melancholy that infuses down to the bass and most functional elements. Geared up for big-room traction with its seesawing synths and clinical drumwork, Raphael's moving timbre does more than offer a sensible counterpoint to the track's overall sturdy backbone, it takes it to a whole other dimension completely.

"Repeat The Good" ft. Wolfson balances out a fast-ticking groove with those subtle melodic lines Hidden Empire champion to astounding vibrancy, offering a particularly satisfying glimpse into their vortical imaginarium, whereas "Last Call" has us journeying to straight out Moroder-esque territories, flush with the aptly configured palette of fuzzy space disco bass, fast-paced Italo churn and vocodized talk for good measure. All in breaks and chopped-up euphoria, "Vivid" runs the hoodoo down in muscular fashion and with impressive levels of energy throughout, all set at cranking up the heat one notch further, while "Rebel" provides us with the kind of rough-around-the-edges EBM horsepower and neon-clad synth engineering that'll get the basement in a state of alert. Encompassing all of the pair's idiosyncratic merger of styles - from pop-laced Italo to spaced-out techno wares, through jagged motorik and heavily mecched-out jacking house, "Alright" shows off Hidden Empire's wide arsenal of pyrotechnics under the most compelling of lights. A more openly jagged and quirky weapon that hatches into a full-fledged solar number around the half, "Momentum" roars up the club's highway at full throttle, proving a formidable asset when it comes to plunging dancers into a state of weird, left-of-centre euphoria.

A stroboscopic eclipse is predicted as "Dark Sun" enters the room, deploying its obscure wingspan over the ravers, not quite a bad omen as it lets more light in with every bar, its brittle piano lines and heart-wrenching vocals cutting a path into the crowd's pulsating hearts. Graceful as Hidden Empire's music can be, a moment of utter exhilarating beauty. "Savasana" wraps up the voyage with a pure slab of cyphered 4x4 seduction, as an ASMR-like voice guides us across the soul-questioning haze that blankets our pathway onto a luminous finale. A piece of elusive nature, clearly designed for the club and yet telling a tale of off-piste initiation through twelve fascinating movements, "Momentum" will undoubtedly etch on the listeners' mind as one of the German pair's most strikingly powerful emanations.



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- 3x12“ gatefold vinyl – with turquoise foil embossing

Tracklisting:

LP
1. (A1) Sven Väth – Silvi‘s Dream (Damiano Von Erckert Remix)
2. (A2) Sven Väth – What I Used To Play (Roman Flügel Remix)
3. (B1) Sven Väth – The Worm (Robag Wruhme Remix)
4. (B2) Sven Väth – We Are (Jonathan Kaspar Remix)
5. (C1) Sven Väth – Feiern (Krystal Klear Remix)
6. (C2) Sven Väth – Mystic Voices (Benjamin Damage Remix)
7. (D1) Sven Väth – Nyx (PAS Deep Heet Remix)
8. (D2) Sven Väth – Butoh (Robert Hood Remix)
9. (E1) Sven Väth – Nyx (Planetary Assault Systems Remix)
10. (E2) Sven Väth – Being In Love (Harald Björk Remix)
11. (F1) Sven Väth – Catharsis (Mano Le Tough Remix)
12. (F2) Sven Väth – Silvi‘s Dream (Florian Hollerith Remix)

The life-affirming energy at the heart of Sven Väth‘s recent album Catharsis is revisited, reanimated,
and remixed by some of the most exciting names around, closing the circle on a superlative burst of
recent work that has not only given us the epic original LP, but also the extraordinary compilation What
I Used To Play.

Roman Flügel, Benjamin Damage, Robert Hood, Planetary Assault Systems, Mano Le Tough… do we
need to go on? This hand-picked list of luminaries have answered the call and certainly don’t
disappoint, each fusing their signature sound with Sven‘s DNA to create a wild, uncompromising
companion piece to the original album.

True to form, the running order is very much rooted on the dance floor, Silvi‘s Dream, revisited by
Damiano von Erckert, explodes like a Balearic sunrise. Dreamy strings with a touch of Detroit create a
lovely atmosphere while the beautiful piano sound goes right into your heart and appears as if you
could feel the warm sun on your skin. Roman Flügel’s acidic rework of What I Used To Play is a
homage to the 80s and the early sound of electronic music which creates nostalgic feelings and offers
a greatly produced retro soundscape à la Kraftwerk. Staying close to the original, but with the perfect
amount of spin, it’s a symbiotic interplay of synthetic bass pads, and a tiny bell melody. Robag
Wruhme’s cranking minimal funk takes us down The Worm-hole. A concise interference sound builds
up sustained tension, tangled but structured, deep and yet driving. Robag took over the deep and dirty
rhythms of the original perfectly and delivers a versatile piece. This opening salvo oozes quality and
sets things up perfectly for the electrified celebration of hi-octane technology come.

Jonathan Kaspar‘s growling interpretation of We Are provides a melancholic atmosphere with
fascinating percussion parts. Zaps shoot through the air like small laser pistols while we let ourselves
be carried away by the bass, the frisky vocal stutter effect is the icing on the cake. Speeding things up,
the euphoric trance that engulfs Krystal Klear’s epic version of Feiern. Expansive strings increase up
to ecstasy and guide us to a love-filled unity. This remix is sure to be an excellent peak-time smasher
for the open-air season. On to a wild ride of pure techno with Benjamin Damage, who delivers a dry
and uncompromising Berlin Techno version of Mystic Voices. Harder pace but the string synthesizer
harmony brings light to an otherwise gloomy environment. Next up is Luke Slater’s PAS Deep Heet
Mix to add a retro nineties vibe to proceedings on Nyx. Entering a rough space with gigantic clap
impacts, we are blessed with straightforward Techno. Shimmering and spooling, this groove hits the
mark. Then, as if it was ever in doubt, Sven‘s lofty place in the techno firmament is underlined by a
peak-time contribution by non-less than Detroit legend Robert Hood. Unmistakable, you must
recognize the signature Robert Hood drive on Butoh. Chord stabs fulfill the Detroit feeling with offtaking string elements and high-energy vocal transformations. It’s a warm embrace that triggers
emotions. Planetary Assault Systems then blasts things ever deeper into the cosmos on a second
outing of Nyx. Reduced and to the point but of course, true to form, with powerful tribal percussion
parts and intensive cutting hi-hats.

From there on in, the collection gradually re-enters the atmosphere, burning with a phosphorescent,
melancholy glow. Harald Björk extrapolates Being In Love into a hypnotic groove for the early hours. A
playful and atmospheric electronica interpretation to soothe our souls due to disharmonious synth
pads and a dreamy deformation of the original melody. Mano Le Tough harnesses the ethno-rhythms
and brooding energy of Catharsis into a low-slung, tribal stomper. Anomalous organ parts ring out and
link up with a trance-like sequence, summer feelings arouse as you feel like you can almost smell
Ibizan air. The collection comes full circle with a second equally seductive interpretation of Silvi‘s
Dream by Florian Hollerith. Stripped-down and hypnotic, the homage to Sven's girlfriend Silvi is
extended as a reverence to Sven himself. Sven's profound vocals clearly infuse time and space and
leave a forever-lasting memory of love.

By accident or design, it somehow leaves us with the reassuring sense that, although this specific part
of the journey may be drawing to a close, the mission of the man behind it all most definitely isn't.

written & produced by: Sven Väth & Gregor Tresher More

2LP + 12 track MP3 download

Vinyl:
A1. Caravana de los Elefantitos / A2. La Veleta / A3. Copal / B1. Dear Mexican Jungle / B2. Serpiente del Ritmo feat. ELIH / B3. Cryptozoology feat. Walter Scalzone / C1. Made of Cashmere / C2. Agitation w/ Niko Schwind / C3. Synesthesia feat. Felix Raphael / D1. Picture w/ Niko Schwind feat. Judith Ahrends / D2. A Starseed’s Journey

Mp3 Download:
1. Caravana de los Elefantitos / 2. La Veleta / 3. Copal / 4. Picture w/ Niko Schwind feat. Judith Ahrends / 5. Made of Cashmere / 6. Synesthesia feat. Felix Raphael / 7. Dear Mexican Jungle / 8. Serpiente del Ritmo feat. ELIH / 9. Cryptozoology feat. Walter Scalzone / 10. Agitation w/ Niko Schwind / 11. A Starseed’s Journey / 12. Turn feat. Wennink


Short info:

EN

On 'Made of Wood', his ninth full-length album since 2007, Oliver Koletzki embodies the seasoned craftsman, carving out his deeply personal sonic sculptures with a confident, learned hand, while experimenting with a broad range of thrilling ideas and fresh textures. The result is an organically flowing, yet decisively shaped work of art, that naturally concludes a trilogy of albums Koletzki embarked on releasing with 'The Arc of Tension' and followed with 'Fire in the Jungle'.

Initially written in Tulum, Mexico, during the pre-pandemic winter of 2019, 'Made of Wood' is physically entwined with the primeval forests that continue to inspire its maker: In the subsequent year it took to complete the album in Berlin, Oliver, aided by numerous live musicians and vocalists, brought his sketches to life with a focus on wooden instruments like djembes, marimbas, santoors or duduks, sculpting a natural sound that's warm in timbre, rich in groove and literally made of wood.

Thanks to the imperfection of the human hand, the album sings with a bold vibrance that stretches from the LP's slow carnivalesque opener 'Caravana De Los Elefantitos' to the blue horns and Wennink's lamenting coos on the concluding ballad 'Turn'. Intermediately, Koletzki's rhythmic explorations take the shape of mythic odes ('Dear Mexican Jungle'), boisterous tribal dances ('La Veleta'), floor-focussed shakers ('Copal'), handpan-driven epics ('Cryptozoology' feat. Walter Scalzone) or subdued oriental belters ('Serpiente Del Ritmo' feat. ELIH) – emphasising his control over light and dark tonalities, over organic and synthetic sounds alike. Most strikingly, Oliver slowly breaks away from the album's natural feel in the mid-section, in which the disorienting, abstract stunner 'Picture' (with Niko Schwind & Judith Ahrends) rubs shoulders with the synth-crescendos of the bouncy 'Made of Cashmere', while the 14-minute long meditation 'A Starseed's Journey' makes for a powerful penultimate breather later on.

Next to the meticulous attention to instrumentation and his instinctive touch, these twists and turns underline that Koletzki feels entirely at ease on 'Made of Wood' – like the true artisan he is.



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Tracklist:

(1) Gregor Tresher – Black Halo (DE-Q20-23-00015)
(2) Gregor Tresher – Phantom Dancer (DE-Q20-23-00016)


Cocoon Recordings' next 12” vinyl comes from a well-known face. No introduction needed as nobody less than Gregor Tresher once again delivers a superb and surprising pair of tracks.

“Black Halo” is down-the-line and perhaps one of the catchiest tracks by Gregor Tresher.
The wobbling driving bassline builds up a rising tension that increases through the vast, detuned, and powerful string parts appearing to extend out to light years, reaching far beyond. Zaps drive the rhythm forward while rushing cymbals push the groove and weld everything together to absolute unity. For Gregor, techno and club culture have certain transcendental qualities, “Black Halo” is concerned with these sentiments and tells an ambivalent story. The onset of bliss oscillates between melancholy and hope, making it an exuberant roller coaster of emotions. A classic Gregor Tresher track, which perfectly represents Gregor’s signature sound!

“Phantom Dancer” literally pulls you onto the dance floor. Discharging beats, which hit you heavily but pleasant. The atmosphere violently evolves with a twisted noise-like signal sound and gets even more brute through the low-pitched filter vocals. An exceptionally deep techno production by Gregor Tresher, which will definitely come to full fruition in the clubs at peak time.



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Tracklist 12":

A1 Gome - Elevator Man
A2 Gome & David Bay – Television
B1 Gome - Elevator Man (Mike Dunn BlackBall Remix)
B2 Gome - Elevator Man (Telephones Remix)

New record by Gome with fat remixes by Mike Dunn and Telephones.




















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